Caroline Miolan‑Carvalho (1827-1895)
Ernest John Moeran (1894-1950)
Silvestre Revueltas (1899-1940)
Nathan Milstein (1904-1992)
Jule Styne (1925-1994)
Jaap Schröder (1925)
Odetta (1930-2008)
Stephen Cleobury (1948)
Donna Summer (1948)
Jennifer Higdon (1962)
and
Henri Matisse (1869-1954)
Nicholas Sparks (1965)
Junot Díaz (1968)
Northwest Reverb - Reflections by James Bash and others about classical music in the Pacific Northwest and beyond - not written by A.I.
Saturday, December 30, 2017
Today's Birthdays
William Croft (1678-1727)
André Messager (1853-1929)
Joseph Bohuslav Foerster (1859-1951)
Alfred Einstein (1880-1952)
Dmitri Kabalevsky (1904-1987)
Paul Bowles (1910-1999)
Sir David Willcocks (1919-2015)
Bo Diddley (1928-2008)
Bruno Canino (1935)
June Anderson (1950)
Stephen Jaffe (1954)
Antonio Pappano (1959)
and
Theodor Fontane (1819-1898)
Rudyard Kipling (1865-1936)
Sara Lidman (1923-2004)
And from the Composers Datebook:
On this day in 1879 was the premiere of Gilbert & Sullivan's operetta "The Pirates of Penzance," in Paignton at the Royal Bijou (partial preview to insure British copyright). The first full performance of the new work occurred at the Fifth Avenue Theater in New York City the following day, with Sullivan conducting and Gilbert in attendance. The New York premiere was arranged to register American copyright of the new work and pre-empt unauthorized "pirate" productions in the U.S..
André Messager (1853-1929)
Joseph Bohuslav Foerster (1859-1951)
Alfred Einstein (1880-1952)
Dmitri Kabalevsky (1904-1987)
Paul Bowles (1910-1999)
Sir David Willcocks (1919-2015)
Bo Diddley (1928-2008)
Bruno Canino (1935)
June Anderson (1950)
Stephen Jaffe (1954)
Antonio Pappano (1959)
and
Theodor Fontane (1819-1898)
Rudyard Kipling (1865-1936)
Sara Lidman (1923-2004)
And from the Composers Datebook:
On this day in 1879 was the premiere of Gilbert & Sullivan's operetta "The Pirates of Penzance," in Paignton at the Royal Bijou (partial preview to insure British copyright). The first full performance of the new work occurred at the Fifth Avenue Theater in New York City the following day, with Sullivan conducting and Gilbert in attendance. The New York premiere was arranged to register American copyright of the new work and pre-empt unauthorized "pirate" productions in the U.S..
Friday, December 29, 2017
Today's Birthdays
Tomás Bretón (1850-1923)
Pablo Casals (1876-1973)
Lionel Tertis (1876-1975)
Yves Nat (1890-1956)
Peggy Glanville-Hicks (1912-1990)
Billy Tipton (1914-1989)
and
William Gaddis (1922-1998)
And from the Composers Datebook:
On this day in 1903 took place the first concert by the Seattle Symphony at Christensen's Hall in Seattle under the baton of violinist Harry F. West. The program includes music of Massenet, Bruch, Schubert and Rossini.
Pablo Casals (1876-1973)
Lionel Tertis (1876-1975)
Yves Nat (1890-1956)
Peggy Glanville-Hicks (1912-1990)
Billy Tipton (1914-1989)
and
William Gaddis (1922-1998)
And from the Composers Datebook:
On this day in 1903 took place the first concert by the Seattle Symphony at Christensen's Hall in Seattle under the baton of violinist Harry F. West. The program includes music of Massenet, Bruch, Schubert and Rossini.
Thursday, December 28, 2017
Today's Birthdays
Christian Cannabich (1731-1798)
Julius Rietz (1812-1877)
B. J. Lang (1837-1909)
Francesco Tamagno (1850-1905)
Roger Sessions (1896-1985)
Earl "Fatha" Hines (1905-1983)
Johnny Otis (1921-2012)
Nigel Kennedy (1956)
and
Charles Portis (1933)
Julius Rietz (1812-1877)
B. J. Lang (1837-1909)
Francesco Tamagno (1850-1905)
Roger Sessions (1896-1985)
Earl "Fatha" Hines (1905-1983)
Johnny Otis (1921-2012)
Nigel Kennedy (1956)
and
Charles Portis (1933)
Wednesday, December 27, 2017
Today's Birthdays
Sir John Goss (1800-1880)
Tito Schipa (1888-1965)
Marlene Dietrich (1904-1992)
Oscar Levant (1906-1972)
and
Johannes Kepler (1571-1630)
Charles Olson (1910-1970)
Wilfrid Sheed (1930-2011)
Chris Abani (1966)
Sarah Vowell (1969)
And from the Composers Datebook:
On this day in 1841, Franz Liszt performs at the Singakademie in Berlin. Women swooned and the general audience reacts with such uncontrolled enthusiasm that Heinrich Heine coins the term "Lisztomania" to describe their fanatical devotion to the performer, which soon swept through most of Europe.
Tito Schipa (1888-1965)
Marlene Dietrich (1904-1992)
Oscar Levant (1906-1972)
and
Johannes Kepler (1571-1630)
Charles Olson (1910-1970)
Wilfrid Sheed (1930-2011)
Chris Abani (1966)
Sarah Vowell (1969)
And from the Composers Datebook:
On this day in 1841, Franz Liszt performs at the Singakademie in Berlin. Women swooned and the general audience reacts with such uncontrolled enthusiasm that Heinrich Heine coins the term "Lisztomania" to describe their fanatical devotion to the performer, which soon swept through most of Europe.
