Alexander Zimlinsky (1871-1942)
Gary Graffman (1928-2025)
Rafael Puyana (1931-2013)
Enrico di Giuseppe (1932-2005)
La Monte (Thorton) Young (1935)
Sir Cliff Richard (1940)
Kaija Saariaho (1952-2023)
and
Katherine Mansfield (1888-1923)
E. E. Cummings (1894-1962)
Hannah Arendt (1906-1975)
Katha Pollitt (1949)
Northwest Reverb
Northwest Reverb - Reflections by James Bash and others about classical music in the Pacific Northwest and beyond - not written by A.I.
Wednesday, October 14, 2026
Tuesday, October 13, 2026
Article-interview - violinist Anthea Kreston's new book Crescendo
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My article about violinist Anthea Kreston has been published in Oregon Arts Wach here. Her life is very interesting, and you may end up reading her lively memoir.
Today's Birthdays
Art Tatum (1910-1956)
Hugo Weisgall (1912-1997)
Gustav Winckler (1925-1979)
Paul Simon (1941)
Leona Mitchell (1949)
Kristine Ciesinski (1950)
Melvyn Tan (1956)
Mark Applebaum (1967)
and
Conrad Richter (1890-1968)
Arna Bontemps (1902-1973)
Jamal Khashoggi (1958-2018)
Hugo Weisgall (1912-1997)
Gustav Winckler (1925-1979)
Paul Simon (1941)
Leona Mitchell (1949)
Kristine Ciesinski (1950)
Melvyn Tan (1956)
Mark Applebaum (1967)
and
Conrad Richter (1890-1968)
Arna Bontemps (1902-1973)
Jamal Khashoggi (1958-2018)
Monday, October 12, 2026
Today's Birthdays
Sylvius Leopold Weiss (1686-1750)
Johann Ludwig Krebs (1713-1780)
Arthur Nikisch (1855-1922)
Ralph Vaughan Williams (1872-1958)
Healey Willan (1880-1968)
Carlos López Buchardo (1881-1948)
Gilda Dalla Rizza (1892-1975)
Erich Gruenberg (1924-2020)
Pilar Lorengar (1938-1996)
Luciano Pavarotti (1935-2007)
Daryl Runswick (1946)
Penelope Walker (1956)
Chris Botti (1962)
and
Robert Fitzgerald (1910-1985)
Alice Childress (1916-1994)
Robert Coles (1929-2026)
Johann Ludwig Krebs (1713-1780)
Arthur Nikisch (1855-1922)
Ralph Vaughan Williams (1872-1958)
Healey Willan (1880-1968)
Carlos López Buchardo (1881-1948)
Gilda Dalla Rizza (1892-1975)
Erich Gruenberg (1924-2020)
Pilar Lorengar (1938-1996)
Luciano Pavarotti (1935-2007)
Daryl Runswick (1946)
Penelope Walker (1956)
Chris Botti (1962)
and
Robert Fitzgerald (1910-1985)
Alice Childress (1916-1994)
Robert Coles (1929-2026)
Sunday, October 11, 2026
Today's Birthdays
George Bridgetower (1780-1860)
Fernando De Lucia (1860-1925)
R. Nathaniel Dett (1882-1943)
Albert Stoessel (1894-1943)
Eugene Weigel (1910-1998)
Art Blakey (1919-1990)
David Rendall (1948)
Rachel Barton Pine (1974)
and
Mason Locke Weems (1759-1825)
Eleanor Roosevelt (1883-1962)
Elmore Leonard (1925-2013)
Fernando De Lucia (1860-1925)
R. Nathaniel Dett (1882-1943)
Albert Stoessel (1894-1943)
Eugene Weigel (1910-1998)
Art Blakey (1919-1990)
David Rendall (1948)
Rachel Barton Pine (1974)
and
Mason Locke Weems (1759-1825)
Eleanor Roosevelt (1883-1962)
Elmore Leonard (1925-2013)
Saturday, October 10, 2026
Today's Birthdays
Giuseppe Verdi (1813-1901)
Vernon Duke (1903-1969)
Paul Creston (1906-1985)
Thelonious Monk (1917-1982)
Gloria Coates (1938-2023)
Sir Willard White (1946)
John Prine (1946-2020)
Steve Martland (1959)
Evgeny Kissin (1971)
and
Jean-Antoine Watteau (1684-1721)
Harold Pinter (1930-2008)
And from The Writer's Almanac:
