Caroline Miolan‑Carvalho (1827-1895)
Ernest John Moeran (1894-1950)
Silvestre Revueltas (1899-1940)
Nathan Milstein (1904-1992)
Jule Styne (1925-1994)
Jaap Schröder (1925)
Odetta (1930-2008)
Stephen Cleobury (1948)
Donna Summer (1948-2012)
Jennifer Higdon (1962)
and
Henri Matisse (1869-1954)
Nicholas Sparks (1965)
Junot Díaz (1968)
Northwest Reverb - Reflections by James Bash and others about classical music in the Pacific Northwest and beyond - not written by A.I.
Monday, December 31, 2018
Sunday, December 30, 2018
Portland State University Opera has surreal fun with Poulenc opera
Portland State University Opera ventured into the realm of opéra bouffe (French operetta) with a rousing performance of Francis Poulenc’s “Les Mamelles de Tirésias” (“The Breasts of Tiresias”) on December 8 at the Lincoln Studio Theater. Now before you start thinking that this production was some sort of strip show, you should know that the work was based on a play of the same name by the poet Guillaume Apollinaire, who coined the term “surreal” to describe it. The story takes place in the town of Zanzibar where Thérèse, bored of being a woman, decides change her sex. Her breasts (two balloons) float away while she sings a waltz to them, and then she leaves town. Her husband, assuming that she has been abducted, responds by wearing her clothing. He then becomes the paterfamilias to a ridiculously large horde, giving birth single-handedly to thousands of children in 24 hours. Thérèse, alias Tiresias returns to town as a fortuneteller and reunites with her husband. In the meantime, things happen to other characters that are absurdly entertaining.
The other big factor affecting “Les Mamelles de Tirésias” was WWII, which had taken a great toll on France’s population. Poulenc finished writing the work in 1944, and its main message is to go out and make babies. So, despite the comic and nonsensical goings on, the underlying theme has a seriousness that must have caused a lot of head-nodding in the audience when it was premiered at the Opéra-Comique in Paris in 1947.
Directed by Rebecca Hermann, a strong cast of singers tackled “Les Mamelles de Tirésias” with enthusiasm that seemed a bit overstressed at times. Maeve Stier, as the Theater Director, got things off to an excellent start with a mischievous twinkle in her eyes as she exhorted the audience to “make babies now as never before.” Savannah Panah’s Thérèse generated laughter when she released her balloons while serenading them with a waltz and then followed it with “I feel masculine.” The vignette involving Monsieur Lacouf (Ben Trombi) and Monsieur Presto (Eric Olson), who kill each other (using balloon guns) over roulette was oddly amusing. Their physical agility was matched by Erik Standifird as the Husband, who applied his stentorian high baritone to great effect. He counted on some of his many children to support him in his old age, including the Son (Nicholas Wavers), who skillfully cleared many high notes with an impressive falsetto. A gendarme (Jonny Roberts), newspaper vendor (Lydia O’Brien), and reporter (Kate Ledington) rounded out the principals with spirited singing and lots of movement.
Since the Lincoln Studio Theater does not have an orchestra pit, Chuck Dillard conducted while seated in the front row. Pianist James Pick provided expert accompaniment and gamely wore a baby’s cap in the second act. A large babe crib, festooned with pink and blue balloons, plus a table and a couple of chairs were all of the props that the singers needed. Poulenc’s music skipped from waltzes to polkas and other styles that are part and parcel of French comic operettas – yet he made them his own, and they were thoroughly delightful right up to the last admonition: “You must make babies now as you never have before!”
The other big factor affecting “Les Mamelles de Tirésias” was WWII, which had taken a great toll on France’s population. Poulenc finished writing the work in 1944, and its main message is to go out and make babies. So, despite the comic and nonsensical goings on, the underlying theme has a seriousness that must have caused a lot of head-nodding in the audience when it was premiered at the Opéra-Comique in Paris in 1947.
Directed by Rebecca Hermann, a strong cast of singers tackled “Les Mamelles de Tirésias” with enthusiasm that seemed a bit overstressed at times. Maeve Stier, as the Theater Director, got things off to an excellent start with a mischievous twinkle in her eyes as she exhorted the audience to “make babies now as never before.” Savannah Panah’s Thérèse generated laughter when she released her balloons while serenading them with a waltz and then followed it with “I feel masculine.” The vignette involving Monsieur Lacouf (Ben Trombi) and Monsieur Presto (Eric Olson), who kill each other (using balloon guns) over roulette was oddly amusing. Their physical agility was matched by Erik Standifird as the Husband, who applied his stentorian high baritone to great effect. He counted on some of his many children to support him in his old age, including the Son (Nicholas Wavers), who skillfully cleared many high notes with an impressive falsetto. A gendarme (Jonny Roberts), newspaper vendor (Lydia O’Brien), and reporter (Kate Ledington) rounded out the principals with spirited singing and lots of movement.
Since the Lincoln Studio Theater does not have an orchestra pit, Chuck Dillard conducted while seated in the front row. Pianist James Pick provided expert accompaniment and gamely wore a baby’s cap in the second act. A large babe crib, festooned with pink and blue balloons, plus a table and a couple of chairs were all of the props that the singers needed. Poulenc’s music skipped from waltzes to polkas and other styles that are part and parcel of French comic operettas – yet he made them his own, and they were thoroughly delightful right up to the last admonition: “You must make babies now as you never have before!”
Today's Birthdays
William Croft (1678-1727)
André Messager (1853-1929)
Joseph Bohuslav Foerster (1859-1951)
Alfred Einstein (1880-1952)
Dmitri Kabalevsky (1904-1987)
Paul Bowles (1910-1999)
Sir David Willcocks (1919-2015)
Bo Diddley (1928-2008)
Bruno Canino (1935)
June Anderson (1950)
Stephen Jaffe (1954)
Antonio Pappano (1959)
and
Theodor Fontane (1819-1898)
Rudyard Kipling (1865-1936)
Sara Lidman (1923-2004)
And from the Composers Datebook:
On this day in 1879 was the premiere of Gilbert & Sullivan's operetta "The Pirates of Penzance," in Paignton at the Royal Bijou (partial preview to insure British copyright). The first full performance of the new work occurred at the Fifth Avenue Theater in New York City the following day, with Sullivan conducting and Gilbert in attendance. The New York premiere was arranged to register American copyright of the new work and pre-empt unauthorized "pirate" productions in the U.S..
André Messager (1853-1929)
Joseph Bohuslav Foerster (1859-1951)
Alfred Einstein (1880-1952)
Dmitri Kabalevsky (1904-1987)
Paul Bowles (1910-1999)
Sir David Willcocks (1919-2015)
Bo Diddley (1928-2008)
Bruno Canino (1935)
June Anderson (1950)
Stephen Jaffe (1954)
Antonio Pappano (1959)
and
Theodor Fontane (1819-1898)
Rudyard Kipling (1865-1936)
Sara Lidman (1923-2004)
And from the Composers Datebook:
On this day in 1879 was the premiere of Gilbert & Sullivan's operetta "The Pirates of Penzance," in Paignton at the Royal Bijou (partial preview to insure British copyright). The first full performance of the new work occurred at the Fifth Avenue Theater in New York City the following day, with Sullivan conducting and Gilbert in attendance. The New York premiere was arranged to register American copyright of the new work and pre-empt unauthorized "pirate" productions in the U.S..