Tuesday, December 26, 2017
Today's Birthdays
Leopold Mannes (1899-1964)
Maurice Gendron (1920-1990)
Thea King (1925-2007)
Earle Brown (1926-2002)
Phil Specter (1940)
Wayland Rogers (1941)
Harry Christophers (1953)
Andre-Michel Schub (1953)
and
Thomas Gray (1716-1771)
Henry Miller (1891-1980)
Jean Toomer (1894-1867)
Juan Felipe Herrera (1948)
David Sedaris (1958)
Maurice Gendron (1920-1990)
Thea King (1925-2007)
Earle Brown (1926-2002)
Phil Specter (1940)
Wayland Rogers (1941)
Harry Christophers (1953)
Andre-Michel Schub (1953)
and
Thomas Gray (1716-1771)
Henry Miller (1891-1980)
Jean Toomer (1894-1867)
Juan Felipe Herrera (1948)
David Sedaris (1958)
Monday, December 25, 2017
Today's Birthdays
Orlando Gibbons (1583-1625)
Jean‑Joseph de Mondonville (1711-1772)
Chevalier de Saint‑George (1745-1799)
Cosima Wagner (1837-1930)
Lina Cavalieri (1874-1944)
Giuseppe de Luca (1876-1950)
Gladys Swarthout (1900-1969)
Cab Calloway (1907-1994)
Noël Lee (1924-2013)
Noel Redding (1945-2003)
Jon Kimura Parker (1959)
Ian Bostridge (1964)
and
Dorothy Wordsworth (1771-1855)
Clara Barton (1821-1912)
Rod Serling (1924-1975)
Jean‑Joseph de Mondonville (1711-1772)
Chevalier de Saint‑George (1745-1799)
Cosima Wagner (1837-1930)
Lina Cavalieri (1874-1944)
Giuseppe de Luca (1876-1950)
Gladys Swarthout (1900-1969)
Cab Calloway (1907-1994)
Noël Lee (1924-2013)
Noel Redding (1945-2003)
Jon Kimura Parker (1959)
Ian Bostridge (1964)
and
Dorothy Wordsworth (1771-1855)
Clara Barton (1821-1912)
Rod Serling (1924-1975)
Sunday, December 24, 2017
Today's Birthdays
Peter Cornelius (1824-1874)
Nikolai Roslavets (1881-1944)
Lucrezia Bori (1887-1960)
Charles Wakefield Cadman (1881-1946)
Sir Vivian Dunn (1908-1995)
Teresa Stich-Randall (1927-2007)
Mauricio Kagel (1931-2008)
Arnold Östman (1939)
Libby Larsen (1950)
Hans-Jürgen von Bose (1953)
and
Matthew Arnold (1822-1888)
Dana Gioia (1950)
and from The Writer's Almanac
Today is Christmas Eve. One of the best modern Christmas Eve stories is a true one, and it happened in 1914, in the trenches of World War I. The “war to end all wars” was raging, but German and British soldiers had been engaging in unofficial ceasefires since mid-December. The British High Command was alarmed, and warned officers that fraternization across enemy lines might result in a decreased desire to fight. On the German side, Christmas trees were trucked in and candles lit, and on that Christmas Eve in 1914, strains of Stille Nacht — “Silent Night” — reached the ears of British soldiers. They joined in, and both sides raised candles and lanterns up above their parapets. When the song was done, a German soldier called out, “Tomorrow is Christmas; if you don’t fight, we won’t.”
The next day dawned without the sound of gunfire. The Germans sent over some beer, and the Brits sent plum pudding. Enemies met in no man’s land, exchanging handshakes and small gifts. Someone kicked in a soccer ball, and a chaotic match ensued. Details about this legendary football match vary, and no one knows for sure exactly where it took place, but everyone agrees that the Germans won by a score of three to two.
At 8:30 a.m. on December 26, after one last Christmas greeting, hostilities resumed. But the story is still told, in a thousand different versions from up and down the Western Front, more than a century later.
On Christmas Eve in 1906, the first radio program was broadcast. Canadian-born Professor Reginald Aubrey Fessenden sent his signals from the 420-foot radio tower of the National Electric Signaling Company, at Brant Rock on the Massachusetts seacoast. Fessenden opened the program by playing “O Holy Night” on the violin. Later he recited verses from the Gospel of St. Luke, then broadcast a gramophone version of Handel’s “Largo.” His signal was received up to five miles away.
And from the Composers Datebook:
On this day in 1920, the last operatic appearance ever of the Italian tenor Enrico Caruso took place in an evening performance of Halevy's "La Juive" (The Jewess) at the old Metropolitan Opera in New York City. Caruso would die in Naples (where he made his operatic debut on March 15, 1895) at the age of 48 on August 2, 1921.
Nikolai Roslavets (1881-1944)
Lucrezia Bori (1887-1960)
Charles Wakefield Cadman (1881-1946)
Sir Vivian Dunn (1908-1995)
Teresa Stich-Randall (1927-2007)
Mauricio Kagel (1931-2008)
Arnold Östman (1939)
Libby Larsen (1950)
Hans-Jürgen von Bose (1953)
and
Matthew Arnold (1822-1888)
Dana Gioia (1950)
and from The Writer's Almanac
Today is Christmas Eve. One of the best modern Christmas Eve stories is a true one, and it happened in 1914, in the trenches of World War I. The “war to end all wars” was raging, but German and British soldiers had been engaging in unofficial ceasefires since mid-December. The British High Command was alarmed, and warned officers that fraternization across enemy lines might result in a decreased desire to fight. On the German side, Christmas trees were trucked in and candles lit, and on that Christmas Eve in 1914, strains of Stille Nacht — “Silent Night” — reached the ears of British soldiers. They joined in, and both sides raised candles and lanterns up above their parapets. When the song was done, a German soldier called out, “Tomorrow is Christmas; if you don’t fight, we won’t.”
The next day dawned without the sound of gunfire. The Germans sent over some beer, and the Brits sent plum pudding. Enemies met in no man’s land, exchanging handshakes and small gifts. Someone kicked in a soccer ball, and a chaotic match ensued. Details about this legendary football match vary, and no one knows for sure exactly where it took place, but everyone agrees that the Germans won by a score of three to two.
At 8:30 a.m. on December 26, after one last Christmas greeting, hostilities resumed. But the story is still told, in a thousand different versions from up and down the Western Front, more than a century later.
On Christmas Eve in 1906, the first radio program was broadcast. Canadian-born Professor Reginald Aubrey Fessenden sent his signals from the 420-foot radio tower of the National Electric Signaling Company, at Brant Rock on the Massachusetts seacoast. Fessenden opened the program by playing “O Holy Night” on the violin. Later he recited verses from the Gospel of St. Luke, then broadcast a gramophone version of Handel’s “Largo.” His signal was received up to five miles away.
And from the Composers Datebook:
On this day in 1920, the last operatic appearance ever of the Italian tenor Enrico Caruso took place in an evening performance of Halevy's "La Juive" (The Jewess) at the old Metropolitan Opera in New York City. Caruso would die in Naples (where he made his operatic debut on March 15, 1895) at the age of 48 on August 2, 1921.
Saturday, December 23, 2017
Reviews of Portland Opera in Opera magazine
My reviews (trimmed down a bit) of Portland Opera's productions from 2017 have been published in the December issue of Opera magazine.
Today's Birthdays
Joseph Boismortier (1689-1755)
Ross Lee Finney (1906-1997
Claudio Scimone (1934)
Ross Edwards (1943)
Edita Gruberová (1946)
Elise Kermani (1960)
Han-Na Chang (1982)
and
Harriet Monroe (1860-1936)
Norman Maclean (1902–1990)
Robert Bly (1926)
Carol Ann Duffy (1955)
And from the Composers Datebook:
On this day in 1989, Leonard Bernstein led the first of two public performances of Beethoven's Ninth at the Philharmonie in West Berlin, with an international orchestra assembled to celebrate the fall of the Berlin Wall. The second performance occurred on December 25 at the Schauspielhaus in East Berlin.
Ross Lee Finney (1906-1997
Claudio Scimone (1934)
Ross Edwards (1943)
Edita Gruberová (1946)
Elise Kermani (1960)
Han-Na Chang (1982)
and
Harriet Monroe (1860-1936)
Norman Maclean (1902–1990)
Robert Bly (1926)
Carol Ann Duffy (1955)
And from the Composers Datebook:
On this day in 1989, Leonard Bernstein led the first of two public performances of Beethoven's Ninth at the Philharmonie in West Berlin, with an international orchestra assembled to celebrate the fall of the Berlin Wall. The second performance occurred on December 25 at the Schauspielhaus in East Berlin.
