Today's Birthdays

François Devienne (1759-1803)
Franz Schubert (1797-1828)
Caroline Miolan‑Carvalho (1827-1895)
Ernest John Moeran (1894-1950)
Silvestre Revueltas (1899-1940)
Nathan Milstein (1904-1992)
Benjamin Frankel (1906-1973)
Alan Lomax (1915-2002)
Jaap Schröder (1925)
Odetta (1930-2008)
Philip Glass (1937)
Stephen Cleobury (1948)
Donna Summer (1948-2012)
George Benjamin (1960)
Jennifer Higdon (1962)

and

Henri Matisse (1869-1954)
Zane Grey (1872-1939)
John O'Hara (1905-1970)
Thomas Merton (1915-1968)

Today's Birthdays

Johann Joachim Quantz (1697-1773)
Charles Martin Loeffler (1861-1935)
Walter Damrosch (1862-1950)
Mitch Leigh (1928-2014)
Lynn Harrell (1944)
Silvia Marcovici (1952)
Gerald Finley (1960)

and

Franklin D. Roosevelt (1882-1945)
Barbara Tuchman (1912-1989)
Shirley Hazzard (1931-2016)
Richard Brautigan (1935-1984)

Today's Birthdays

Georg Christoph Wagenseil (1715-1777)
Daniel-François-Esprit Auber (1782-1871)
Frederic Hymen Cowen (1852-1935)
Frederick Delius (1862-1934)
Havergal Brian (1876-1972)
Blanche Selva (1884-1942)
Luigi Nono (1924-1990)
Myer Fredman (1932-2014)
Malcolm Binns (1936)
Cho-Liang Lin (1960)

and

W. C. Fields (1880-1946)
Thomas Paine (1737-1809)
Anton Chekhov (1860-1904)
Edward Abbey (1927-1989)

and from the Composers Datebook:

On this day in 1826 was the premiere of Schubert's String Quartet in D minor, "Death and the Maiden," as a unrehearsed reading at the Vienna home of Karl and Franz Hacker, two amateur musicians. Schubert, who usually played viola on such occasions, could not perform since he was busy copying out the parts and making last-minute corrections.

Today's Birthdays

Antonio Bartolomeo Bruni (1757-1821)
Ferdinand Herold (1791-1833)
Alexander Mackenzie (1822-1892)
Arthur Rubinstein (1887-1982)
Vittorio Rieti (1898-1994)
Michael Head (1900-1976)
Ronnie Scott (1927-1996)
Acker Bilk (1929-2014)
Sir John Tavener (1944-2013)
Richard Danielpour (1956)

and

Colette (1873-1954)
Jackson Pollock (1912-1956)
Claes Oldenburg (1929)
David Lodge (1935)

Today's Birthdays

Wolfgang Amadeus Mozart (1756-1791)
Juan Crisostomo Arriage (1806-1826)
Edouard Lalo (1823-1892)
Jerome Kern (1885-1945)
Jack Brymer (1915-2003)
Skitch Henderson (1918-2005)
Helmut Zacharias (1920-2002)
Fritz Spiegl (1926-2003)
John Ogdon (1937-1989)
Jean-Philippe Collard (1948)
Emanuel Pahud (1970)
James Ehnes (1976)

and

Lewis Carroll (1832-1898)
Dmitry Mandeleyev (1834-1907)
Mikhail Baryshnikov (1948)

Today's Birthdays

Johann Christoph Friedrich Bach (1732-1795)
Maria Augusta von Trapp (1905-1987)
Stéphane Grappelli (1908-1997)
Jimmy Van Heusen (1913-1990)
Warren Benson (1924-2005)
Jacqueline du Pré (1945-1987)
Frédéric Lodéon (1952)
Mikel Rouse (1957)
Gustavo Dudamel (1981)

and

Mary Mapes Dodge (1831-1905)
Seán MacBride (1904-1988)
Jules Feiffer (1929)
Christopher Hampton (1946)
Ellen DeGeneres (1958)

and from the Composers Datebook:

On this day in 1790, Mozart's opera, "Così fan tutte," was premiered in Vienna at the Burgtheater.

