Vancouver Symphony concert overcomes acoustically challenged venue

Since the beginning of this season, the Vancouver Symphony has been on the move. Literally. The orchestra has been unable to use its regular venue at Skyview Concert Hall because the school district has forbidden rentals of its facilities to outsiders due to COVID. This decision caused the plucky ensemble to scramble for another performance space, which resulted in the downtown Portland’s Newmark Theatre as the only option for the first concert series of the season. For its second set, the musicians travelled a few miles north of Vancouver and played at the ilani Casino where I heard them play on last Saturday (October 23) evening.

You might not think of a gaming palace as a place for a classical music event, but once you got past the gauntlet of glitzy machines, roulette wheels, card games, huge screens projecting football, baseball, basketball, food courts, fancy bars, and swanky restaurants, you could enjoy sitting in the darkened and hushed space of the Cowlitz Ballroom. The hustle and bustle of gamers winning and losing seemed far away.

However, the orchestra was surrounded on three sides by heavy curtains, and the drapery diminished the amount of sound from the musicians. So crescendo and decrescendos were subdued, and the volume confined to the soft to medium-loud range.

The setting meant that Ravel’s “Pavane for a dead princess,” a mellow number, became mellower. The lovely and clear tone from the French horn of Charles Crabtree was a highlight of the piece, but I didn’t hear it swell or diminish. The orchestra, under music director Salvador Brotons, delivered a stately and somber “Pavane,” with the acoustics of the ballroom reducing the music’s impact.

The Suite from Stravinsky’s ballet “Pulcinella” faired a little better through its shifting between movements are sprightly and those that are solemn. The woodwinds showed fine work with various combinations, including trio involving the flute, French horn, and bassoon. Concertmaster Eva Richey excelled in her brief solos. The brass delivered several good licks and the trombone and bass duet had a wonderful lopsided charm.

Even with the acoustical challenges, Debussy’s “Petite Suite” received a sensitive interpretation. The flutes (principal Rachel Rencher and Corrie Cook) started the gentle motion of drifting along in a boat on summer day. The second movement evoked a carefree stroll, and the courtly dance of the third had a light step, and the last movement ended robustly.

Urged on by Brotons, the orchestra convincingly swept the audience into the melodies in Kodály’s “Dances of Galánta.” Following the extended solo by principal clarinetist Igor Shakhman, each section of the orchestra had a moment to shine. The fortes finally came through and the orchestra caught the spirit of the piece, including the whirlwind passages the end of the piece, and that inspired the audience to a standing ovation.

But the “Dances of Galánta” would have been much more thrilling at Skyview Concert Hall, which has much better acoustics. The good news, announced at the beginning of the concert, is that the orchestra will return to its home base for the next concert with Broadway star Liz Callaway. That should prove to be an exciting homecoming, a superior treat for the ears.

Today's Birthdays

Louise Talma (1906-1996)
August Everding (1928-1999)
Colin Tilney (1933)
Odaline de la Martinez (1949)
Naji Hakim (1955)

and

Jan Vermeer (1632-1675)
John Keats (1795-1821)
Susan Orlean (1955)

from The New Music Box

On October 31, 1896, the Boston Symphony premiered the Gaelic" Symphony in E Minor by Mrs. H.H.A. Beach (Amy Marcy Cheney Beach), the first symphony by an American woman ever publicly performed.

and from the Composers Datebook:

On this date in 1933, Arnold Schoenberg, accompanied by his wife, baby daughter, and family pet terrier "Witz," arrives in New York on the liner Isle de Franc

Today's Birthdays

Peter Warlock (Philip Arnold Heseltine) (1894-1930)
Stanley Sadie (1930-2005)
Frans Brüggen (1934-2014)
Grace Slick (1939)
René Jacobs (1946)
James Judd (1949)
Shlomo Mintz (1957)

and

Richard Brinsley Sheridan (1751-1816)
André Chénier (1762-1794)
Ezra Pound (1885-1972)
Robert Caro (1935)

Today's Birthdays

Harold Darke (1888-1976)
Vivian Ellis (1904-1996)
Václav Neumann (1920-1995)
Jon Vickers (1926-2015)
James Dillon (1950)
Lee Actor (1952)
James Primosch (1956)

and

James Boswell (1740-1795)
Harriet Powers (1837-1910)
Henry Green (1905-1973)
David Remnick (1958)