Friday, December 22, 2017
Today's Birthdays
Carl Friedrich Abel (1723-1787)
Giovanni Bottesini (1821-1889)
Giacomo Puccini (1858-1924)
Franz Schmidt (1874-1939)
Edgard Varèse(1883-1965)
Joseph Deems Taylor (1885-1966)
Alan Bush (1900-1995)
Andre Kostelanetz (1901-1980)
David Leisner (1953)
Jean Rigby (1954)
Zhou Tian (1981)
and
Jean Racine (1639-1699)
Kenneth Rexroth (1905-1982)
Donald Harrington (1935-2009)
Giovanni Bottesini (1821-1889)
Giacomo Puccini (1858-1924)
Franz Schmidt (1874-1939)
Edgard Varèse(1883-1965)
Joseph Deems Taylor (1885-1966)
Alan Bush (1900-1995)
Andre Kostelanetz (1901-1980)
David Leisner (1953)
Jean Rigby (1954)
Zhou Tian (1981)
and
Jean Racine (1639-1699)
Kenneth Rexroth (1905-1982)
Donald Harrington (1935-2009)
Thursday, December 21, 2017
Today's Birthdays
Zdeněk Fibich (1850-1900)
André Turp (1925-1991)
Frank Zappa (1940-1993)
Roger Lasher Nortman (1941)
Michael Tilson Thomas (1944)
András Schiff (1953)
Kim Cascone (1955)
Thomas Randle (1958)
Jonathan Cole (1970)
and
Benjamin Disraeli (1804-1881)
Maud Gonne (1866-1953)
Edward Hoagland (1932)
André Turp (1925-1991)
Frank Zappa (1940-1993)
Roger Lasher Nortman (1941)
Michael Tilson Thomas (1944)
András Schiff (1953)
Kim Cascone (1955)
Thomas Randle (1958)
Jonathan Cole (1970)
and
Benjamin Disraeli (1804-1881)
Maud Gonne (1866-1953)
Edward Hoagland (1932)
Wednesday, December 20, 2017
Today's Birthdays
Henry Hadley (1871-1937)
Vagn Holmboe (1909-1996)
Gordon Getty (1933)
John Harbison (1938)
Roger Woodward (1942)
Mitsuko Uchida (1948)
and
Elizabeth Benedict (1954)
Sandra Cisneros (1954)
Nalo Hopkinson (1960)
Vagn Holmboe (1909-1996)
Gordon Getty (1933)
John Harbison (1938)
Roger Woodward (1942)
Mitsuko Uchida (1948)
and
Elizabeth Benedict (1954)
Sandra Cisneros (1954)
Nalo Hopkinson (1960)
Tuesday, December 19, 2017
Today's Birthdays
Louis‑Nicolas Clérambault (1676-1749)
George Frederick Bristow (1825-1898)
Fritz Reiner (1885-1963)
Paul Dessau (1894-1979)
Edith Piaf (1915-1963)
Dalton Baldwin (1931)
Phil Ochs (1940-1976)
William Christie (1944)
Marianne Faithfull (1946)
Olaf Bär (1957)
Steven Esserlis (1958)
Rebecca Saunders (1967)
and
Italo Svevo (1861-1928)
Constance Garnett (1861-1946)
and from The Writer's Almanac:
It’s the birthday of French chanteuse Édith Piaf (1915). Piaf was born Édith Giovanna Gassion in Belleville, on the outskirts of Paris. Her mother was a café singer and a drug addict, and her father was a street performer who specialized in acrobatics and contortionism. Neither of them particularly cared for Piaf, so she mostly grew up with her grandmother, who ran a brothel. Piaf was looked after by prostitutes and later claimed that she was blind from the ages of three to seven because of keratitis, or malnutrition, though this was never proved.
Her father reclaimed her when she was nine and Piaf began singing with him on street corners until he abandoned her again. She lived in shoddy hotel rooms in the red-light district of Paris and sang in a seedy café called Lulu’s, making friends with pimps, hookers, lowlifes, and gamblers, until she was discovered by an older man named Louis Leplée.
Leplée ran a nightclub off the Champs-Élysées. He renamed Piaf La Môme Piaf, “The Little Sparrow,” dressed her entirely in black, and set her loose on the stage. Piaf was a hit, and recorded two albums in one year, becoming one of the most popular performers in France during World War II.
Édith Piaf died on the French Riviera at the age of 47. More than 40,000 people came to her funeral procession. Soviet astronomer Lyudmila Karachkina named a small planet after Piaf; it’s called 3772 Piaf. Her songs have been covered by Madonna, Grace Jones, and even Donna Summer.
Édith Piaf’s last words were, “Every damn thing you do in this life, you have to pay for.”
George Frederick Bristow (1825-1898)
Fritz Reiner (1885-1963)
Paul Dessau (1894-1979)
Edith Piaf (1915-1963)
Dalton Baldwin (1931)
Phil Ochs (1940-1976)
William Christie (1944)
Marianne Faithfull (1946)
Olaf Bär (1957)
Steven Esserlis (1958)
Rebecca Saunders (1967)
and
Italo Svevo (1861-1928)
Constance Garnett (1861-1946)
and from The Writer's Almanac:
It’s the birthday of French chanteuse Édith Piaf (1915). Piaf was born Édith Giovanna Gassion in Belleville, on the outskirts of Paris. Her mother was a café singer and a drug addict, and her father was a street performer who specialized in acrobatics and contortionism. Neither of them particularly cared for Piaf, so she mostly grew up with her grandmother, who ran a brothel. Piaf was looked after by prostitutes and later claimed that she was blind from the ages of three to seven because of keratitis, or malnutrition, though this was never proved.
Her father reclaimed her when she was nine and Piaf began singing with him on street corners until he abandoned her again. She lived in shoddy hotel rooms in the red-light district of Paris and sang in a seedy café called Lulu’s, making friends with pimps, hookers, lowlifes, and gamblers, until she was discovered by an older man named Louis Leplée.
Leplée ran a nightclub off the Champs-Élysées. He renamed Piaf La Môme Piaf, “The Little Sparrow,” dressed her entirely in black, and set her loose on the stage. Piaf was a hit, and recorded two albums in one year, becoming one of the most popular performers in France during World War II.
Édith Piaf died on the French Riviera at the age of 47. More than 40,000 people came to her funeral procession. Soviet astronomer Lyudmila Karachkina named a small planet after Piaf; it’s called 3772 Piaf. Her songs have been covered by Madonna, Grace Jones, and even Donna Summer.
Édith Piaf’s last words were, “Every damn thing you do in this life, you have to pay for.”