Preview of weekend's pops concert in The Columbian

My preview of the Vancouver Symphony's pops concert with Susannah Mars and the Portland Gay Men's Chorus was print in today's Columbian newspaper. Here is a link to the article.

Today's Birthdays

Jan Blockx (1851-1912)
Wilhelm Furtwängler (1886-1954)
Julia Smith (1905-1989)
Witold Lutoslawski (1913-1994)
Alfred Reed (1921-2005)
Etta James (1938-2012)
Russell Peck (1945-2009)

and

Robert Burns (1759-1796)
W. Somerset Maugham (1874-1965)
Virginia Woolf (1882-1941)

Today's Birthdays

Farinelli (Carlo Maria Broschi) (1705-1782)
Frederick II the Great (1712-1786)
Muzio Clementi (1752-1832)
E. T. A. Hoffmann (1776-1822)
Evelyn Barbirolli (1911-2008)
Norman Dello Joio (1913-2008)
Gottfried von Einem (1918-1996)
Leon Kirchner (1919-2009)
Neil Diamond (1941)
Yuri Bashmet (1953)
Warren Zevon (1947-2003)

and

William Congreve (1670-1729)
Edith Wharton (1862-1937)
Desmond Morris (1928)

Today's Birthdays

Muzio Clementi (1752-1832)
Rutland Boughton (1878-1960)
Django Reinhardt (1910-1953)
Milton Adolphus (1913-1988)
Eli Goren (1923-2000)
Cécile Ousset (1936)
Teresa Zylis-Gara (1936)
John Luther Adams (1953)
Mason Bates (1977)

and

Stendhal (1783-1842)
Edouard Manet (1832-1883)
Derek Walcott (1930-2017)

And from the Composers Datebook:

On this day in 2894, Czech composer Antonin Dvorák presents a concert of African-American choral music at Madison Square Concert Hall in New York, using an all-black choir, comprised chiefly of members of the St. Philip's Colored Choir. On the program was the premiere performance of Dvorák's own arrangement of Stephen Foster's "Old Folks at Home," which featured vocal soloists Sissierette Jones and Harry T. Burleigh.

Today's Birthdays

Claude-Bénigne Balbastre (1727-1799)
Charles Tournemire (1870-1939)
Hans Erich Apostel (1901-1972)
Robin Milford (1903-1959)
Rosa Ponselle (1897-1981)
Henri Dutilleux (1916-2013)
William Warfield (1920-2002)
Leslie Bassett (1923-2016)
James Louis ("J.J.") Johnson (1924-2001)
Aurèle Nicolet (1926-2016)
Uto Ughi (1944)
Myung-whun Chung (1953)

and

Francis Bacon (1561-1626)
Gotthold Ephraim Lessing (1729-1781)
Lord Byron (1788-1824)
August Strindberg (1849-1912)
Sergei Eisenstein (1898-1948)
Howard Moss (1922-1987)
Joseph Wambaugh (1937)

and from the Composers Datebook:

On this day, in 1907, the Metropolitan Opera production of R. Strauss' opera "Salome," with soprano Olive Fremstad in the title role, creates a scandal. The opera is dropped after a single performance, and not staged at the Met again until the 1930s.

Today's Birthdays

Henri Duparc (1848-1933)
Alexander Tcherepnin (1899-1977)
Webster Booth (1902-1984)
Placido Domingo (1941)
Richie Havens (1941-2013)
Edwin Starr (1942-2003)
Suzanne Mentzer (1957)
Frank Ticheli (1958)

and

Louis Menand (1952)