Today's Birthdays

Giuditta Pasta (1797-1865)
Howard Hanson (1896-1981)
Dame Cleo Laine (1927)
Carl Davis (1936)
Howard Blake (1938)
Kenneth Montgomery (1943)
Naida Cole (1974)

and

Evelyn Waugh (1903-1966)
John Harold Hewitt (1907-1987)
Francis Bacon (1909-1992)
John Hollander (1929-2013)
Anne Perry (1938)

Today's Birthdays

Niccolò Paganini (1782-1840)
Helmut Walcha (1907-1991)
Conlon Nancarrow (1912-1997)
Dominick Argento (1927-2019)
Julius Eastman (1940-1990)
Håkan Hardenberger (1961)
c (1978)

and

Lee Krasner (1908-1994)
Dylan Thomas (1914-1953)
Roy Lichtenstein (1923-1997)
Sylvia Plath (1932-1963)
Zadie Smith (1975)

Today's Birthdays

Hans Leo Hassler (1564-1612)
Domenico Scarlatti (1685-1757)
Johan Helmich Roman (1694-1758)
Mahalia Jackson (1911-1972)
György Pauk (1936)
Christine Brewer (1955)
Natalie Merchant (1963)
Sakari Oramo (1965)

and

Andrei Bely (1880-1934)
Napoleon Hill (1883-1970)
John Arden (1930-2012)
Andrew Motion (1952)

Today's Birthdays

Thomas Weelkes (1576-1623)
Johann Strauss II (1825-1899)
Georges Bizet (1838-1875)
Don Banks (1923-1980)
Galina Vishnevskaya (1926-2012)
Peter Lieberson (1946)
Diana Burrell (1948)
Colin Carr (1957)
Midori (1971)

and

Pablo Picasso (1881-1973)
John Berryman (1914-1972)
Anne Tyler (1941)

Today's Birthdays

Ferdinand Hiller (1811-1885)
Imre [Emmerich] Kálman (1882-1953)
Conrad Leonard (1898-2003)
Paul Csonka (1905-1995)
Tito Gobbi (1913-1984)
Luciano Berio (1925-2003)
George Crumb (1929)
Sofia Gubaidulina (1931)
Malcolm Bilson (1935)
Bill Wyman (1936)
George Tsontakis (1951)
Cheryl Studer (1955)

and

Sarah Josepha Hale (1788-1879)
Moss Hart (1904-1961)
Denise Levertov (1923-1997)
Norman Rush (1933)

Vancouver Symphony plays at the casino - preview in The Columbian

The Vancouver Symphony is still in search of a concert venue, becuase the Washington State school district will not allow outside organizations to rent from their facilities (Skyview Concert Hall belongs to Skyview High School). So they will perform at the ilani casino this weekend.

My preview of the concert appeared in The Columbian here.

Today's Birthdays

Albert Lortzing (1801-1851)
Sarah Bernhardt (1844-1923)
Miriam Gideon (1906-1996)
Denise Duval (1921-2016)
Ned Rorem (1923)
Lawrence Foster (1941)
Toshio Hosokawa (1955)
"Weird Al" Yankovic (1959)
Brett Dean (1961)

and

Robert Bridges (1844-1930)
Johnny Carson (1925-2005)
Nick Tosches (1949)
Laurie Halse Anderson (1961)

Today's Birthdays

Franz Liszt (1811-1886)
Sir Donald McIntyre (1934)
Elizabeth Connell (1946)

andv
John Reed (1887-1920)
John Gould (1908-2003)
Doris Lessing (1919-2013)

In 1883, the grand opening of the original Metropolitan Opera House in New York City with performance of Gounod's "Faust" with Auguste Vianesi, conducting.

Zinman and Trpčeski and Oregon Symphony create memorable concert

The Oregon Symphony delivered a stellar concert (October 16) with guest conductor David Zinman and pianist Simon Trpčeski at the newly revamped Arlene Schnitzer Concert Hall. It was my first time to see Zinman, who has a storied career that includes five Grammys. Now at 85, he used a cane to get to the podium and directed from a chair. But once seated, he synced up with Trpčeski for a brilliant Tchaikovsky Piano Concerto No. 1, and topped that off by collaborating with the orchestra to in marvelous interpretations of works by Sibelius and George Walker.