Monday, December 18, 2017
Today's Birthdays
Charles Wesley (1707-1788)
Carl Maria von Weber (1786-1826)
Edward MacDowell (1860-1908)
Fletcher Henderson (1897-1952)
Rita Streich (1920-1987)
William Boughton (1948)
David Liptak (1949)
Christopher Theofanidis (1967)
and
Saki - H. H. Munro (1870-1916)
Paul Klee (1879-1940)
Christopher Fry (1907-2005)
Abe Burrows (1910-1985)
Carl Maria von Weber (1786-1826)
Edward MacDowell (1860-1908)
Fletcher Henderson (1897-1952)
Rita Streich (1920-1987)
William Boughton (1948)
David Liptak (1949)
Christopher Theofanidis (1967)
and
Saki - H. H. Munro (1870-1916)
Paul Klee (1879-1940)
Christopher Fry (1907-2005)
Abe Burrows (1910-1985)
Sunday, December 17, 2017
Today's Birthdays
Domenico Cimarosa (1749-1801)
Ludwig van Beethoven (1770-1827)
Arthur Fiedler (1894-1979)
Sir Noel Coward (1899-)
Ray Noble (1903-1975)
William Wordsworth (1908-1988)
Rodion Shchedrin (1932)
Art Neville (1937)
and
John Greenleaf Whittier (1807-1892)
Ford Madox Ford (1873-1939)
William Safire (1929-2009)
John Kennedy Toole (1937-1969)
and from The Writer's Almanac:
It's the day that The Nutcracker ballet was performed for the first time in St. Petersburg, Russia (1892). Czar Alexander III, in the audience, loved the ballet, but the critics hated it. Tchaikovsky wrote that the opera that came before The Nutcracker "was evidently very well liked, the ballet not. ... The papers, as always, reviled me cruelly." Tchaikovsky died of cholera less than a year later, before The Nutcracker became an international success.
Ludwig van Beethoven (1770-1827)
Arthur Fiedler (1894-1979)
Sir Noel Coward (1899-)
Ray Noble (1903-1975)
William Wordsworth (1908-1988)
Rodion Shchedrin (1932)
Art Neville (1937)
and
John Greenleaf Whittier (1807-1892)
Ford Madox Ford (1873-1939)
William Safire (1929-2009)
John Kennedy Toole (1937-1969)
and from The Writer's Almanac:
It's the day that The Nutcracker ballet was performed for the first time in St. Petersburg, Russia (1892). Czar Alexander III, in the audience, loved the ballet, but the critics hated it. Tchaikovsky wrote that the opera that came before The Nutcracker "was evidently very well liked, the ballet not. ... The papers, as always, reviled me cruelly." Tchaikovsky died of cholera less than a year later, before The Nutcracker became an international success.
Saturday, December 16, 2017
Today's Birthdays
François Adrien Boieldieu (1775-1834)
Augusta Holmès (1847-1903)
Zoltán Kodály (1882-1967)
Turk Murphy (1915-1987)
Steve Allen (1921-2000)
Dame Thea King (1925-2007)
Alice Parker (1925)
Kenneth Gilbert (1931)
Philip Langridge (1939-2010)
Trevor Pinnock (1946)
Isabelle van Keulen (1966)
and
Jane Austin (1775-1817)
George Santayana (1863-1952)
Wassily Kandinsky (1866-1944)
Noël Coward (1899-1973)
V. S. Pritchett (1900-1997)
Augusta Holmès (1847-1903)
Zoltán Kodály (1882-1967)
Turk Murphy (1915-1987)
Steve Allen (1921-2000)
Dame Thea King (1925-2007)
Alice Parker (1925)
Kenneth Gilbert (1931)
Philip Langridge (1939-2010)
Trevor Pinnock (1946)
Isabelle van Keulen (1966)
and
Jane Austin (1775-1817)
George Santayana (1863-1952)
Wassily Kandinsky (1866-1944)
Noël Coward (1899-1973)
V. S. Pritchett (1900-1997)
Friday, December 15, 2017
Vancouver Symphony whips up the warmth with holiday pops concert
The Vancouver Symphony whipped up some frothy and light-hearted treats for its holiday concert on Sunday evening (December 11), rounding out the year on a high note. The large audience at Skyview Concert Hall lapped up the assortment of traditional favorites as well as the newer selections from cinema. Music director Salvador Brotons and forces drew music from Central Europe, Russia, and America for the holiday program.
The orchestra created an atmosphere of Gemütlichkeit (geniality and friendliness) from the start with a few polkas and waltzes by Johann Strauss Jr. “Voices of Spring” conjured images of dancers swirling about in an elegant ballroom. It was followed by a lively performance of the “Tritsch-Tratsch Polka” with its more rustic and jokey style. The musicians at one point yelled out a “Whoo” as if they were dancing along, and the audience chuckled a bit when that happened.
Concertmaster Eve Richey nicely set the mood with the introductory solo to “Wiener Blut,” and the orchestra swept in with just the right amount of Schmaltz (sentimentality). “The Blue Danube” featured excellent performances by principal cello Dieter Ratzlaf and principal horn Dan Partridge.
Changing the tempo and dynamics ever-so-slightly, Brotons and company made sure that both waltzes had just a bit of swing. To heighten the mood, “Wiener Blut” was briefly accompanied by a video of scenes from Vienna and “The Blue Danube” was complimented by postcard-perfect views along the famous river.
From Russia, the orchestra played music from “The Nutcracker Suite.” The musicians caught the spirit of Tchaikovsky’s beloved ballet, but some of their playing needed to be a little lighter and tighter. Still there was much to enjoy, including the celeste-tones from the synthesizer with Michael Liu at the keyboard. The “Arabian Dance” featured a smooth and exotic sound from the woodwinds. Unfortunately the “Chinese Dance” got off to a false start and had to be reset. Oboist Karen Strand, English hornist Kris Klavik and the three flutists (Rachel Rencher, Corrie Cook, and Darren Cook) fashioned lovely passages in “Reed-Flutes,” and the orchestra wrapped things up in grand style with sensitive playing of the “Waltz of the Flowers.”
From the American side of the menu, the orchestra gave a brisk and delightful rendition of Leroy Anderson’s Sleigh Ride with the ensemble flexing their big band muscles at the end of the piece and principal trumpet Bruce Dunn executing one of the best neighing horse sounds ever. Anderson’s “A Christmas Festival” provided an excellent survey of popular carols and a couple of secular pieces that had listeners' heads bobbing along.
Drawing from popular holiday movies, the audience relished a medley of tunes from “Frozen” and “Polar Express.” “Frozen” featured the stomping of feet and a poignant solo by concertmaster Richey. The selections from “Polar Express “ were motoric and lyric, expressing lots of uplifting optimism for the end of the year.
Ending the concert with the “Radetzky March” by Johann Strauss Sr., Brotons got the entire audience involved in clapping during the refrains. His enthusiasm was immediately contagious. Who can resist getting the conductor to hop up and down on the podium? The audience made the most of its chance to make music with the orchestra, and there were smiles everywhere to prove it.
The orchestra created an atmosphere of Gemütlichkeit (geniality and friendliness) from the start with a few polkas and waltzes by Johann Strauss Jr. “Voices of Spring” conjured images of dancers swirling about in an elegant ballroom. It was followed by a lively performance of the “Tritsch-Tratsch Polka” with its more rustic and jokey style. The musicians at one point yelled out a “Whoo” as if they were dancing along, and the audience chuckled a bit when that happened.
Concertmaster Eve Richey nicely set the mood with the introductory solo to “Wiener Blut,” and the orchestra swept in with just the right amount of Schmaltz (sentimentality). “The Blue Danube” featured excellent performances by principal cello Dieter Ratzlaf and principal horn Dan Partridge.
Changing the tempo and dynamics ever-so-slightly, Brotons and company made sure that both waltzes had just a bit of swing. To heighten the mood, “Wiener Blut” was briefly accompanied by a video of scenes from Vienna and “The Blue Danube” was complimented by postcard-perfect views along the famous river.