Saturday, December 29, 2018
Today's Birthdays
Tomás Bretón (1850-1923)
Pablo Casals (1876-1973)
Lionel Tertis (1876-1975)
Yves Nat (1890-1956)
Peggy Glanville-Hicks (1912-1990)
Billy Tipton (1914-1989)
and
William Gaddis (1922-1998)
And from the Composers Datebook:
On this day in 1903 took place the first concert by the Seattle Symphony at Christensen's Hall in Seattle under the baton of violinist Harry F. West. The program includes music of Massenet, Bruch, Schubert and Rossini.
Pablo Casals (1876-1973)
Lionel Tertis (1876-1975)
Yves Nat (1890-1956)
Peggy Glanville-Hicks (1912-1990)
Billy Tipton (1914-1989)
and
William Gaddis (1922-1998)
And from the Composers Datebook:
On this day in 1903 took place the first concert by the Seattle Symphony at Christensen's Hall in Seattle under the baton of violinist Harry F. West. The program includes music of Massenet, Bruch, Schubert and Rossini.
Friday, December 28, 2018
Today's Birthdays
Christian Cannabich (1731-1798)
Julius Rietz (1812-1877)
B. J. Lang (1837-1909)
Francesco Tamagno (1850-1905)
Roger Sessions (1896-1985)
Earl "Fatha" Hines (1905-1983)
Johnny Otis (1921-2012)
Nigel Kennedy (1956)
and
Charles Portis (1933)
Julius Rietz (1812-1877)
B. J. Lang (1837-1909)
Francesco Tamagno (1850-1905)
Roger Sessions (1896-1985)
Earl "Fatha" Hines (1905-1983)
Johnny Otis (1921-2012)
Nigel Kennedy (1956)
and
Charles Portis (1933)
Thursday, December 27, 2018
Today's Birthdays
Sir John Goss (1800-1880)
Tito Schipa (1888-1965)
Marlene Dietrich (1904-1992)
Oscar Levant (1906-1972)
and
Johannes Kepler (1571-1630)
Charles Olson (1910-1970)
Wilfrid Sheed (1930-2011)
Chris Abani (1966)
Sarah Vowell (1969)
And from the Composers Datebook:
On this day in 1841, Franz Liszt performs at the Singakademie in Berlin. Women swooned and the general audience reacts with such uncontrolled enthusiasm that Heinrich Heine coins the term "Lisztomania" to describe their fanatical devotion to the performer, which soon swept through most of Europe.
Tito Schipa (1888-1965)
Marlene Dietrich (1904-1992)
Oscar Levant (1906-1972)
and
Johannes Kepler (1571-1630)
Charles Olson (1910-1970)
Wilfrid Sheed (1930-2011)
Chris Abani (1966)
Sarah Vowell (1969)
And from the Composers Datebook:
On this day in 1841, Franz Liszt performs at the Singakademie in Berlin. Women swooned and the general audience reacts with such uncontrolled enthusiasm that Heinrich Heine coins the term "Lisztomania" to describe their fanatical devotion to the performer, which soon swept through most of Europe.
Wednesday, December 26, 2018
Today's Birthdays
Leopold Mannes (1899-1964)
Maurice Gendron (1920-1990)
Thea King (1925-2007)
Earle Brown (1926-2002)
Phil Specter (1940)
Wayland Rogers (1941)
Harry Christophers (1953)
Andre-Michel Schub (1953)
and
Thomas Gray (1716-1771)
Henry Miller (1891-1980)
Jean Toomer (1894-1867)
Juan Felipe Herrera (1948)
David Sedaris (1958)
Maurice Gendron (1920-1990)
Thea King (1925-2007)
Earle Brown (1926-2002)
Phil Specter (1940)
Wayland Rogers (1941)
Harry Christophers (1953)
Andre-Michel Schub (1953)
and
Thomas Gray (1716-1771)
Henry Miller (1891-1980)
Jean Toomer (1894-1867)
Juan Felipe Herrera (1948)
David Sedaris (1958)
Tuesday, December 25, 2018
Today's Birthdays
Merry Christmas! |
Jean‑Joseph de Mondonville (1711-1772)
Chevalier de Saint‑George (1745-1799)
Cosima Wagner (1837-1930)
Lina Cavalieri (1874-1944)
Giuseppe de Luca (1876-1950)
Gladys Swarthout (1900-1969)
Cab Calloway (1907-1994)
Noël Lee (1924-2013)
Noel Redding (1945-2003)
Jon Kimura Parker (1959)
Ian Bostridge (1964)
and
Dorothy Wordsworth (1771-1855)
Clara Barton (1821-1912)
Rod Serling (1924-1975)
Monday, December 24, 2018
Today's Birthdays
Peter Cornelius (1824-1874)
Nikolai Roslavets (1881-1944)
Lucrezia Bori (1887-1960)
Charles Wakefield Cadman (1881-1946)
Sir Vivian Dunn (1908-1995)
Teresa Stich-Randall (1927-2007)
Mauricio Kagel (1931-2008)
Arnold Östman (1939)
Libby Larsen (1950)
Hans-Jürgen von Bose (1953)
and
Matthew Arnold (1822-1888)
Dana Gioia (1950)
and from The Writer's Almanac
Today is Christmas Eve. One of the best modern Christmas Eve stories is a true one, and it happened in 1914, in the trenches of World War I. The “war to end all wars” was raging, but German and British soldiers had been engaging in unofficial ceasefires since mid-December. The British High Command was alarmed, and warned officers that fraternization across enemy lines might result in a decreased desire to fight. On the German side, Christmas trees were trucked in and candles lit, and on that Christmas Eve in 1914, strains of Stille Nacht — “Silent Night” — reached the ears of British soldiers. They joined in, and both sides raised candles and lanterns up above their parapets. When the song was done, a German soldier called out, “Tomorrow is Christmas; if you don’t fight, we won’t.”
The next day dawned without the sound of gunfire. The Germans sent over some beer, and the Brits sent plum pudding. Enemies met in no man’s land, exchanging handshakes and small gifts. Someone kicked in a soccer ball, and a chaotic match ensued. Details about this legendary football match vary, and no one knows for sure exactly where it took place, but everyone agrees that the Germans won by a score of three to two.
At 8:30 a.m. on December 26, after one last Christmas greeting, hostilities resumed. But the story is still told, in a thousand different versions from up and down the Western Front, more than a century later.
On Christmas Eve in 1906, the first radio program was broadcast. Canadian-born Professor Reginald Aubrey Fessenden sent his signals from the 420-foot radio tower of the National Electric Signaling Company, at Brant Rock on the Massachusetts seacoast. Fessenden opened the program by playing “O Holy Night” on the violin. Later he recited verses from the Gospel of St. Luke, then broadcast a gramophone version of Handel’s “Largo.” His signal was received up to five miles away.
And from the Composers Datebook:
On this day in 1920, the last operatic appearance ever of the Italian tenor Enrico Caruso took place in an evening performance of Halevy's "La Juive" (The Jewess) at the old Metropolitan Opera in New York City. Caruso would die in Naples (where he made his operatic debut on March 15, 1895) at the age of 48 on August 2, 1921.