Today's Birthdays

Johann Hermann Schein (1586-1630)
Ernest Chausson (1855-1899)
Julius Conus (1869-1942)
Józef Hofmann (1876-1957)
Huddie William Ledbetter (Lead Belly) (1889-1949)
Walter Piston (1894-1976)
Eva Jessye (1895-1992)
Yvonne Loriod (1924-2010)
David Tudor (1926-1996)
Antonio de Almeida (1928-1997)
Iván Fischer (1951)

and

George Burns (1896-1996)
Alexandra Danilova (1903-1997)
Federico Fellini (1920-1993)
Edward Hirsch (1950)
Tami Hoag (1959)

Today's Birthdays

Louis‑Nicolas Clérambault (1676-1749)
George Frederick Bristow (1825-1898)
Fritz Reiner (1885-1963)
Paul Dessau (1894-1979)
Edith Piaf (1915-1963)
Dalton Baldwin (1931)
Phil Ochs (1940-1976)
William Christie (1944)
Marianne Faithfull (1946)
Olaf Bär (1957)
Steven Esserlis (1958)
Rebecca Saunders (1967)

and

Italo Svevo (1861-1928)
Constance Garnett (1861-1946)

Today's Birthdays

César Cui (1835-1918)
Emmanuel Chabrier (1841-1894)
John Laurence Seymour (1893-1986)
Berthold Goldschmidt (1903-1996)
Anthony Galla-Rini (1904-2006)
John O'Conor (1947)
Anthony Pople (1955-2003)
Christoph Prégardien (1956)

and

Peter Mark Roget (1779-1869)
Rubén Darío (1867-1916)
A. A. Milne (1882-1956)
Oliver Hardy (1892-1957)

FYI: Roget's "Thesaurus" has never been out of print since it was first published in 1852.

and from the Composers Datebook:

On this day in 1958, "What Does Music Mean?", broadcast, the first of a series of televised New York Philharmonic "Young People's Concerts" on CBS-TV hosted by Leonard Bernstein. The series continued until 1972, with 53 different programs hosted by Bernstei

Today's Birthdays

Benjamin Franklin (1706-1790)
John Stanley (1712-1786)
Johann Gottfried Müthel (1728-1788)
François‑Joseph Gossec (1734-1829)
Henk Badings (1907-1987)
Oscar Morawetz (1917-2007)
Annie Delorie (1925-2009)
Donald Erb (1927-2008)
Jean Barraqué (1928-1973)
Sydney Hodkinson (1934)
Dame Gillian Weir (1941)
Anne Queffélec (1948)
Augustin Dumay (1949)
Nancy Argenta (1957)
Gérard Pesson (1958)

and

Anne Brontë 1820-1849)
William Stafford (1914-1993)
Luis López Nieves (1950)
Sebastian Junger (1962)

and from the Composers Datebook:

On this day in 1919, Polish composer and pianist Ignaz Jan Paderewski becomes premiere of Poland.

Today's Birthdays

Niccoló Piccinni (1728-1800)
Daisy Kennedy (1893-1981)
Ernesto Halffter (1905-1989)
Roger Wagner (1914-1992)
Ernesto Bonino (1922-2008)
Pilar Lorengar (1928-1996)
Marilyn Horne (1934)
Richard Wernick (1934)
Gavin Bryars (1943)
Brian Ferneyhough (1943)
Katia Ricciarelli (1946)

and

Robert Service (1874-1958)
Anthony Hecht (1923-2004)
William Kennedy (1928)
Susan Sontag (1933-2004)
Mary Karr (1955)
Lin-Manuel Miranda (1980)

Today's Birthdays

Ivor Novello (1893-1951)
Elie Siegmeister (1909-1991)
Malcolm Frager (1935-1991)
Don "Captain Beefheart" Van Vliet (1941-2010)
Aaron Jay Kernis (1960)

and

Molière (1622-1673)
Franz Grillparzer (1791-1872)
Andreas William Heinesen (1900-1991)
Martin Luther King Jr. (1929-1968)

and from the Composers Datebook:

On this day in 1941 Messiaen's "Quartet for the End of Time" was premiered at Stalag VIII-A, a German prisoner of war camp in Görlitz (Silesia), with the composer at the piano and fellow-prisoners Jean Le Boulaure (violin), Henri Akoka (clarinet) and Etienne Pasquier (cello).