Tchaikovsky’s First Piano Concerto is a beloved piece that could sound old and stale, but in the hands of Trpčeski, it was amazingly fresh and inspired. With an impeccable technique and pianism, the music sparkled with outstanding dynamic contrasts. During the cadenza in the first movement, he perfectly balanced the notes in the upper register with those in the lower register. The lyrical themes in the second movement had just a hint of playfulness, and the lighthearted third movement was just plain fun to hear. In addition to impressing everyone with his artistry. Trpčeski made it all look effortless.

The audience brought Trpčeski back to center stage several times, and before engaging the keyboard once more, he said that he had performed in Portland 17 years ago. The encore that he played was not nearly as engaging as his Tchaikovsky, but it would be great to hear him again with the orchestra some day in the near future.

Although Sibelius did not intend for his Third Symphony to depict a particular landscape or story, it was easy to close one’s eyes and imagine a forest or a scene from the far North. Some of the passages evoked a rustic, almost brawny sound while others were more sinewy and refined. High notes from the violins contrasted wonderfully with low tones from the basses. The woodwinds had a field day creating all sorts of magical moments – especially the bird-like phrases in the second movement. The rich, full chorus of cellos and violas in the third – joined by the entire ensemble – brought the piece to a satisfying conclusion.

The concert opened with George Walker’s delicate and somber “Lyric for String.” Sans baton, Zinman guided the ensemble with great sensitivity, so that the tenderness and gentleness of the piece filled the hall with warmth. It was as if a band of murmuring angels wafted about for a few exquisite minutes. Perhaps the orchestra would consider recording more of Walker's music someday.

Overall, from my perch in the upper mezzanine, the voices of the lower instruments could be heard more clearly than ever before. So the new sonic treatment in the hall does give listeners a fuller musical experience. Ergo, the orchestra is sounding better than ever.

Today's Birthdays

Joseph Canteloube (1879-1957)
Egon Wellesz (1885-1974)
Howard Ferguson (1908-1999)
Alexander Schneider (1908-1993)
Sir Georg Solti (1912-1997)
Dizzy (John Birks) Gillespie (1917-1993)
Sir Malcom Arnold (1921-2006)
Marga Richter (1926-2020)
Shulamit Ran (1949)
Hugh Wolff (1953)

and

Samuel Taylor Coleridge (1772-1834)
Alfred Nobel (1833-1896)
Ursula K. Le Guin (1929-2018)

Today's Birthdays

Charles Ives (1874-1954)
Jelly Roll Morton (1890-1941)
Adelaide Hall (1901-1993)
Alfredo Campoli (1906-1991)
Adelaide Hall (1909-1993)
Robert Craft (1923-2015)
Jacques Loussier (1934)
William Albright (1944-1998)
Ivo Pogorelich (1958)
Leila Josefowicz (1977)

and

Christopher Wren (1632-1723)
Arthur Rimbaud (1854-1891
John Dewey(1859-1952)
Robert Pinsky (1940)
Elfriede Jelinek (1946)

Today's Birthdays

Sidonie Goossens (1899-2004)
Vittorio Giannini (1903-1966)
Karl-Birger Blomdahl (1916-1968)
Emil Gilels (1916-1985)
Robin Holloway (1943)
Robert Morris (1943)

and

Leigh Hunt (1784-1859)
Auguste Lumière (1862-1954)
Miguel Ángel Asturias (1899-1974)
Jack Anderson (1922-2005)
John le Carré (David John Moore Cornwell) (1931)
Philip Pullman (1946)
Tracy Chevalier (1962)

Today's Birthdays

Luca Marenzio (1553-1599)
Baldassare Galuppi (1706-1785)
Lotte Lenya (1898-1981)
Alexander Young (1920-2000)
Egil Hovland (1924-2013)
Chuck Berry (1926-2017)
Wynton Marsalis (1961)

and

Heinrich von Kleist (1777-1811)
Henri Bergson (1859-1941)
A. J. Liebling (1904-1963)
Ntozake Shange (1948)
Rick Moody (1961)

Today's Birthdays

Herbert Howells (1892-1983)
Shinichi Suzuki (1898-1998)
Rolando Panerai (1924-2019)
Reiner Goldberg (1939)
Stephen Kovacevich (1940)

and

Georg Büchner (1813-1837)
Nathanael West (1903-1940)
Arthur Miller (1915-2005)

and from the Composers Datebook:

On this day in 1978, President Jimmy Carter presents the Congressional Medal of Honor to singer Marian Anderson.

and from The Writer's Almanac:

It was on this day in 1933 that Albert Einstein officially moved to the United States to teach at Princeton University. He had been in California working as a visiting professor when Hitler took over as chancellor of Germany. Einstein’s apartment in Berlin and his summer cottage in the country were raided, his papers confiscated, and his bank accounts closed. He returned to Europe and handed in his German passport, renouncing his citizenship. He considered offers from all over the world, including Paris, Turkey, and Oxford. Einstein eventually decided on Princeton, which offered him an attractive package teaching at its Institute for Advanced Study — but he had his hesitations about the university. For one thing, it had a clandestine quota system in place that only allowed a small percentage of the incoming class to be Jewish. The Institute’s director, Abraham Flexner, was worried that Einstein would be too directly involved in Jewish refugee causes, so he micromanaged Einstein’s public appearances, keeping him out of the public eye when possible. He even declined an invitation for Einstein to see President Roosevelt at the White House without telling the scientist. When Einstein found out, he personally called Eleanor Roosevelt and arranged for a visit anyway, and then complained about the incident in a letter to a rabbi friend of his, giving the return address as “Concentration Camp, Princeton.” In 1938, incoming freshmen at Princeton ranked Einstein as the second-greatest living person; first place went to Adolf Hitler.

Today's Birthdays

Jan Dismas Zelenka (1679-1745)
Franz [Ferenc] Doppler (1821-1883)
James Lockhart (1930)
Derek Bourgeois (1941)
Marin Alsop (1956)
Erkki-Sven Tüür (1959)
Dmitri Hvorostovsky (1962-2017)

and

Noah Webster (1758-1843)
Oscar Wilde (1854-1900)
Eugene O'Neill (1888-1953)
Günter Grass (1927-2015)
Thomas Lynch (1948)v
And from the Writer's Almanac:

In 1882, during a tour across the US, Oscar Wilde lectured to coal miners in Leadville, Colorado, where he saw a sign on a saloon that said, "Please do not shoot the pianist. He is doing his best," and called it "the only rational method of art criticism I have ever come across."

Today's Birthdays

Bernhard Crusell (1775-1838)
Dag Wirén (1905-1985)
Harold Blumenfeld (1923-2014)
Karl Richter (1926-1981)
Barry McGuire (1935)
Suzanne Murphy (1941)
Peter Phillips (1953)

and

Virgil (70 B.C.E.- 19 B.C.E.)
Helen Hunt Jackson (1830-1885)
Friedrich Nietzsche, (1844-1900)
P. G. Wodehouse (1881-1975)
Varian Fry (1907-1967)
John Kenneth Galbraith (1908-2006)
Arthur M. Schlesinger, Jr. (1917-2007)
Italo Calvino (1923-1985)
Michel Foucault (1926-1984)

Today's Birthdays

Alexander Zimlinsky (1871-1942)
Gary Graffman (1928)
Rafael Puyana (1931-2013)
Enrico di Giuseppe (1932-2005)
La Monte (Thorton) Young (1935)
Sir Cliff Richard (1940)
Kaija Saariaho (1952)

and

Katherine Mansfield (1888-1923)
E. E. Cummings (1894-1962)
Hannah Arendt (1906-1975)
Katha Pollitt (1949)

Today's Birthdays

Art Tatum (1910-1956)
Hugo Weisgall (1912-1997)
Gustav Winckler (1925-1979)
Paul Simon (1941)
Leona Mitchell (1949)
Kristine Ciesinski (1950
Melvyn Tan (1956)
Mark Applebaum (1967)

and

Conrad Richter (1890-1968)
Arna Bontemps (1902-1973)

Today's Birthdays

Sylvius Leopold Weiss (1686-1750)
Johann Ludwig Krebs (1713-1780)
Arthur Nikisch (1855-1922)
Ralph Vaughan Williams (1872-1958)
Healey Willan (1880-1968)
Carlos López Buchardo (1881-1948)
Gilda Dalla Rizza (1892-1975)
Erich Gruenberg (1924-2020)
Pilar Lorengar (1938-1996)
Luciano Pavarotti (1935-2007)
Daryl Runswick (1946)
Penelope Walker (1956)
Chris Botti (1962)

and
Robert Fitzgerald (1910-1985)
Alice Childress (1916-1994)
Robert Coles (1929)