Nikolai Roslavets (1881-1944)
Lucrezia Bori (1887-1960)
Charles Wakefield Cadman (1881-1946)
Sir Vivian Dunn (1908-1995)
Teresa Stich-Randall (1927-2007)
Mauricio Kagel (1931-2008)
Arnold Östman (1939)
Libby Larsen (1950)
Hans-Jürgen von Bose (1953)
and
Matthew Arnold (1822-1888)
Dana Gioia (1950)
and from The Writer's Almanac
Today is Christmas Eve. One of the best modern Christmas Eve stories is a true one, and it happened in 1914, in the trenches of World War I. The “war to end all wars” was raging, but German and British soldiers had been engaging in unofficial ceasefires since mid-December. The British High Command was alarmed, and warned officers that fraternization across enemy lines might result in a decreased desire to fight. On the German side, Christmas trees were trucked in and candles lit, and on that Christmas Eve in 1914, strains of Stille Nacht — “Silent Night” — reached the ears of British soldiers. They joined in, and both sides raised candles and lanterns up above their parapets. When the song was done, a German soldier called out, “Tomorrow is Christmas; if you don’t fight, we won’t.”
The next day dawned without the sound of gunfire. The Germans sent over some beer, and the Brits sent plum pudding. Enemies met in no man’s land, exchanging handshakes and small gifts. Someone kicked in a soccer ball, and a chaotic match ensued. Details about this legendary football match vary, and no one knows for sure exactly where it took place, but everyone agrees that the Germans won by a score of three to two.
At 8:30 a.m. on December 26, after one last Christmas greeting, hostilities resumed. But the story is still told, in a thousand different versions from up and down the Western Front, more than a century later.
On Christmas Eve in 1906, the first radio program was broadcast. Canadian-born Professor Reginald Aubrey Fessenden sent his signals from the 420-foot radio tower of the National Electric Signaling Company, at Brant Rock on the Massachusetts seacoast. Fessenden opened the program by playing “O Holy Night” on the violin. Later he recited verses from the Gospel of St. Luke, then broadcast a gramophone version of Handel’s “Largo.” His signal was received up to five miles away.
And from the Composers Datebook:
On this day in 1920, the last operatic appearance ever of the Italian tenor Enrico Caruso took place in an evening performance of Halevy's "La Juive" (The Jewess) at the old Metropolitan Opera in New York City. Caruso would die in Naples (where he made his operatic debut on March 15, 1895) at the age of 48 on August 2, 1921.
Sunday, December 23, 2018
Today's Birthdays
Joseph Boismortier (1689-1755)
Ross Lee Finney (1906-1997)
Claudio Scimone (1934-2018)
Ross Edwards (1943)
Edita Gruberová (1946)
Elise Kermani (1960)
Han-Na Chang (1982)
and
Harriet Monroe (1860-1936)
Norman Maclean (1902–1990)
Robert Bly (1926)
Carol Ann Duffy (1955)
And from the Composers Datebook:
On this day in 1989, Leonard Bernstein led the first of two public performances of Beethoven's Ninth at the Philharmonie in West Berlin, with an international orchestra assembled to celebrate the fall of the Berlin Wall. The second performance occurred on December 25 at the Schauspielhaus in East Berlin.
Ross Lee Finney (1906-1997)
Claudio Scimone (1934-2018)
Ross Edwards (1943)
Edita Gruberová (1946)
Elise Kermani (1960)
Han-Na Chang (1982)
and
Harriet Monroe (1860-1936)
Norman Maclean (1902–1990)
Robert Bly (1926)
Carol Ann Duffy (1955)
And from the Composers Datebook:
On this day in 1989, Leonard Bernstein led the first of two public performances of Beethoven's Ninth at the Philharmonie in West Berlin, with an international orchestra assembled to celebrate the fall of the Berlin Wall. The second performance occurred on December 25 at the Schauspielhaus in East Berlin.
Saturday, December 22, 2018
Today's Birthdays
Carl Friedrich Abel (1723-1787)
Giovanni Bottesini (1821-1889)
Giacomo Puccini (1858-1924)
Franz Schmidt (1874-1939)
Edgard Varèse(1883-1965)
Joseph Deems Taylor (1885-1966)
Alan Bush (1900-1995)
Andre Kostelanetz (1901-1980)
David Leisner (1953)
Jean Rigby (1954)
Zhou Tian (1981)
and
Jean Racine (1639-1699)
Kenneth Rexroth (1905-1982)
Donald Harrington (1935-2009)
Giovanni Bottesini (1821-1889)
Giacomo Puccini (1858-1924)
Franz Schmidt (1874-1939)
Edgard Varèse(1883-1965)
Joseph Deems Taylor (1885-1966)
Alan Bush (1900-1995)
Andre Kostelanetz (1901-1980)
David Leisner (1953)
Jean Rigby (1954)
Zhou Tian (1981)
and
Jean Racine (1639-1699)
Kenneth Rexroth (1905-1982)
Donald Harrington (1935-2009)
Friday, December 21, 2018
Today's Birthdays
Zdeněk Fibich (1850-1900)
André Turp (1925-1991)
Frank Zappa (1940-1993)
Roger Lasher Nortman (1941)
Michael Tilson Thomas (1944)
András Schiff (1953)
Kim Cascone (1955)
Thomas Randle (1958)
Jonathan Cole (1970)
and
Benjamin Disraeli (1804-1881)
Maud Gonne (1866-1953)
Edward Hoagland (1932)
André Turp (1925-1991)
Frank Zappa (1940-1993)
Roger Lasher Nortman (1941)
Michael Tilson Thomas (1944)
András Schiff (1953)
Kim Cascone (1955)
Thomas Randle (1958)
Jonathan Cole (1970)
and
Benjamin Disraeli (1804-1881)
Maud Gonne (1866-1953)
Edward Hoagland (1932)
Thursday, December 20, 2018
Today's Birthdays
Henry Hadley (1871-1937)
Vagn Holmboe (1909-1996)
Gordon Getty (1933)
John Harbison (1938)
Roger Woodward (1942)
Mitsuko Uchida (1948)
and
Elizabeth Benedict (1954)
Sandra Cisneros (1954)
Nalo Hopkinson (1960)
Vagn Holmboe (1909-1996)
Gordon Getty (1933)
John Harbison (1938)
Roger Woodward (1942)
Mitsuko Uchida (1948)
and
Elizabeth Benedict (1954)
Sandra Cisneros (1954)
Nalo Hopkinson (1960)
Wednesday, December 19, 2018
Today's Birthdays
Louis‑Nicolas Clérambault (1676-1749)
George Frederick Bristow (1825-1898)
Fritz Reiner (1885-1963)
Paul Dessau (1894-1979)
Edith Piaf (1915-1963)
Dalton Baldwin (1931)
Phil Ochs (1940-1976)
William Christie (1944)
Marianne Faithfull (1946)
Olaf Bär (1957)
Steven Esserlis (1958)
Rebecca Saunders (1967)
and
Italo Svevo (1861-1928)
Constance Garnett (1861-1946)
and from The Writer's Almanac:
It’s the birthday of French chanteuse Édith Piaf (1915). Piaf was born Édith Giovanna Gassion in Belleville, on the outskirts of Paris. Her mother was a café singer and a drug addict, and her father was a street performer who specialized in acrobatics and contortionism. Neither of them particularly cared for Piaf, so she mostly grew up with her grandmother, who ran a brothel. Piaf was looked after by prostitutes and later claimed that she was blind from the ages of three to seven because of keratitis, or malnutrition, though this was never proved.