It’s the birthday of the composer Vernon Duke, born Vladimir Dukelsky, in Parafianovo, Belarus (1903). He was a talented classical musician, educated at an elite conservatory, but his family fled Russia after the revolution and he wound up playing piano in cafés in Constantinople (now Istanbul). From there, his family rode steerage class on a ship to America, went through Ellis Island, and ended up in New York in 1921. There the teenage Dukelsky met George Gershwin, who was only a few years older, and the two became good friends. Dukelsky played Gershwin what he described as “an extremely cerebral piano sonata,” and Gershwin, who was also trained in classical music, suggested this: “There’s no money in that kind of stuff, and no heart in it, either. Try to write some real popular tunes — and don’t be scared about going low-brow. They will open you up.” He also suggested that Dukelsky shorten his name, as he himself had done — Gershowitz to Gershwin. So Vladimir Dukelsky came up with the name Vernon Duke, but he didn’t use it for a while.
First, he went to Paris. There, he met and impressed the great ballet impresario Sergei Diaghilev. Dukelsky wrote later about their first meeting — that Diaghilev had drawled: “‘Ah, a good-looking boy. That in itself is most unusual. Composers are seldom good-looking; neither Stravinsky nor Prokofiev ever won any beauty prizes. How old are you?’ I told him I was 20. ‘That’s encouraging, too. I don’t like young men over 25.’” And so Diaghilev commissioned him to write a ballet, and he wrote Zephire et Flore, with sets by Georges Braque, choreography by Léonide Massine, and costumes by Coco Chanel. It got a great reception, and Dukelsky was taken in by the not-quite-as-good-looking Stravinsky and Prokofiev. For a few years he divided his time between Paris, where he continued to write classical music, and London, where he wrote show tunes and used the name Vernon Duke. Then in 1929, he decided to go back to America, and he wrote some of the biggest hits of the 1930s — “April in Paris” (1932), “Autumn in New York” (1934), “I Can’t Get Started” (1936), and “Taking a Chance on Love” (1940). And he wrote the music for the Broadway show and film Cabin in the Sky (1940). By that time, he had become an American citizen and officially changed his name to Vernon Duke.
Vernon Duke (1903-1969)
Paul Creston (1906-1985)
Thelonious Monk (1917-1982)
Gloria Coates (1938-2023)
Sir Willard White (1946)
John Prine (1946-2020)
Steve Martland (1959)
Evgeny Kissin (1971)
and
Jean-Antoine Watteau (1684-1721)
Harold Pinter (1930-2008)
And from The Writer's Almanac:
It’s the birthday of the composer Vernon Duke, born Vladimir Dukelsky, in Parafianovo, Belarus (1903). He was a talented classical musician, educated at an elite conservatory, but his family fled Russia after the revolution and he wound up playing piano in cafés in Constantinople (now Istanbul). From there, his family rode steerage class on a ship to America, went through Ellis Island, and ended up in New York in 1921. There the teenage Dukelsky met George Gershwin, who was only a few years older, and the two became good friends. Dukelsky played Gershwin what he described as “an extremely cerebral piano sonata,” and Gershwin, who was also trained in classical music, suggested this: “There’s no money in that kind of stuff, and no heart in it, either. Try to write some real popular tunes — and don’t be scared about going low-brow. They will open you up.” He also suggested that Dukelsky shorten his name, as he himself had done — Gershowitz to Gershwin. So Vladimir Dukelsky came up with the name Vernon Duke, but he didn’t use it for a while.