Today's Birthdays

Ludwig von Köchel (1800-1877)
Jean de Reszke (1850-1925)
Albert Schweitzer (1875-1965)
Louis Quilico (1925-2000)
Zuzana Ruzickova (1927-2017)
Siegmund Nimsgern (1940)
Mariss Jansons (1943)
Kees Bakels (1945)
Nicholas McGegan (1950)
Ben Heppner (1956)
Andrew Manze (1965)

and

John Dos Passos (1896-1970
Emily Hahn (1905-1997)
Maureen Dowd (1952)

Funny stuff. Oregon Symphony delivers a quirky, rewarding Zimmerman, Shostakovich program.

Johannes Moser

The Oregon Symphony put together a program of divers emotional effect on Saturday January 12th. Pairing the brooding intensity of Shostakovich's first cello concerto with Bernd Alois Zimmerman's absurdist Music for the Suppers of King Ubu (with some Rossini and Rimsky-Korsakov thrown in to boot), the programming was ambitious and imaginative.

The eclectic opening work by Zimmermann, known for his quotations and pastiche,  consisted of eight short movements with a short standup routing by local comic Jason Traeger in between each one. Traeger's bits were (by and large) pretty funny; some were downright scarily insightful and hilarious, fitting for a work that is by Zimmerman's own words a cautionary tale about what can happen to a liberal elite when a dictator takes over.

Featuring quotations from Mussorgsky, Bach, Wagner, Richard Strauss and others, the farcical nature of the work established itself right off the bat. The work was littered with honking, squawking eructations from the brass, syncopated eruptions by the percussion--the entire piece was a giant finger in the eye to the elite and their pretensions. Delightful and joyous baroque dances and quotations by Bach ensued in the third movement. In the fourth, entitled Pile, Cotise and the Bear, the tuba and contrabasses seemed to dare the audience not to hear the great beast shambling onto the stage. The Phynancial Horse and the Lackeys of Phynance had all the stentorian stuffiness of a wealthy captain of industry putting on public airs with no pants on. Glorious dissonances from the ensemble, strangely delicate and clunky simultaneously, preceded and ominous, fast-paced executioner's march heading into a quote of Die Walkure and the finale. This was a weird and wonderful piece that was almost too much fun for everyone involved.

Following a delightful Tancredi overture by Rossini, Shostakovich's Cello Concerto No. 1 in E-flat Major was the meat of the evening. Cellist Johannes Moser, beginning a 3-year artist-in-residence position with OSO, displayed an emotional dexterity immediately. Playing with an almost understated sonority--a pure, thorough and direct realization--he quickly metamorphosed into intense perturbation--a wailing, warbling tremolo that grabbed at the heart strings. Technically, the evenness of the difficult chordal passages and remarkable cantando he brought to bear were absolutely vital to understanding this piece which, like most Shostakovich, couldn't be described as upbeat or effortlessly accessible. His singing passages were subsumed by an incessant, suffocating motility from the orchestra; Moser bore up like a beset wanderer at the center of a tempest.

The Moderato was completely different--Moser played it like a lyrical threnody, but almost too weary to be terribly sad. In the high registes he played with the tenderest tremolando, so like a violin, and the trio between the soloist playing harmonics, clarinet and celesta was otherworldly. A prosaic intro in to the Cadenza exploded into an impassioned outburst--varying styles of pizzicato, and a his flawless realization of a fantastically difficult simultaneous pizz and arco section highlighted the amazing breadth of the palette from which Moser can draw. His tenure as OSO's artist-in-residence should be an exciting and rewarding one indeed.

The overture from Rimsky-Korsakov's Russian Easter Festival closed out the evening. Concert master Sarah Kwak was in fine form with several lonely, mysterious solo segments, and the trombones were simply glorious in their perfect unisons. This was a great showcase for the ensemble, and an energetic finale to a fascinating, daring and diverse all-around program from Maestro Kalmar and Co.