Today's Birthdays

George Bridgetower (1780-1860)
Fernando De Lucia (1860-1925)
R. Nathaniel Dett (1882-1943)
Albert Stoessel (1894-1943)
Eugene Weigel (1910-1998)
Art Blakey (1919-1990)
Ennio Morricone (1928-2020)
David Rendall (1948)

and

Mason Locke Weems (1759-1825)
Eleanor Roosevelt (1883-1962)
Elmore Leonard (1925-2013)
Thich Nhat Hanh (1926)

Today's Birthdays

Giuseppe Verdi (1813-1901)
Vernon Duke (1903-1969)
Paul Creston (1906-1985)
Thelonious Monk (1917-1982)
Gloria Coates (1938)
Sir Willard White (1946)
John Prine (1946)
Steve Martland (1959)
Evgeny Kissin (1971)

and

Jean-Antoine Watteau (1684-1721)
Harold Pinter (1930-2008)

And from The Writer's Almanac:

It’s the birthday of the composer Vernon Duke, born Vladimir Dukelsky, in Parafianovo, Belarus (1903). He was a talented classical musician, educated at an elite conservatory, but his family fled Russia after the revolution and he wound up playing piano in cafés in Constantinople (now Istanbul). From there, his family rode steerage class on a ship to America, went through Ellis Island, and ended up in New York in 1921. There the teenage Dukelsky met George Gershwin, who was only a few years older, and the two became good friends. Dukelsky played Gershwin what he described as “an extremely cerebral piano sonata,” and Gershwin, who was also trained in classical music, suggested this: “There’s no money in that kind of stuff, and no heart in it, either. Try to write some real popular tunes — and don’t be scared about going low-brow. They will open you up.” He also suggested that Dukelsky shorten his name, as he himself had done — Gershowitz to Gershwin. So Vladimir Dukelsky came up with the name Vernon Duke, but he didn’t use it for a while.

First, he went to Paris. There, he met and impressed the great ballet impresario Sergei Diaghilev. Dukelsky wrote later about their first meeting — that Diaghilev had drawled: “‘Ah, a good-looking boy. That in itself is most unusual. Composers are seldom good-looking; neither Stravinsky nor Prokofiev ever won any beauty prizes. How old are you?’ I told him I was 20. ‘That’s encouraging, too. I don’t like young men over 25.’” And so Diaghilev commissioned him to write a ballet, and he wrote Zephire et Flore, with sets by Georges Braque, choreography by Léonide Massine, and costumes by Coco Chanel. It got a great reception, and Dukelsky was taken in by the not-quite-as-good-looking Stravinsky and Prokofiev. For a few years he divided his time between Paris, where he continued to write classical music, and London, where he wrote show tunes and used the name Vernon Duke. Then in 1929, he decided to go back to America, and he wrote some of the biggest hits of the 1930s — “April in Paris” (1932), “Autumn in New York” (1934), “I Can’t Get Started” (1936), and “Taking a Chance on Love” (1940). And he wrote the music for the Broadway show and film Cabin in the Sky (1940). By that time, he had become an American citizen and officially changed his name to Vernon Duke.

Today's Birthdays

Alexander Siloti (1863-1945)
Harry Lawrence Freeman (1869-1954)
Carl Flesch (1873-1944)
Camille Saint-Saëns (1835-1921)
Roger Goeb (1914-1997)
Einojuhani Routavaara (1928-2016)
Alfons Kontarsky (1932-2010)
John Lennon (1940-1980)
Jackson Browne (1948)
Sally Burgess (1953)
Roberto Sierra (1953)

and

Ivo Andrić (1892-1975)
Bruce Catton (1899-1978)
Léopold (Sédar) Senghor (1906-2001)
Belva Plain (1915-2010)
Jill Ker Conway (1934)
James Howe McClure (1939-2006)