Her father reclaimed her when she was nine and Piaf began singing with him on street corners until he abandoned her again. She lived in shoddy hotel rooms in the red-light district of Paris and sang in a seedy café called Lulu’s, making friends with pimps, hookers, lowlifes, and gamblers, until she was discovered by an older man named Louis Leplée.
Leplée ran a nightclub off the Champs-Élysées. He renamed Piaf La Môme Piaf, “The Little Sparrow,” dressed her entirely in black, and set her loose on the stage. Piaf was a hit, and recorded two albums in one year, becoming one of the most popular performers in France during World War II.
Édith Piaf died on the French Riviera at the age of 47. More than 40,000 people came to her funeral procession. Soviet astronomer Lyudmila Karachkina named a small planet after Piaf; it’s called 3772 Piaf. Her songs have been covered by Madonna, Grace Jones, and even Donna Summer.
Édith Piaf’s last words were, “Every damn thing you do in this life, you have to pay for.”
George Frederick Bristow (1825-1898)
Fritz Reiner (1885-1963)
Paul Dessau (1894-1979)
Edith Piaf (1915-1963)
Dalton Baldwin (1931)
Phil Ochs (1940-1976)
William Christie (1944)
Marianne Faithfull (1946)
Olaf Bär (1957)
Steven Esserlis (1958)
Rebecca Saunders (1967)
and
Italo Svevo (1861-1928)
Constance Garnett (1861-1946)
and from The Writer's Almanac:
It’s the birthday of French chanteuse Édith Piaf (1915). Piaf was born Édith Giovanna Gassion in Belleville, on the outskirts of Paris. Her mother was a café singer and a drug addict, and her father was a street performer who specialized in acrobatics and contortionism. Neither of them particularly cared for Piaf, so she mostly grew up with her grandmother, who ran a brothel. Piaf was looked after by prostitutes and later claimed that she was blind from the ages of three to seven because of keratitis, or malnutrition, though this was never proved.
Her father reclaimed her when she was nine and Piaf began singing with him on street corners until he abandoned her again. She lived in shoddy hotel rooms in the red-light district of Paris and sang in a seedy café called Lulu’s, making friends with pimps, hookers, lowlifes, and gamblers, until she was discovered by an older man named Louis Leplée.
Leplée ran a nightclub off the Champs-Élysées. He renamed Piaf La Môme Piaf, “The Little Sparrow,” dressed her entirely in black, and set her loose on the stage. Piaf was a hit, and recorded two albums in one year, becoming one of the most popular performers in France during World War II.
Édith Piaf died on the French Riviera at the age of 47. More than 40,000 people came to her funeral procession. Soviet astronomer Lyudmila Karachkina named a small planet after Piaf; it’s called 3772 Piaf. Her songs have been covered by Madonna, Grace Jones, and even Donna Summer.
Édith Piaf’s last words were, “Every damn thing you do in this life, you have to pay for.”
Tuesday, December 18, 2018
Today's Birthdays
Charles Wesley (1707-1788)
Carl Maria von Weber (1786-1826)
Edward MacDowell (1860-1908)
Fletcher Henderson (1897-1952)
Rita Streich (1920-1987)
William Boughton (1948)
David Liptak (1949)
Christopher Theofanidis (1967)
and
Saki - H. H. Munro (1870-1916)
Paul Klee (1879-1940)
Christopher Fry (1907-2005)
Abe Burrows (1910-1985)
Carl Maria von Weber (1786-1826)
Edward MacDowell (1860-1908)
Fletcher Henderson (1897-1952)
Rita Streich (1920-1987)
William Boughton (1948)
David Liptak (1949)
Christopher Theofanidis (1967)
and
Saki - H. H. Munro (1870-1916)
Paul Klee (1879-1940)
Christopher Fry (1907-2005)
Abe Burrows (1910-1985)
Monday, December 17, 2018
Today's Birthdays
Domenico Cimarosa (1749-1801)
Ludwig van Beethoven (1770-1827)
Arthur Fiedler (1894-1979)
Ray Noble (1903-1975)
Art Neville (1937)
and
John Greenleaf Whittier (1807-1892)
Ford Madox Ford (1873-1939)
William Safire (1929-2009)
John Kennedy Toole (1937-1969)
and from The Writer's Almanac:
It's the day that The Nutcracker ballet was performed for the first time in St. Petersburg, Russia (1892). Czar Alexander III, in the audience, loved the ballet, but the critics hated it. Tchaikovsky wrote that the opera that came before The Nutcracker "was evidently very well liked, the ballet not. ... The papers, as always, reviled me cruelly." Tchaikovsky died of cholera less than a year later, before The Nutcracker became an international success.
Ludwig van Beethoven (1770-1827)
Arthur Fiedler (1894-1979)
Ray Noble (1903-1975)
Art Neville (1937)
and
John Greenleaf Whittier (1807-1892)
Ford Madox Ford (1873-1939)
William Safire (1929-2009)
John Kennedy Toole (1937-1969)
and from The Writer's Almanac:
It's the day that The Nutcracker ballet was performed for the first time in St. Petersburg, Russia (1892). Czar Alexander III, in the audience, loved the ballet, but the critics hated it. Tchaikovsky wrote that the opera that came before The Nutcracker "was evidently very well liked, the ballet not. ... The papers, as always, reviled me cruelly." Tchaikovsky died of cholera less than a year later, before The Nutcracker became an international success.
Sunday, December 16, 2018
Today's Birthdays
François Adrien Boieldieu (1775-1834)
Augusta Holmès (1847-1903)
Zoltán Kodály (1882-1967)
Turk Murphy (1915-1987)
Steve Allen (1921-2000)
Dame Thea King (1925-2007)
Alice Parker (1925)
Kenneth Gilbert (1931)
Rodion Shchedrin (1932)
Philip Langridge (1939-2010)
Trevor Pinnock (1946)
Isabelle van Keulen (1966)
and
Jane Austin (1775-1817)
George Santayana (1863-1952)
Wassily Kandinsky (1866-1944)
Sir Noel Coward (1899-1973)
Noël Coward (1899-1973)
V. S. Pritchett (1900-1997)
Augusta Holmès (1847-1903)
Zoltán Kodály (1882-1967)
Turk Murphy (1915-1987)
Steve Allen (1921-2000)
Dame Thea King (1925-2007)
Alice Parker (1925)
Kenneth Gilbert (1931)
Rodion Shchedrin (1932)
Philip Langridge (1939-2010)
Trevor Pinnock (1946)
Isabelle van Keulen (1966)
and
Jane Austin (1775-1817)
George Santayana (1863-1952)
Wassily Kandinsky (1866-1944)
Sir Noel Coward (1899-1973)
Noël Coward (1899-1973)
V. S. Pritchett (1900-1997)
Saturday, December 15, 2018
Today's Birthdays
Michel‑Richard Delalande (1657-1726)
Lotte Schöne (1891-1981)
Stan Kenton (1911-1979)
Ida Haendel (1924)
Eddie Palmieri (1936)
Nigel Robson (1948)
Jan Latham-Koenig (1953)
and
Ludwig Lazarus Zamenhof (1859-1917)
Maxwell Anderson (1888-1959)
Freeman Dyson (1923)
Friedensreich Hundertwasser (1928-2000)
Edna O'Brien (1930)
Lotte Schöne (1891-1981)
Stan Kenton (1911-1979)
Ida Haendel (1924)
Eddie Palmieri (1936)
Nigel Robson (1948)
Jan Latham-Koenig (1953)
and
Ludwig Lazarus Zamenhof (1859-1917)
Maxwell Anderson (1888-1959)
Freeman Dyson (1923)
Friedensreich Hundertwasser (1928-2000)
Edna O'Brien (1930)
Friday, December 14, 2018
Vancouver Symphony and Columbia Dance make holiday pops concert extra special
The sight of elegant ballet dancers moving to the music of Tchaikovsky’s “Swan Lake” made this year’s holiday concert with the Vancouver Symphony a memorable event. An ensemble of 15 comely ballerinas, all dressed in traditional white tutus, from the Columbia Dance company gave an outstanding performance. Their graceful leaps, pirouettes, footwork, and tableaus delighted a full-house at Skyview Concert Hall on Saturday (December 8) in this first-ever collaboration between the orchestra and a dance company.