From Russia, the orchestra played music from “The Nutcracker Suite.” The musicians caught the spirit of Tchaikovsky’s beloved ballet, but some of their playing needed to be a little lighter and tighter. Still there was much to enjoy, including the celeste-tones from the synthesizer with Michael Liu at the keyboard. The “Arabian Dance” featured a smooth and exotic sound from the woodwinds. Unfortunately the “Chinese Dance” got off to a false start and had to be reset. Oboist Karen Strand, English hornist Kris Klavik and the three flutists (Rachel Rencher, Corrie Cook, and Darren Cook) fashioned lovely passages in “Reed-Flutes,” and the orchestra wrapped things up in grand style with sensitive playing of the “Waltz of the Flowers.”
From the American side of the menu, the orchestra gave a brisk and delightful rendition of Leroy Anderson’s Sleigh Ride with the ensemble flexing their big band muscles at the end of the piece and principal trumpet Bruce Dunn executing one of the best neighing horse sounds ever. Anderson’s “A Christmas Festival” provided an excellent survey of popular carols and a couple of secular pieces that had listeners' heads bobbing along.
Drawing from popular holiday movies, the audience relished a medley of tunes from “Frozen” and “Polar Express.” “Frozen” featured the stomping of feet and a poignant solo by concertmaster Richey. The selections from “Polar Express “ were motoric and lyric, expressing lots of uplifting optimism for the end of the year.
Ending the concert with the “Radetzky March” by Johann Strauss Sr., Brotons got the entire audience involved in clapping during the refrains. His enthusiasm was immediately contagious. Who can resist getting the conductor to hop up and down on the podium? The audience made the most of its chance to make music with the orchestra, and there were smiles everywhere to prove it.
Today's Birthdays
Michel‑Richard Delalande (1657-1726)
Lotte Schöne (1891-1981)
Stan Kenton (1911-1979)
Ida Haendel (1924)
Eddie Palmieri (1936)
Nigel Robson (1948)
Jan Latham-Koenig (1953)
and
Ludwig Lazarus Zamenhof (1859-1917)
Maxwell Anderson (1888-1959)
Freeman Dyson (1923)
Friedensreich Hundertwasser (1928-2000)
Edna O'Brien (1930)
Lotte Schöne (1891-1981)
Stan Kenton (1911-1979)
Ida Haendel (1924)
Eddie Palmieri (1936)
Nigel Robson (1948)
Jan Latham-Koenig (1953)
and
Ludwig Lazarus Zamenhof (1859-1917)
Maxwell Anderson (1888-1959)
Freeman Dyson (1923)
Friedensreich Hundertwasser (1928-2000)
Edna O'Brien (1930)
Thursday, December 14, 2017
Today's Birthdays
Maria Agata Szymanowska (1789-1831)
Joseph Jongen (1873-1953)
Georges Thill (1897-1984)
Spike Jones (1911-1965)
Rosalyn Tureck (1914-2003)
Dame Ruth Railton (1915-2001)
Ron Nelson (1929)
Christopher Parkening (1947)
Thomas Albert (1948)
John Rawnsley (1949)
and
Shirley Jackson (1919-1965)
Amy Hempel (1951)
Joseph Jongen (1873-1953)
Georges Thill (1897-1984)
Spike Jones (1911-1965)
Rosalyn Tureck (1914-2003)
Dame Ruth Railton (1915-2001)
Ron Nelson (1929)
Christopher Parkening (1947)
Thomas Albert (1948)
John Rawnsley (1949)
and
Shirley Jackson (1919-1965)
Amy Hempel (1951)
Wednesday, December 13, 2017
Today's Birthdays
Alexis de Castillon (1838-1873)
Josef Lhévinne (1874-1944)
Eleanor Robson Belmont (1879-1979)
Samuel Dushkin (1891-1976)
Victor Babin (1908-1972)
Alvin Curran (1938)
and
Mary Todd Lincoln (1818-1882)
Kenneth Patchen (1911-1972)
James Wright (1927-1980)
Lester Bangs (1948-1982)
And from the Composers Datebook:
On this day in 1836, at a musical soiree at Chopin's apartments in Paris, the female writer "George" Sand, determined to make a good impression with her host, arrives wearing white pantaloons and a scarlet sash (the colors of the Polish flag). Paris Opéra tenor Adolphe Nourit sings some Schubert songs, accompanied by Franz Liszt. Liszt and Chopin play Moschele's Sonata in Eb for piano four-hands.
Josef Lhévinne (1874-1944)
Eleanor Robson Belmont (1879-1979)
Samuel Dushkin (1891-1976)
Victor Babin (1908-1972)
Alvin Curran (1938)
and
Mary Todd Lincoln (1818-1882)
Kenneth Patchen (1911-1972)
James Wright (1927-1980)
Lester Bangs (1948-1982)
And from the Composers Datebook:
On this day in 1836, at a musical soiree at Chopin's apartments in Paris, the female writer "George" Sand, determined to make a good impression with her host, arrives wearing white pantaloons and a scarlet sash (the colors of the Polish flag). Paris Opéra tenor Adolphe Nourit sings some Schubert songs, accompanied by Franz Liszt. Liszt and Chopin play Moschele's Sonata in Eb for piano four-hands.
Tuesday, December 12, 2017
Watts stumbles with Grieg in all-Nordic program with the Oregon Symphony
André Watts has been one of the most popular artists over many, many years with the Oregon Symphony. I can still recall him riveting the audience with an electrifying performance of one of Beethoven’s piano concertos with the orchestra when they still played in Keller Auditorium (then called Civic Auditorium). Watts has consistently been one of the very best soloists to play with the orchestra. That’s why it was sad to see him experience problems in playing Grieg’s piano concerto with the orchestra at the Arlene Schnitzer Concert Hall on Saturday (December 2), due to apparent memory slips.
According to Wikipedia, Watts suffered from a subdural hematoma in 2004 and has more recently recovered from prostate cancer, but whatever the reason, the famous piano encountered noticeable problems when he got lost in the cadenza in the first movement. He recovered and found his way out of it, receiving encouraging applause after finishing it. But his playing in the slow second movement had some missed notes and he was not to be able to get into the flow of the lyrical music. In the third movement he continued to struggle with passages, and seemed to get angry with himself, making some of the quieter phrases too loud. Conductor Carlos Kalmar took care of the situation by giving Watts a few helpful cues just in case. After the piece concluded someone from the audience brought a bouquet of flowers to the stage, and there was plenty of applause, but there was a lot of talk during the intermission as to what had happened. Being one of America’s favorite pianists, one can only how that the performance was just a brief aberration to an otherwise brilliant career.
The Grieg was to centerpiece of an all-Nordic program with works by Jean Sibelius, Carl Nielsen, and Joonas Kikkonen. British conductor Leo Hussain was scheduled to lead the program, but a family emergency interrupted. So Kalmar, the Oregon Symphony’s music director, stepped in to save the day.