Today's Birthdays

Heinrich Schütz (1585-1672)
Baldassare Galuppi (1706-1785)
Louis Vierne (1870-1937)
Will Vodery (1885-1951)
Paul V. Yoder (1908-1990)
James Sample (1910-1995)
Kurt Redel (1918-2013)
Toru Takemitsu (1930-1996)
Johnny Ramone (1948-2004)
Robert Saxton (1953)
Carl Vine (1954)
Tabea Zimmermann (1968)
Bruno Mantovani (1974)

and

John Cowper Powys (1872-1963)
Walter Lord (1917-2002)
Philip Booth (1925-2007)
R.L. Stine (1943)
Elizabeth Tallent (1954)

Review of Oregon Symphony opener published in Classical Voice North America

My review of the Oregon Symphony's opening night concert featuring Mahler's 2nd plus works by Gabriela Lena Frank and Kenji Bunch (world premiere) is now available in Classical Voice North America.

Today's Birthdays

William Billings (1746-1800)
Joe Hill (1879-1915)
Alfred Wallenstein (1898-1983)
Shura Cherkassky (1911-1995)
Charles Dutoit (1936)
John Mellencamp (1951)
Yo-Yo Ma (1955)
Li Yundi (1982)

and

James Whitcomb Riley (1849-1916)
Niels Bohr (1885-1962)
Helen Clark MacInnes (1907-1985)
Desmond Tutu (1931)
Amiri Baraka (aka LeRoi Jones) (1934-2014)
Thomas Keneally (1935)
Dianne Ackerman (1948)
Sherman Alexie (1966)

Today's Birthdays

William Bradbury (1816-1868)
Jenny Lind (1820-1887)
Julia Culp (1880-1970)
Karol Szymanowski (1882-1937)
Maria Jeritza (1887-1982)
Edwin Fischer (1886-1960)
Paul Badura-Skoda (1927-2019)
Dennis Wicks (1928-2003)
Udo Zimmermann (1943)
Keith Lewis (1950)

and

Le Corbusier (1887-1965)
Caroline Gordon (1895-1981)

From the Writer's Almanac:

It was on this day in 1600 that the opera Euridice was first performed, at the Palazzo Pitti in Florence. It is the oldest surviving opera.

Euridice was performed for the wedding celebrations of Henry IV of France and Maria de' Medici. It was written by Jacopo Peri, a beloved composer and singer. He had already written Dafne a few years earlier, which is considered to be the first opera, but that music has been lost.

Euridice is a retelling of the Greek myth of Orpheus and Eurydice, in which the gifted musician Orpheus falls in love with the beautiful Eurydice, but just after their wedding she is bitten by a snake and dies. Orpheus is heartbroken, and he journeys to the underworld, to Hades, to try to bring her back. He charms the king of the underworld, also named Hades, and his wife, Persephone, and they agree to return Eurydice to Orpheus on one condition: that he get all the way back to the upper world without looking back to see if Eurydice is following. He almost makes it, but right as he is walking out into the sunlight he turns back, and Eurydice is still in the underworld, so he loses her forever. Peri not only wrote the opera, but he sang the role of Orpheus. The climax of the opera came during "Funeste piagge," or "Funeral shores," when Orpheus begs Hades and Persephone to release his beloved.

Peri wrote a long preface to Euridice, in which he explained the new musical form he was working in, which we now call opera. He said that he was trying to write the way he imagined the Greeks would have, combing music and speech into the ultimate form of drama. One of the people who came to Florence to see Euridice was Vincenzo Gonzaga, the Duke of Mantua. And he probably brought his servant, Claudio Monteverdi. A few years later, in 1607, Monteverdi premiered his first opera, L'Orfeo, which was also a retelling of the legend of Orpheus. Monteverdi elevated the opera form to new heights, and L'Orfeo is considered the first truly great opera, with all of the dramatic orchestration and lyrics that are so central to the drama.

Today's Birthdays

Cyril Bradley Rootham (1875-1938)
Jürgen Jürgens (1925-1994)
John Downey (1927-2004)
Iwan Edwards (1937)
Ken Noda (1962)

and

Denis Diderot (1713-1784)
Helen Churchill Candee (1858-1949)
Flann O’Brien (1911-1966)
Václav Havel (1936-2011)
Edward P. Jones (1950)
Neil deGrasse Tyson (1958)
Maya Ying Lin (1959)

And from the Composers Datebook:

On this day in 1930, The New York Philharmonic begins its famous series of weekly Sunday afternoon national broadcasts with a program from Carnegie Hall conducted by Erich Kleiber. The first-ever radio broadcast of the New York Philharmonic had occurred on August 12, 1922, when a summer-time concert from Lewisohn Stadium conducted by Willem van Hoogstraten was relayed locally over WJZ in New York.