The young dancers (all teenagers) negotiated the 10 foot by 40-foot space in front of the orchestra deftly, avoiding any collision with the musicians and Music Director Salvador Brotons while impressively expressing Tchaikovsky’s music. The “Swan Lake” portion of the program consisted of seven excerpts, and the ballerinas – expertly coached by Artistic Director Jan Hurst – performed in most everything except for the ethnic dances.
The eloquent oboe solo by Fred Korman at the opening of the ballet was one of several musical highlights that also included a duet by concertmaster Eva Richey and principal cellist Dieter Ratzlaf, and a lovely solo by harpist Kimberly Houser. Brotons remarkably conducted everything from memory, proving again that he is one of the best when it comes to Tchaikovsky’s music.
The second half of the concert drew from popular light classical music from Viennese and American traditions. Franz von Suppe’s “Light Cavalry Overture” charged things up with a rousing trumpet section and a wonderfully moody Hungarian-imbued melody.
Johann Strauss Jr’s “Emperor Waltz” had the right spirit but needed more shifts in tempo and dynamics. His “Hunter’s Polka” came across with more energy, in part, because of participation from the audience, which created each gun shot with a boisterous clap.
One of the most fun pieces on the program was Leroy Anderson’s “The Typewriter,” which featured percussionist Brian Gardiner as the soloist. He delivered each stroke, carriage return, and bell ring with precision and a bit of panache, generating chuckles of amusement from all corners of the hall. Trumpeters Bruce Dunn, Scott Winks, and Greg Smith distinguished themselves with their playing in Anderson’s “Bugler’s Holiday, sprucing up their tuxes with a dash of seasonal garb.
The orchestra sounded terrific in performing Anderson’s “A Christmas Festival.” The balance between the various sections was outstanding and the melodic line always came through.
The concert concluded with Johann Strauss Sr’s “Radetzky March” with the audience clapping right on cue as signaled by Brotons. It was the second year in row that the orchestra played this piece, and the everyone got into the participatory aspect with vigor.
This Vancouver Symphony has been hitting its stride with its holiday pops concerts over the past three years, but this one, featuring dance and audience participation offered lots of variety, making it the best of all.
The young dancers (all teenagers) negotiated the 10 foot by 40-foot space in front of the orchestra deftly, avoiding any collision with the musicians and Music Director Salvador Brotons while impressively expressing Tchaikovsky’s music. The “Swan Lake” portion of the program consisted of seven excerpts, and the ballerinas – expertly coached by Artistic Director Jan Hurst – performed in most everything except for the ethnic dances.
The eloquent oboe solo by Fred Korman at the opening of the ballet was one of several musical highlights that also included a duet by concertmaster Eva Richey and principal cellist Dieter Ratzlaf, and a lovely solo by harpist Kimberly Houser. Brotons remarkably conducted everything from memory, proving again that he is one of the best when it comes to Tchaikovsky’s music.
The second half of the concert drew from popular light classical music from Viennese and American traditions. Franz von Suppe’s “Light Cavalry Overture” charged things up with a rousing trumpet section and a wonderfully moody Hungarian-imbued melody.
Johann Strauss Jr’s “Emperor Waltz” had the right spirit but needed more shifts in tempo and dynamics. His “Hunter’s Polka” came across with more energy, in part, because of participation from the audience, which created each gun shot with a boisterous clap.
One of the most fun pieces on the program was Leroy Anderson’s “The Typewriter,” which featured percussionist Brian Gardiner as the soloist. He delivered each stroke, carriage return, and bell ring with precision and a bit of panache, generating chuckles of amusement from all corners of the hall. Trumpeters Bruce Dunn, Scott Winks, and Greg Smith distinguished themselves with their playing in Anderson’s “Bugler’s Holiday, sprucing up their tuxes with a dash of seasonal garb.
The orchestra sounded terrific in performing Anderson’s “A Christmas Festival.” The balance between the various sections was outstanding and the melodic line always came through.
The concert concluded with Johann Strauss Sr’s “Radetzky March” with the audience clapping right on cue as signaled by Brotons. It was the second year in row that the orchestra played this piece, and the everyone got into the participatory aspect with vigor.
This Vancouver Symphony has been hitting its stride with its holiday pops concerts over the past three years, but this one, featuring dance and audience participation offered lots of variety, making it the best of all.
Today's Birthdays
Maria Agata Szymanowska (1789-1831)
Joseph Jongen (1873-1953)
Georges Thill (1897-1984)
Spike Jones (1911-1965)
Rosalyn Tureck (1914-2003)
Dame Ruth Railton (1915-2001)
Ron Nelson (1929)
Christopher Parkening (1947)
Thomas Albert (1948)
John Rawnsley (1949)
and
Shirley Jackson (1919-1965)
Amy Hempel (1951)
Joseph Jongen (1873-1953)
Georges Thill (1897-1984)
Spike Jones (1911-1965)
Rosalyn Tureck (1914-2003)
Dame Ruth Railton (1915-2001)
Ron Nelson (1929)
Christopher Parkening (1947)
Thomas Albert (1948)
John Rawnsley (1949)
and
Shirley Jackson (1919-1965)
Amy Hempel (1951)
Thursday, December 13, 2018
Today's Birthdays
Alexis de Castillon (1838-1873)
Josef Lhévinne (1874-1944)
Eleanor Robson Belmont (1879-1979)
Samuel Dushkin (1891-1976)
Victor Babin (1908-1972)
Alvin Curran (1938)
and
Mary Todd Lincoln (1818-1882)
Kenneth Patchen (1911-1972)
James Wright (1927-1980)
Lester Bangs (1948-1982)
And from the Composers Datebook:
On this day in 1836, at a musical soiree at Chopin's apartments in Paris, the female writer "George" Sand, determined to make a good impression with her host, arrives wearing white pantaloons and a scarlet sash (the colors of the Polish flag). Paris Opéra tenor Adolphe Nourit sings some Schubert songs, accompanied by Franz Liszt. Liszt and Chopin play Moschele's Sonata in Eb for piano four-hands.