The surprisingly delightful piece on the program was Kokkonen’s “Symphonic Sketches,” a short work in three movements that began with a slow, unrelenting heartbeat from the percussion section, which stayed in the background as the strings painted a lush landscape that became slightly exotic – accented by the bassoon (Evan Kuhlmann) in an oddly high register. The second movement was brief and agitated with lively rhythms that bounced along. The third created a ponderous atmosphere with a high, spun sound from the strings, a stately brass choir, followed by long lines from the strings and the return of the quiet heartbeat in the percussion.
The orchestra superbly performed Sibelius’s “Valse triste” with the softest, most exquisite tone – as if playing in a faded, grand ballroom from a bygone era. They followed it with an incisive performance of Nielsen’s Fifth Symphony. A relentless, bristling march impelled by the snare drum (Niel DePonte), signaled the ominous threat of war in spite of the calmer and more harmonious sounds from the orchestra, such as the woodwinds evoking the sound of fluttering birds. That exchange of peaceful and warlike sounds continued throughout the first movement, ending with a plaintive glimmer from the clarinet (James Shields) against the warning of an offstage snare drum. The second movement escalated into a near cacophony of sound with trumpets rising above it all. The strings were scintillating as they flew through lightning-fast passages. A wild ride by the clarinet (Shields) cried out in jubilation followed by alovely, lyrical melody for the strings, indicating a triumph of the good and positive.
According to Wikipedia, Watts suffered from a subdural hematoma in 2004 and has more recently recovered from prostate cancer, but whatever the reason, the famous piano encountered noticeable problems when he got lost in the cadenza in the first movement. He recovered and found his way out of it, receiving encouraging applause after finishing it. But his playing in the slow second movement had some missed notes and he was not to be able to get into the flow of the lyrical music. In the third movement he continued to struggle with passages, and seemed to get angry with himself, making some of the quieter phrases too loud. Conductor Carlos Kalmar took care of the situation by giving Watts a few helpful cues just in case. After the piece concluded someone from the audience brought a bouquet of flowers to the stage, and there was plenty of applause, but there was a lot of talk during the intermission as to what had happened. Being one of America’s favorite pianists, one can only how that the performance was just a brief aberration to an otherwise brilliant career.
The Grieg was to centerpiece of an all-Nordic program with works by Jean Sibelius, Carl Nielsen, and Joonas Kikkonen. British conductor Leo Hussain was scheduled to lead the program, but a family emergency interrupted. So Kalmar, the Oregon Symphony’s music director, stepped in to save the day.
The surprisingly delightful piece on the program was Kokkonen’s “Symphonic Sketches,” a short work in three movements that began with a slow, unrelenting heartbeat from the percussion section, which stayed in the background as the strings painted a lush landscape that became slightly exotic – accented by the bassoon (Evan Kuhlmann) in an oddly high register. The second movement was brief and agitated with lively rhythms that bounced along. The third created a ponderous atmosphere with a high, spun sound from the strings, a stately brass choir, followed by long lines from the strings and the return of the quiet heartbeat in the percussion.
The orchestra superbly performed Sibelius’s “Valse triste” with the softest, most exquisite tone – as if playing in a faded, grand ballroom from a bygone era. They followed it with an incisive performance of Nielsen’s Fifth Symphony. A relentless, bristling march impelled by the snare drum (Niel DePonte), signaled the ominous threat of war in spite of the calmer and more harmonious sounds from the orchestra, such as the woodwinds evoking the sound of fluttering birds. That exchange of peaceful and warlike sounds continued throughout the first movement, ending with a plaintive glimmer from the clarinet (James Shields) against the warning of an offstage snare drum. The second movement escalated into a near cacophony of sound with trumpets rising above it all. The strings were scintillating as they flew through lightning-fast passages. A wild ride by the clarinet (Shields) cried out in jubilation followed by alovely, lyrical melody for the strings, indicating a triumph of the good and positive.
Today's Birthdays
Andrey Schulz‑Evler (1852-1905)
Kurt Atterberg (1887-1974)
Frank Sinatra (1915-1998)
Philip Ledger (1937-2012)
Donald Maxwell (1948)
Margaret Tan (1953)
Jaap van Zweden (1960)
David Horne (1970)
Evren Genis (1978)
and
Gustave Flaubert (1821-1880)
Edvard Munch (1863-1944)
John Osborne (1929-1994)
Kurt Atterberg (1887-1974)
Frank Sinatra (1915-1998)
Philip Ledger (1937-2012)
Donald Maxwell (1948)
Margaret Tan (1953)
Jaap van Zweden (1960)
David Horne (1970)
Evren Genis (1978)
and
Gustave Flaubert (1821-1880)
Edvard Munch (1863-1944)
John Osborne (1929-1994)
Monday, December 11, 2017
Today's Birthdays
Hector Berlioz (1803-1869)
Joseph Jongen (1873-1953)
Mieczyslaw Karlowicz (1876-1909)
Leo Ornstein (1893-2002)
Elliott Carter (1908-2012)
David Ashley White (1944)
Neil Mackie (1946)
and
Grace Paley (1922-2007
Naguib Mahfouz (1911-2006)
Grace Paley (1922-2007)
Jim Harrison (1937-2016)
Thomas McGuane (1939)
and from the Composers Datebook:
On this day in 1918, Russian-born conductor Nikolai Sokoloff leads the first concert of the Cleveland Orchestra at Gray's Armory, presented as a benefit for St. Ann's Church. His program included Victor Herbert's "American Fantasy," Bizet's "Carmen" Suite, two movements of Tchaikovsky's Symphony No. 4, Liadov's "Enchanted Lake," and Liszt's "Les Préludes".
Joseph Jongen (1873-1953)
Mieczyslaw Karlowicz (1876-1909)
Leo Ornstein (1893-2002)
Elliott Carter (1908-2012)
David Ashley White (1944)
Neil Mackie (1946)
and
Grace Paley (1922-2007
Naguib Mahfouz (1911-2006)
Grace Paley (1922-2007)
Jim Harrison (1937-2016)
Thomas McGuane (1939)
and from the Composers Datebook:
On this day in 1918, Russian-born conductor Nikolai Sokoloff leads the first concert of the Cleveland Orchestra at Gray's Armory, presented as a benefit for St. Ann's Church. His program included Victor Herbert's "American Fantasy," Bizet's "Carmen" Suite, two movements of Tchaikovsky's Symphony No. 4, Liadov's "Enchanted Lake," and Liszt's "Les Préludes".
Sunday, December 10, 2017
Today's Birthdays
César Franck (1822-1890)
Olivier Messiaen (1908-1992)
Morton Gould (1913-1996)
Sesto Bruscantini (1919-2003)
Nicholas Kynaston (1941)
Julianne Baird (1952)
Kathryn Stott (1958)
Sarah Chang (1980)
and
Emily Dickinson (1830-1886)
Melvil Dewey (1851-1931)
Adolf Loos (1870-1933)
Olivier Messiaen (1908-1992)
Morton Gould (1913-1996)
Sesto Bruscantini (1919-2003)
Nicholas Kynaston (1941)
Julianne Baird (1952)
Kathryn Stott (1958)
Sarah Chang (1980)
and
Emily Dickinson (1830-1886)
Melvil Dewey (1851-1931)
Adolf Loos (1870-1933)
Saturday, December 9, 2017
PSU Opera recreates a Parisian salon and blends poignancy with humor in “Cendrillon”
Maeve Stier and Luke Smith |
Viardot (1821-1910) was a famous mezzo-soprano who studied singing with her mother, piano with Franz Liszt, and composition with Antoine Reicha. She enjoyed a successful career in Europe and Russia and set up a renown intellectual salon in Paris, hosting the eminent composers and writers of the day from Berlioz and Chopin to Dickens and Turgenev. In her later years, Viardot taught singing and composed around 200 songs and a number of operettas. Her “Cendrillon,” which she wrote in 1894, is an elegant and witty retelling of "Cinderella."