My note: Willem van Hoogstraten was the conductor of the Portland Symphony (former name of the Oregon Symphony) from 1925 to 1938.

Today's Birthdays

Fanny Tacchinardi‑Persiani (1812-1867)
Alain Daniélou (1907-1994)
Alain Lombard (1940)
Richard Wilson (1941)
John Aler (1949)
Fransico Araiza (1950)
Marc Minkowski (1962)
David Dzubay (1964)

and

Frederic Remington (1861-1909)
Damon Runyan (1880-1946)
Buster Keaton (1895-1966)
Brenden Gill (1914-1997)
Jackie Collins (1937-2015)
Roy Blount Jr. (1941)
Anne Rice (1941)

And from the Composers Datebook:

On this day in 1921, the American Academy in Rome awards American composer Leo Sowerby its first two-year composition fellowship. American composer Howard Hanson was awarded the second two-year composition fellowship on November 9, 1921. The third fellowship was awarded to Randall Thompson on June 6, 1922. The fellowship awards continue to this day.

Today's Birthdays

Antoine Dauvergne (1713-1797)
Stanisław Skrowaczewski (1923-2017)
Steve Reich (1936)

and

Emily Post (1873-1960)
Thomas Wolfe (1900-1938)
Harvey Kurtzman (1924-1993)
Gore Vidal (1925-2012)

Today's Birthdays

Frantisek Tuma (1704-1774)
Henry Février (1875-1957)
Leroy Shield (1893-1962)
Francis Jackson (1917)
Mary Jeanne van Appledorn (1927-2014)
Kenneth Leighton (1929-1988)
Michel Plasson (1933)
Phill Niblock (1933)
Peter Frankl (1935)
Ton Koopman (1944)
Jonathan Summers (1946)

and

Mahatma Gandhi, (1869-1948)
Wallace Stevens (1879-1955)
Groucho Marx (1890-1977)
Graham Greene (1904-1991)
Jan Morris (1926)

Second volume of piano pieces by Gary Noland published

Portland composer Gary Noland's COLLECTED PIANO WORKS: Volume 2 (also 286 pages) is now available to pre-order from Amazon at: 

https://www.amazon.com/gp/product/1732302391?pf_rd_r=G3ZEXK8X8GVQ02JP3WEG&pf_rd_p=8fe9b1d0-f378-4356-8bb8-cada7525eadd&pd_rd_r=a37cb04d-6b20-4bc6-8a73-a2339bdf4e01&pd_rd_w=7FivQ&pd_rd_wg=z0oyP&ref_=pd_gw_unk

Here is a recording of his GRANDE RAG BRILLANTE Op. 15, which is included in that collection:

https://soundcloud.com/gary-noland/grande-rag-brillante-for-piano-op-15

And here (for those who missed it) is a link to his COLLECTED PIANO WORKS Volume 1 (also 286 pages), which was released earlier this month:

https://www.amazon.com/Collected-Piano-Works-Lloyd-Noland/dp/1732302383/ref=sr_1_1?dchild=1&keywords=collected+piano+works&qid=1632589125&s=books&sr=1-1

BTW: Noland is preparing for the release of his chamber works in the near future.

Today's Birthdays

J. Friedrich Eduard Sobolewski (1808-1872)
Henry Clay Work (1832-1884)
Paul Dukas (1865-1935)
Vladimir Horowitz (1904-1989)
Sylvano Bussotti (1931)

and

Jimmy Carter (1924)
Tim O'Brien (1946)

and from the Composers Datebook:

This day in 1924 marked the opening of The Curtis Institute of Music in Philadelphia, funded by a gift of $12.5 million from the American patroness Mary Louise Curtis Bok, who had inherited her fortune from the Curtis Publishing Company. The faculty, providing instruction for 203 students, included Leopold Stokowski and Josef Hofmann heading conducting and piano departments, respectively. Polish-born coloratura Marcella Sembrich. Hungarian violinist Carl Flesch. French-born harpist/composer Carlos Salzedo. and Italian composer Rosario Scalero.