Josef Lhévinne (1874-1944)
Eleanor Robson Belmont (1879-1979)
Samuel Dushkin (1891-1976)
Victor Babin (1908-1972)
Alvin Curran (1938)
and
Mary Todd Lincoln (1818-1882)
Kenneth Patchen (1911-1972)
James Wright (1927-1980)
Lester Bangs (1948-1982)
And from the Composers Datebook:
On this day in 1836, at a musical soiree at Chopin's apartments in Paris, the female writer "George" Sand, determined to make a good impression with her host, arrives wearing white pantaloons and a scarlet sash (the colors of the Polish flag). Paris Opéra tenor Adolphe Nourit sings some Schubert songs, accompanied by Franz Liszt. Liszt and Chopin play Moschele's Sonata in Eb for piano four-hands.
Wednesday, December 12, 2018
Today's Birthdays
Andrey Schulz‑Evler (1852-1905)
Kurt Atterberg (1887-1974)
Frank Sinatra (1915-1998)
Philip Ledger (1937-2012)
Donald Maxwell (1948)
Margaret Tan (1953)
Jaap van Zweden (1960)
David Horne (1970)
Evren Genis (1978)
and
Gustave Flaubert (1821-1880)
Edvard Munch (1863-1944)
John Osborne (1929-1994)
Kurt Atterberg (1887-1974)
Frank Sinatra (1915-1998)
Philip Ledger (1937-2012)
Donald Maxwell (1948)
Margaret Tan (1953)
Jaap van Zweden (1960)
David Horne (1970)
Evren Genis (1978)
and
Gustave Flaubert (1821-1880)
Edvard Munch (1863-1944)
John Osborne (1929-1994)
Tuesday, December 11, 2018
Today's Birthdays
Hector Berlioz (1803-1869)
Joseph Jongen (1873-1953)
Mieczyslaw Karlowicz (1876-1909)
Leo Ornstein (1893-2002)
Elliott Carter (1908-2012)
David Ashley White (1944)
Neil Mackie (1946)
and
Grace Paley (1922-2007
Naguib Mahfouz (1911-2006)
Grace Paley (1922-2007)
Jim Harrison (1937-2016)
Thomas McGuane (1939)
and from the Composers Datebook:
On this day in 1918, Russian-born conductor Nikolai Sokoloff leads the first concert of the Cleveland Orchestra at Gray's Armory, presented as a benefit for St. Ann's Church. His program included Victor Herbert's "American Fantasy," Bizet's "Carmen" Suite, two movements of Tchaikovsky's Symphony No. 4, Liadov's "Enchanted Lake," and Liszt's "Les Préludes".
Joseph Jongen (1873-1953)
Mieczyslaw Karlowicz (1876-1909)
Leo Ornstein (1893-2002)
Elliott Carter (1908-2012)
David Ashley White (1944)
Neil Mackie (1946)
and
Grace Paley (1922-2007
Naguib Mahfouz (1911-2006)
Grace Paley (1922-2007)
Jim Harrison (1937-2016)
Thomas McGuane (1939)
and from the Composers Datebook:
On this day in 1918, Russian-born conductor Nikolai Sokoloff leads the first concert of the Cleveland Orchestra at Gray's Armory, presented as a benefit for St. Ann's Church. His program included Victor Herbert's "American Fantasy," Bizet's "Carmen" Suite, two movements of Tchaikovsky's Symphony No. 4, Liadov's "Enchanted Lake," and Liszt's "Les Préludes".
Monday, December 10, 2018
Ehnes registers moving Walton concerto and guest conductor Jensen scores high in his American debut
James Ehnes gave a breathtaking performance of William Walton’s Violin Concerto with the Oregon Symphony under guest conductor Eivind Gulberg Jensen on Saturday (December 1) that was about as close to perfection as can be imagined. His playing encompassed a brilliant technical precision yet expressed the varied emotions of the piece with panache. The lyrical passages were warm and sweet but not syrupy. The fast sections were brisk and electrifying with Ehnes in complete command whether tempos sped up or slowed down – sometimes within the same phrase. The playful exchanges with the orchestra in the tricky second movement were marvelously seamless and the lush, rhapsodic at the end of the final movement – with the harp keeping a heartbeat – was moving.
The thunderous applause brought Ehnes back to center stage several times, and the gracious Canadian violinist responded with an encore, offering an exquisite performance of the third movement of Bach’s Sonata No. 3 in C Major. That sonata is considered extremely difficult to place because of all of the exposed areas – any flaw in playing sticks out immediately. In any case, Ehnes gave an immaculate performance, which served to polish his reputation as one of the very best of the best violinists who has ever performed in Portland.
The other big work on the program was Rachmaninoff’s “Symphonic Dances,” which received an outstanding performance from the orchestra. The strings, woodwinds, brass, and percussion imbued each movement with incisive playing, starting with a triad of charged, driving notes that transitioned into a melancholic mélange that briefly featured the alto saxophone. The second movement was hauntingly beautiful with its the dusky fanfare followed and slow, off-balanced waltz. Highlights of the third included a shuddering trumpet, woody bass clarinet, and surge into an ebb and flow and a final episode that contained melodies from the composer’s “All-Night Vigil.”
The concert began with a sonically mesmerizing work by Swedish composer Anders Hillborg entitled “Exquisite Corpse.” The title refers to a parlor game from the 1920s in which a story was created from sentences or phrases that the first participant wrote on a piece of paper, folded it over, and gave to the next player to continue in the same manner. Apparently, a Surrealist group broke it down to one word at a time and arrived at “The exquisite corpse will drink the new wine.” Was this a product of the unconscious mind? Who knows.
In any case, Hillborg ran with the idea, putting composers who have influenced him into the game plan, so to speak. The program notes mentioned Ligeti, Sibelius, and Stravinsky. I think that I heard something Stravinsky-like and a segment near the end that suggested Sibelius, but the pie seemed to stand very well on its own, regardless of influences. It opened with a sparse set of notes in very close relationship to each other. This set acquired more and more notes until it became a dense cloud, hitting bottom – accented by a basement tone from the piano. The strings created a sonic meltdown then ascended furiously and before suddenly stopping, releasing sharp, slicing sounds. Playful passages featured the percussion and piano accompanied by wiggly tones from the woodwinds and later higher pitched sounds and finally a brass choir (anchored by JáTtik Clark on the cimbasso). Syncopated and rhythmic drumming, three piccolos creating a whistling effect, and a couple of huge sonic build-ups led to the a final, strangely mystical chord that blurred and drifted away.
The concert marked the American debut of Jensen, who was born Norway and is only 46 years old. He has directed the Vienna State Opera, the Berlin Philharmonic, and the Munich Philharmonic, and seems to be on his way to building a major-league career. He was extremely musical in his gestures, including holding the baton incredibly loosely when the music became less tense. He also had used a quavering hand gesture that was intriguingly exact, yet might be hard to follow when you are playing. It would be great to see him on the podium again to find out what else he can do with this orchestra. As most readers know, Carlos Kalmar is stepping down as music director at the end of the 2019-2020 season. Hmm...
The thunderous applause brought Ehnes back to center stage several times, and the gracious Canadian violinist responded with an encore, offering an exquisite performance of the third movement of Bach’s Sonata No. 3 in C Major. That sonata is considered extremely difficult to place because of all of the exposed areas – any flaw in playing sticks out immediately. In any case, Ehnes gave an immaculate performance, which served to polish his reputation as one of the very best of the best violinists who has ever performed in Portland.