Maeve Stier and Megan Uhrinak |
The salon continued in the spirit of a variety show. Cellist Hasan Abualhaj gave an outstanding performance of the Prelude to Bach’s Cello Suit No. 1 in G major. This was followed by a series of charades in which the audience guessed which opera was pantomimed (“Tosca,” “The Barber of Seville,” “Carmen,” and “Romeo and Juliet”). An elegant dance featuring two PSU students and a game musical chairs involving to participants from the audience then led to Madame Viardot (Megan Uhrinak) handing out sheets of music for an impromptu performance of “Cendrillon” to her salon guests.
Jereme Wilkie |
At one point, the freeze-frame action added a touch of poignancy, but that was balanced with excellent humor throughout the production, including a reverse-dance sequence, disco-mirror-ball projections, stuffed mice instead of horses, and toy lizards for footmen. Excellent diction by the singers conveyed the text, in English, very clearly so that no projected titles were needed, and the piano trio (pianist Dillard, violinist Jonathan Gray, and cellist Abualhaj) accompanied the singers with great sensitivity.
The production of “Cendrillon” once again proved that Christine Meadows, director of PSU Opera, has an uncanny ability to find works that match up very well with each new crop of students in the PSU Opera program. She has the magic wand!
Today's Birthdays
Emile Waldteufel (1837-1915)
Joaquin Turina (1882-1949)
Conchita Supervia (1895-1936)
Elisabeth Schwarzkopf (1915-2006)
Dennis Eberhard (1943-2005)
Christopher Robson (1953)
Donny Osmond (1957)
Joshua Bell (1967)
and
John Milton (1608-1674)
Joel Chandler Harris (1848-1908)
Léonie Adams (1899 - 1988)
Ödön von Horváth (1901-1938)
From the Writer's Almanac:
Milton coined more than 600 words, including the adjectives dreary, flowery, jubilant, satanic, saintly, terrific, ethereal, sublime, impassive, unprincipled, dismissive, and feverish; as well as the nouns fragrance, adventurer, anarchy, and many more.
Joaquin Turina (1882-1949)
Conchita Supervia (1895-1936)
Elisabeth Schwarzkopf (1915-2006)
Dennis Eberhard (1943-2005)
Christopher Robson (1953)
Donny Osmond (1957)
Joshua Bell (1967)
and
John Milton (1608-1674)
Joel Chandler Harris (1848-1908)
Léonie Adams (1899 - 1988)
Ödön von Horváth (1901-1938)
From the Writer's Almanac:
Milton coined more than 600 words, including the adjectives dreary, flowery, jubilant, satanic, saintly, terrific, ethereal, sublime, impassive, unprincipled, dismissive, and feverish; as well as the nouns fragrance, adventurer, anarchy, and many more.
Friday, December 8, 2017
Today's Birthdays
Claude Balbastre (1724-1799)
Frantisek Xaver Dussek (1731-1799)
Jean Sibelius (1865-1957)
Manuel Ponce (1882-1948)
Bohuslav Martinů (1890-1959)
Gérard Souzay (1918-2004)
Moisei Vainberg (1919-1996)
James Galway (1939)
and
Horace (65-8 B.C.)
Diego Rivera (1886-1957)
James Thurber (1894-1961)
James Tate (1948)
Mary Gordon (1949)
Bill Bryson (1951)
Frantisek Xaver Dussek (1731-1799)
Jean Sibelius (1865-1957)
Manuel Ponce (1882-1948)
Bohuslav Martinů (1890-1959)
Gérard Souzay (1918-2004)
Moisei Vainberg (1919-1996)
James Galway (1939)
and
Horace (65-8 B.C.)
Diego Rivera (1886-1957)
James Thurber (1894-1961)
James Tate (1948)
Mary Gordon (1949)
Bill Bryson (1951)
Thursday, December 7, 2017
Today's Birthdays
Bernardo Pasquini (1637 - 1710)
Hermann Goetz (1840-1876)
Pietro Mascagni (1863-1945)
Ernst Toch (1887-1964)
Rudolf Friml (1879-1972)
Richard Franko Goldman (1910-1980)
Daniel Jones (1912-1993)
Helen Watts (1927-2009)
Harry Chapin (1942-1981)
Daniel Chorzempa (1944)
Tom Waits (1949)
Kathleen Kuhlmann (1950)
Krystian Zimerman (1956)
and
Gian Lorenzo Bernini (1598-1680)
Willa Cather (1873-1947)
Joyce Cary (1888-1957)
Noam Chomsky (1928)
Susan Isaacs (1943)
Hermann Goetz (1840-1876)
Pietro Mascagni (1863-1945)
Ernst Toch (1887-1964)
Rudolf Friml (1879-1972)
Richard Franko Goldman (1910-1980)
Daniel Jones (1912-1993)
Helen Watts (1927-2009)
Harry Chapin (1942-1981)
Daniel Chorzempa (1944)
Tom Waits (1949)
Kathleen Kuhlmann (1950)
Krystian Zimerman (1956)
and
Gian Lorenzo Bernini (1598-1680)
Willa Cather (1873-1947)
Joyce Cary (1888-1957)
Noam Chomsky (1928)
Susan Isaacs (1943)
Wednesday, December 6, 2017
Today's Birthdays
Orazio Vecchi (1550-1605)
Johann Christoph Bach (1642-1703)
Ira Gershwin (1896-1983)
Dave Brubeck (1920-2012)
Nikolaus Harnoncourt (1929-2016)
Henryk Górecki (1933-2010)
Tomas Svoboda (1939)
John Nelson (1941)
Daniel Adni (1951)
Bright Sheng (1955)
Matthew Taylor (1964)
and
Baldassare Castiglione (1478-1529)
The Encyclopedia Brittanica (1768)
Alfred Eisenstaedt (1898-1995)
Johann Christoph Bach (1642-1703)
Ira Gershwin (1896-1983)
Dave Brubeck (1920-2012)
Nikolaus Harnoncourt (1929-2016)
Henryk Górecki (1933-2010)
Tomas Svoboda (1939)
John Nelson (1941)
Daniel Adni (1951)
Bright Sheng (1955)
Matthew Taylor (1964)
and
Baldassare Castiglione (1478-1529)
The Encyclopedia Brittanica (1768)
Alfred Eisenstaedt (1898-1995)
Tuesday, December 5, 2017
Today's Birthdays
Francesco Geminiani (1687-1762)
Vitezslav Novák (1870-1949)
"Little" Richard Wayne Penniman (1935)
José Carreras (1946)
Krystian Zimerman (1956)
Osvaldo Golijov (1960)
and
Christina (Georgina) Rossetti (1830-1894)
Joan Didion (1934)
John Berendt (1939)
Calvin Trillin (1935)
Lydia Millet (1968)
And from the Composers Datebook:
On this day in 1704, George Frideric Handel (age 19) refuses to turn over the harpsichord to Johann Mattheson (age 23) during a performance of Mattheson's opera "Cleopatra," leading to a sword duel between the two. It is said that during the swordplay, Handel was saved by a button on his coat that deflected Mattheson's mortally-directed blade. The two reconciled on December 30 that year, dining together and attending a rehearsal of Handel's opera "Almira," becoming, as Mattheson put it: "better friends than ever."