First, he went to Paris. There, he met and impressed the great ballet impresario Sergei Diaghilev. Dukelsky wrote later about their first meeting — that Diaghilev had drawled: “‘Ah, a good-looking boy. That in itself is most unusual. Composers are seldom good-looking; neither Stravinsky nor Prokofiev ever won any beauty prizes. How old are you?’ I told him I was 20. ‘That’s encouraging, too. I don’t like young men over 25.’” And so Diaghilev commissioned him to write a ballet, and he wrote Zephire et Flore, with sets by Georges Braque, choreography by Léonide Massine, and costumes by Coco Chanel. It got a great reception, and Dukelsky was taken in by the not-quite-as-good-looking Stravinsky and Prokofiev. For a few years he divided his time between Paris, where he continued to write classical music, and London, where he wrote show tunes and used the name Vernon Duke. Then in 1929, he decided to go back to America, and he wrote some of the biggest hits of the 1930s — “April in Paris” (1932), “Autumn in New York” (1934), “I Can’t Get Started” (1936), and “Taking a Chance on Love” (1940). And he wrote the music for the Broadway show and film Cabin in the Sky (1940). By that time, he had become an American citizen and officially changed his name to Vernon Duke.
Friday, October 9, 2026
Today's Birthdays
Alexander Siloti (1863-1945)
Harry Lawrence Freeman (1869-1954)
Carl Flesch (1873-1944)
Camille Saint-Saëns (1835-1921)
Roger Goeb (1914-1997)
Einojuhani Routavaara (1928-2016)
Alfons Kontarsky (1932-2010)
John Lennon (1940-1980)
Jackson Browne (1948)
Sally Burgess (1953)
Roberto Sierra (1953)
and
Ivo Andrić (1892-1975)
Bruce Catton (1899-1978)
Léopold (Sédar) Senghor (1906-2001)
Belva Plain (1915-2010)
Jill Ker Conway (1934-2018)
James Howe McClure (1939-2006)
Harry Lawrence Freeman (1869-1954)
Carl Flesch (1873-1944)
Camille Saint-Saëns (1835-1921)
Roger Goeb (1914-1997)
Einojuhani Routavaara (1928-2016)
Alfons Kontarsky (1932-2010)
John Lennon (1940-1980)
Jackson Browne (1948)
Sally Burgess (1953)
Roberto Sierra (1953)
and
Ivo Andrić (1892-1975)
Bruce Catton (1899-1978)
Léopold (Sédar) Senghor (1906-2001)
Belva Plain (1915-2010)
Jill Ker Conway (1934-2018)
James Howe McClure (1939-2006)
Thursday, October 8, 2026
Review of Oregon Symphony season opener in Oregon Arts Watch
The hometown band opened its season with an out-of-this-world performance of Jesse Montgomery's cello concerto, starring South African cellist Abel Selaocoe. I hope that you enjoy reading my review of the concert in Oregon Arts Watch here.
Today's Birthdays
Heinrich Schütz (1585-1672)
Louis Vierne (1870-1937)
Will Vodery (1885-1951)
Paul V. Yoder (1908-1990)
James Sample (1910-1995)
Kurt Redel (1918-2013)
Toru Takemitsu (1930-1996)
Johnny Ramone (1948-2004)
Robert Saxton (1953)
Carl Vine (1954)
Tabea Zimmermann (1968)
Bruno Mantovani (1974)
and
John Cowper Powys (1872-1963)
Walter Lord (1917-2002)
Philip Booth (1925-2007)
Jesse Jackson (1941)
R.L. Stine (1943)
Louis Vierne (1870-1937)
Will Vodery (1885-1951)
Paul V. Yoder (1908-1990)
James Sample (1910-1995)
Kurt Redel (1918-2013)
Toru Takemitsu (1930-1996)
Johnny Ramone (1948-2004)
Robert Saxton (1953)
Carl Vine (1954)
Tabea Zimmermann (1968)
Bruno Mantovani (1974)
and
John Cowper Powys (1872-1963)
Walter Lord (1917-2002)
Philip Booth (1925-2007)
Jesse Jackson (1941)
R.L. Stine (1943)
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