The other big work on the program was Rachmaninoff’s “Symphonic Dances,” which received an outstanding performance from the orchestra. The strings, woodwinds, brass, and percussion imbued each movement with incisive playing, starting with a triad of charged, driving notes that transitioned into a melancholic mélange that briefly featured the alto saxophone. The second movement was hauntingly beautiful with its the dusky fanfare followed and slow, off-balanced waltz. Highlights of the third included a shuddering trumpet, woody bass clarinet, and surge into an ebb and flow and a final episode that contained melodies from the composer’s “All-Night Vigil.”
The concert began with a sonically mesmerizing work by Swedish composer Anders Hillborg entitled “Exquisite Corpse.” The title refers to a parlor game from the 1920s in which a story was created from sentences or phrases that the first participant wrote on a piece of paper, folded it over, and gave to the next player to continue in the same manner. Apparently, a Surrealist group broke it down to one word at a time and arrived at “The exquisite corpse will drink the new wine.” Was this a product of the unconscious mind? Who knows.
In any case, Hillborg ran with the idea, putting composers who have influenced him into the game plan, so to speak. The program notes mentioned Ligeti, Sibelius, and Stravinsky. I think that I heard something Stravinsky-like and a segment near the end that suggested Sibelius, but the pie seemed to stand very well on its own, regardless of influences. It opened with a sparse set of notes in very close relationship to each other. This set acquired more and more notes until it became a dense cloud, hitting bottom – accented by a basement tone from the piano. The strings created a sonic meltdown then ascended furiously and before suddenly stopping, releasing sharp, slicing sounds. Playful passages featured the percussion and piano accompanied by wiggly tones from the woodwinds and later higher pitched sounds and finally a brass choir (anchored by JáTtik Clark on the cimbasso). Syncopated and rhythmic drumming, three piccolos creating a whistling effect, and a couple of huge sonic build-ups led to the a final, strangely mystical chord that blurred and drifted away.
The concert marked the American debut of Jensen, who was born Norway and is only 46 years old. He has directed the Vienna State Opera, the Berlin Philharmonic, and the Munich Philharmonic, and seems to be on his way to building a major-league career. He was extremely musical in his gestures, including holding the baton incredibly loosely when the music became less tense. He also had used a quavering hand gesture that was intriguingly exact, yet might be hard to follow when you are playing. It would be great to see him on the podium again to find out what else he can do with this orchestra. As most readers know, Carlos Kalmar is stepping down as music director at the end of the 2019-2020 season. Hmm...
Today's Birthdays
César Franck (1822-1890)
Olivier Messiaen (1908-1992)
Morton Gould (1913-1996)
Sesto Bruscantini (1919-2003)
Nicholas Kynaston (1941)
Julianne Baird (1952)
Kathryn Stott (1958)
Sarah Chang (1980)
and
Emily Dickinson (1830-1886)
Melvil Dewey (1851-1931)
Adolf Loos (1870-1933)
Olivier Messiaen (1908-1992)
Morton Gould (1913-1996)
Sesto Bruscantini (1919-2003)
Nicholas Kynaston (1941)
Julianne Baird (1952)
Kathryn Stott (1958)
Sarah Chang (1980)
and
Emily Dickinson (1830-1886)
Melvil Dewey (1851-1931)
Adolf Loos (1870-1933)
Sunday, December 9, 2018
Preview of Vancouver Symphony holiday concert in The Columbian
The Columbian newspaper published my preview of this weekend's Vancouver Symphony concert, which will feature the Columbian Dance company and excerpts from "Swan Lake." Here is the link to the article.
Today's Birthdays
Emile Waldteufel (1837-1915)
Joaquin Turina (1882-1949)
Conchita Supervia (1895-1936)
Elisabeth Schwarzkopf (1915-2006)
Dennis Eberhard (1943-2005)
Christopher Robson (1953)
Donny Osmond (1957)
Joshua Bell (1967)
and
John Milton (1608-1674)
Joel Chandler Harris (1848-1908)
Léonie Adams (1899-1988)
Ödön von Horváth (1901-1938)
From the Writer's Almanac:
Milton coined more than 600 words, including the adjectives dreary, flowery, jubilant, satanic, saintly, terrific, ethereal, sublime, impassive, unprincipled, dismissive, and feverish; as well as the nouns fragrance, adventurer, anarchy, and many more.
Joaquin Turina (1882-1949)
Conchita Supervia (1895-1936)
Elisabeth Schwarzkopf (1915-2006)
Dennis Eberhard (1943-2005)
Christopher Robson (1953)
Donny Osmond (1957)
Joshua Bell (1967)
and
John Milton (1608-1674)
Joel Chandler Harris (1848-1908)
Léonie Adams (1899-1988)
Ödön von Horváth (1901-1938)
From the Writer's Almanac:
Milton coined more than 600 words, including the adjectives dreary, flowery, jubilant, satanic, saintly, terrific, ethereal, sublime, impassive, unprincipled, dismissive, and feverish; as well as the nouns fragrance, adventurer, anarchy, and many more.
Saturday, December 8, 2018
Today's Birthdays
Claude Balbastre (1724-1799)
Frantisek Xaver Dussek (1731-1799)
Jean Sibelius (1865-1957)
Manuel Ponce (1882-1948)
Bohuslav Martinů (1890-1959)
Gérard Souzay (1918-2004)
Moisei Vainberg (1919-1996)
James Galway (1939)
and
Horace (65-8 B.C.)
Diego Rivera (1886-1957)
James Thurber (1894-1961)
James Tate (1948)
Mary Gordon (1949)
Bill Bryson (1951)
Frantisek Xaver Dussek (1731-1799)
Jean Sibelius (1865-1957)
Manuel Ponce (1882-1948)
Bohuslav Martinů (1890-1959)
Gérard Souzay (1918-2004)
Moisei Vainberg (1919-1996)
James Galway (1939)
and
Horace (65-8 B.C.)
