Antonio Salieri (1750-1825)
Benjamin Godard (1849-1895)
Basil Cameron (1884-1975)
Ernest MacMillan (1893-1973)
Dame Moura Lympany (1916-2005)
Goff Richards (1944)
Tan Dun (1957)
and
Meriwether Lewis (1774-1809)
Margaret Murie (1902 -2003)
Alain Robbe-Grillet (1922-2008)
and from The Writer's Almanac:
Italian-born Viennese composer Antonio Salieri was born in Legnago, in the Republic of Venice (1750). Although he was quite popular in the 18th century, he probably wouldn't be well known today were it not for the movie Amadeus (1984). The movie was based on Peter Shaffer's play by the same name (1979), which was in turn based on a short play by Aleksandr Pushkin, which was called Mozart and Salieri (1830). These stories all present Salieri as a mediocre and uninspired composer who was jealous of Mozart's musical genius; Salieri tried to discredit Mozart at every turn, and some versions of the story even accuse him of poisoning his rival.
But Salieri was a talented and successful composer, writing the scores for several popular operas. He had a happy home life with his wife and eight children. And because he had received free voice and composition lessons from a generous mentor as a young man, he also gave most of his students the benefit of free instruction. Some of his pupils included Beethoven, Franz Liszt, and Franz Schubert. He was the Kapellmeister — the person in charge of music — for the Austrian emperor for 36 years. He and Mozart were competitors, but their rivalry was usually a friendly one; Salieri visited Mozart when he was dying, and was one of the few people to attend his funeral.
After the turn of the 19th century, Salieri's music began to fall out of fashion. "I realized that musical taste was gradually changing in a manner completely contrary to that of my own times," he wrote. "Eccentricity and confusion of genres replaced reasoned and masterful simplicity." He stopped composing operas and began to produce more and more religious pieces. He suffered from dementia late in his life and died in 1825. He had composed his own requiem 20 years earlier, and it was performed for the first time at his funeral.
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