On this day in 1837, Berlioz's "Requiem," in Paris premiered with François Habeneck conducting (Berlioz later claimed that at one point he had to jump on stage and take over when Habeneck stopped to take snuff, but some eyewitnesses denied this happened).
Vitezslav Novák (1870-1949)
"Little" Richard Wayne Penniman (1935)
José Carreras (1946)
Krystian Zimerman (1956)
Osvaldo Golijov (1960)
and
Christina (Georgina) Rossetti (1830-1894)
Joan Didion (1934)
John Berendt (1939)
Calvin Trillin (1935)
Lydia Millet (1968)
And from the Composers Datebook:
On this day in 1704, George Frideric Handel (age 19) refuses to turn over the harpsichord to Johann Mattheson (age 23) during a performance of Mattheson's opera "Cleopatra," leading to a sword duel between the two. It is said that during the swordplay, Handel was saved by a button on his coat that deflected Mattheson's mortally-directed blade. The two reconciled on December 30 that year, dining together and attending a rehearsal of Handel's opera "Almira," becoming, as Mattheson put it: "better friends than ever."
On this day in 1837, Berlioz's "Requiem," in Paris premiered with François Habeneck conducting (Berlioz later claimed that at one point he had to jump on stage and take over when Habeneck stopped to take snuff, but some eyewitnesses denied this happened).
Monday, December 4, 2017
Today's Birthdays
André Campra (1660-1744)
Michel Pignolet de Montéclair (1667-1737)
Sir Hamilton Harty (1879-1949)
Alex North (1910-1991)
Yvonne Minton (1938)
Lillian Watson (1947)
Andrew Penny (1952)
and
Thomas Carlyle (1795-1891)
Samuel Butler (1835-1902)
Rainer Maria Rilke (1875-1926)
Cornell Woolrich (1903-1968)
And from the Composers Datebook:
On this day in 1885 took place the American premiere of Bruckner's Symphony No. 3 in d, at the Old Metropolitan Opera House in New York, during an afternoon public rehearsal by the New York Symphony Society, with the 23-year old Walter Damrosch. The “official” concert occurred the following evening. This was the first time any Bruckner Symphony was performed in America. In his Preface to a 1942 book by Werner Wolff entitled “Anton Bruckner: Rustic Genius,” Damrosch incorrectly states it was Bruckner’s Fourth Symphony (in E-flat Major, subtitled “Romantic”) that he performed on Dec. 5, 1885.
Michel Pignolet de Montéclair (1667-1737)
Sir Hamilton Harty (1879-1949)
Alex North (1910-1991)
Yvonne Minton (1938)
Lillian Watson (1947)
Andrew Penny (1952)
and
Thomas Carlyle (1795-1891)
Samuel Butler (1835-1902)
Rainer Maria Rilke (1875-1926)
Cornell Woolrich (1903-1968)
And from the Composers Datebook:
On this day in 1885 took place the American premiere of Bruckner's Symphony No. 3 in d, at the Old Metropolitan Opera House in New York, during an afternoon public rehearsal by the New York Symphony Society, with the 23-year old Walter Damrosch. The “official” concert occurred the following evening. This was the first time any Bruckner Symphony was performed in America. In his Preface to a 1942 book by Werner Wolff entitled “Anton Bruckner: Rustic Genius,” Damrosch incorrectly states it was Bruckner’s Fourth Symphony (in E-flat Major, subtitled “Romantic”) that he performed on Dec. 5, 1885.
Sunday, December 3, 2017
Today's Birthdays
Nicolo Amati (1596-1684)
André Campra (1660-1744)
Antonio Soler (1729-1783)
Émile Waldteufel (1837-1915)
Anton Webern (1883-1945)
Halsey Stevens (1908-1989)
Nino Rota (1911-1979)
Irving Fine (1914-1962)
Charles Craig (1919-1997)
Paul Turok (1929-2012)
José Serebrier (1938)
Matt Haimovitz (1970)
and
Joseph Conrad (1857-1924)
Anna Freud (1895-1982)
Zlata Filipović (1980)
André Campra (1660-1744)
Antonio Soler (1729-1783)
Émile Waldteufel (1837-1915)
Anton Webern (1883-1945)
Halsey Stevens (1908-1989)
Nino Rota (1911-1979)
Irving Fine (1914-1962)
Charles Craig (1919-1997)
Paul Turok (1929-2012)
José Serebrier (1938)
Matt Haimovitz (1970)
and
Joseph Conrad (1857-1924)
Anna Freud (1895-1982)
Zlata Filipović (1980)
Saturday, December 2, 2017
Today's Birthdays
Harry T. Burleigh (1866-1949)
Rudolf Friml (1879-1972)
Harriet Cohen (1895-1967)
Sir John Barbirolli (1899-1970)
Robert Moevs (1920-2007)
Maria Callas (1923-1977)
Jörg Demus (1928)
and
Georges-Pierre Seurat (1859-1891)
T. Coraghessan Boyle (1948)
George Saunders (1958)
Ann Patchertt (1963b)
And from the Composers Datebook: On this day in 1717, J.S. Bach is allowed to leave the Duke’s Court at Weimar. He had been imprisoned since Nov. 6th by his former employer Duke Wilhelm Ernst of Weimar for accepting a new post at Prince Leopold’s court at Cöthen without first asking permission.
Rudolf Friml (1879-1972)
Harriet Cohen (1895-1967)
Sir John Barbirolli (1899-1970)
Robert Moevs (1920-2007)
Maria Callas (1923-1977)
Jörg Demus (1928)
and
Georges-Pierre Seurat (1859-1891)
T. Coraghessan Boyle (1948)
George Saunders (1958)
Ann Patchertt (1963b)
And from the Composers Datebook: On this day in 1717, J.S. Bach is allowed to leave the Duke’s Court at Weimar. He had been imprisoned since Nov. 6th by his former employer Duke Wilhelm Ernst of Weimar for accepting a new post at Prince Leopold’s court at Cöthen without first asking permission.
Friday, December 1, 2017
Today's Birthdays
François‑Xavier Richter (1709-1789)
Ernest (Louis-Etienne-Ernest) Reyer (1832-1909)
Agathe Grøndahl (1847-1907)
Gordon Crosse (1932)
Lou Rawls (1933-2006)
Bette Midler (1945)
Rudolf Buchbinder (1946)
Leontina Vaduva (1960)
and
Alicia Markova (1910-2004)
Ernest (Louis-Etienne-Ernest) Reyer (1832-1909)
Agathe Grøndahl (1847-1907)
Gordon Crosse (1932)
Lou Rawls (1933-2006)
Bette Midler (1945)
Rudolf Buchbinder (1946)
Leontina Vaduva (1960)
and
Alicia Markova (1910-2004)