Diego Rivera (1886-1957)
James Thurber (1894-1961)
James Tate (1948)
Mary Gordon (1949)
Bill Bryson (1951)
Friday, December 7, 2018
Today's Birthdays
Bernardo Pasquini (1637-1710)
Hermann Goetz (1840-1876)
Pietro Mascagni (1863-1945)
Ernst Toch (1887-1964)
Rudolf Friml (1879-1972)
Richard Franko Goldman (1910-1980)
Daniel Jones (1912-1993)
Helen Watts (1927-2009)
Harry Chapin (1942-1981)
Daniel Chorzempa (1944)
Tom Waits (1949)
Kathleen Kuhlmann (1950)
Krystian Zimerman (1956)
and
Gian Lorenzo Bernini (1598-1680)
Willa Cather (1873-1947)
Joyce Cary (1888-1957)
Noam Chomsky (1928)
Susan Isaacs (1943)
Hermann Goetz (1840-1876)
Pietro Mascagni (1863-1945)
Ernst Toch (1887-1964)
Rudolf Friml (1879-1972)
Richard Franko Goldman (1910-1980)
Daniel Jones (1912-1993)
Helen Watts (1927-2009)
Harry Chapin (1942-1981)
Daniel Chorzempa (1944)
Tom Waits (1949)
Kathleen Kuhlmann (1950)
Krystian Zimerman (1956)
and
Gian Lorenzo Bernini (1598-1680)
Willa Cather (1873-1947)
Joyce Cary (1888-1957)
Noam Chomsky (1928)
Susan Isaacs (1943)
Thursday, December 6, 2018
Today's Birthdays
Orazio Vecchi (1550-1605)
Johann Christoph Bach (1642-1703)
Ira Gershwin (1896-1983)
Dave Brubeck (1920-2012)
Nikolaus Harnoncourt (1929-2016)
Henryk Górecki (1933-2010)
Tomas Svoboda (1939)
John Nelson (1941)
Daniel Adni (1951)
Bright Sheng (1955)
Matthew Taylor (1964)
and
Baldassare Castiglione (1478-1529)
The Encyclopedia Brittanica (1768)
Alfred Eisenstaedt (1898-1995)
Johann Christoph Bach (1642-1703)
Ira Gershwin (1896-1983)
Dave Brubeck (1920-2012)
Nikolaus Harnoncourt (1929-2016)
Henryk Górecki (1933-2010)
Tomas Svoboda (1939)
John Nelson (1941)
Daniel Adni (1951)
Bright Sheng (1955)
Matthew Taylor (1964)
and
Baldassare Castiglione (1478-1529)
The Encyclopedia Brittanica (1768)
Alfred Eisenstaedt (1898-1995)
Wednesday, December 5, 2018
Today's Birthdays
Francesco Geminiani (1687-1762)
Vitezslav Novák (1870-1949)
"Little" Richard Wayne Penniman (1935)
José Carreras (1946)
Krystian Zimerman (1956)
Osvaldo Golijov (1960)
and
Christina (Georgina) Rossetti (1830-1894)
Joan Didion (1934)
Calvin Trillin (1935)
John Berendt (1939)
Lydia Millet (1968)
And from the Composers Datebook:
On this day in 1704, George Frideric Handel (age 19) refuses to turn over the harpsichord to Johann Mattheson (age 23) during a performance of Mattheson's opera "Cleopatra," leading to a sword duel between the two. It is said that during the swordplay, Handel was saved by a button on his coat that deflected Mattheson's mortally-directed blade. The two reconciled on December 30 that year, dining together and attending a rehearsal of Handel's opera "Almira," becoming, as Mattheson put it: "better friends than ever."
On this day in 1837, Berlioz's "Requiem," in Paris premiered with François Habeneck conducting (Berlioz later claimed that at one point he had to jump on stage and take over when Habeneck stopped to take snuff, but some eyewitnesses denied this happened).
Vitezslav Novák (1870-1949)
"Little" Richard Wayne Penniman (1935)
José Carreras (1946)
Krystian Zimerman (1956)
Osvaldo Golijov (1960)
and
Christina (Georgina) Rossetti (1830-1894)
Joan Didion (1934)
Calvin Trillin (1935)
John Berendt (1939)
Lydia Millet (1968)
And from the Composers Datebook:
On this day in 1704, George Frideric Handel (age 19) refuses to turn over the harpsichord to Johann Mattheson (age 23) during a performance of Mattheson's opera "Cleopatra," leading to a sword duel between the two. It is said that during the swordplay, Handel was saved by a button on his coat that deflected Mattheson's mortally-directed blade. The two reconciled on December 30 that year, dining together and attending a rehearsal of Handel's opera "Almira," becoming, as Mattheson put it: "better friends than ever."
On this day in 1837, Berlioz's "Requiem," in Paris premiered with François Habeneck conducting (Berlioz later claimed that at one point he had to jump on stage and take over when Habeneck stopped to take snuff, but some eyewitnesses denied this happened).
Tuesday, December 4, 2018
Today's Birthdays
André Campra (1660-1744)
Michel Pignolet de Montéclair (1667-1737)
Sir Hamilton Harty (1879-1949)
Alex North (1910-1991)
Yvonne Minton (1938)
Lillian Watson (1947)
Andrew Penny (1952)
and
Thomas Carlyle (1795-1891)
Samuel Butler (1835-1902)
Rainer Maria Rilke (1875-1926)
Cornell Woolrich (1903-1968)
Michel Pignolet de Montéclair (1667-1737)
Sir Hamilton Harty (1879-1949)
Alex North (1910-1991)
Yvonne Minton (1938)
Lillian Watson (1947)
Andrew Penny (1952)
and
Thomas Carlyle (1795-1891)
Samuel Butler (1835-1902)
Rainer Maria Rilke (1875-1926)
Cornell Woolrich (1903-1968)
Monday, December 3, 2018
Today's Birthdays
Nicolo Amati (1596-1684)
André Campra (1660-1744)
Antonio Soler (1729-1783)
Émile Waldteufel (1837-1915)
Anton Webern (1883-1945)
Halsey Stevens (1908-1989)
Nino Rota (1911-1979)
Irving Fine (1914-1962)
Charles Craig (1919-1997)
Paul Turok (1929-2012)
José Serebrier (1938)
Matt Haimovitz (1970)
and
Joseph Conrad (1857-1924)
Anna Freud (1895-1982)
Zlata Filipović (1980)
André Campra (1660-1744)
Antonio Soler (1729-1783)
Émile Waldteufel (1837-1915)
Anton Webern (1883-1945)
Halsey Stevens (1908-1989)
Nino Rota (1911-1979)
Irving Fine (1914-1962)
Charles Craig (1919-1997)
Paul Turok (1929-2012)
José Serebrier (1938)
Matt Haimovitz (1970)
and
Joseph Conrad (1857-1924)
Anna Freud (1895-1982)
Zlata Filipović (1980)
Sunday, December 2, 2018
Today's Birthdays
Harry T. Burleigh (1866-1949)
Rudolf Friml (1879-1972)
Harriet Cohen (1895-1967)
Sir John Barbirolli (1899-1970)
Robert Moevs (1920-2007)
Maria Callas (1923-1977)
Jörg Demus (1928)
and
Georges-Pierre Seurat (1859-1891)
T. Coraghessan Boyle (1948)
George Saunders (1958)
Ann Patchertt (1963)
And from the Composers Datebook: On this day in 1717, J.S. Bach is allowed to leave the Duke’s Court at Weimar. He had been imprisoned since Nov. 6th by his former employer Duke Wilhelm Ernst of Weimar for accepting a new post at Prince Leopold’s court at Cöthen without first asking permission.
Rudolf Friml (1879-1972)
Harriet Cohen (1895-1967)
Sir John Barbirolli (1899-1970)
Robert Moevs (1920-2007)
Maria Callas (1923-1977)
Jörg Demus (1928)
and
Georges-Pierre Seurat (1859-1891)
T. Coraghessan Boyle (1948)
George Saunders (1958)
Ann Patchertt (1963)
And from the Composers Datebook: On this day in 1717, J.S. Bach is allowed to leave the Duke’s Court at Weimar. He had been imprisoned since Nov. 6th by his former employer Duke Wilhelm Ernst of Weimar for accepting a new post at Prince Leopold’s court at Cöthen without first asking permission.
Saturday, December 1, 2018
Today's Birthdays
François‑Xavier Richter (1709-1789)
Ernest (Louis-Etienne-Ernest) Reyer (1832-1909)
Agathe Grøndahl (1847-1907)
Gordon Crosse (1932)
Lou Rawls (1933-2006)
Bette Midler (1945)
Rudolf Buchbinder (1946)
Leontina Vaduva (1960)
Ernest (Louis-Etienne-Ernest) Reyer (1832-1909)
Agathe Grøndahl (1847-1907)
Gordon Crosse (1932)
Lou Rawls (1933-2006)
Bette Midler (1945)
Rudolf Buchbinder (1946)
Leontina Vaduva (1960)