Review: Lazarova and Oregon Symphony thrill with Lutosławski and Beethoven

Bulgarian conductor Delyana Lazarova has been a hot ticket in the musical world for the past few years, nabbing a couple of choice principal guest conducting positions with the Utah Symphony and the BBC Scottish Symphony. I have read some enthusiastic reviews of her work with other orchestras, and I looked at her schedule. Shes is travelling all over the place with conducting gigs in Spain, Germany, Bulgaria, England (BBC Proms), Brazil, and the U.S. (Aspen Festival) over the summer. So I was eager to witness her on the podium with the Oregon Symphony. That wish was fulfilled on April 25 at the Arlene Schnitzer Concert Hall when she led the local band in works by Lutosławski, Mendelssohn, and Beethoven, and I am happy to say that Lazarova is the real deal.

It was the opening number, Lutosławski’s “Little Suite for Orchestra,” that stole the show. This relatively short (eleven minutes), four-movement piece received a magically fun performance from the orchestra. Zachariah Galatis’s piccolo sounded a delightfully carefree against a lovely harp-like underlayment from the strings. The orchestra wonderfully shifted to an unrelenting propulsive gear that was joyful. Karen Wagner’s oboe elicited a folk song quality, and Lazarova got the ensemble to build tension before releasing it. Overall, the piece sparkled like a polished gem.

Next came Simone Porter, the orchestra’s artist-in-residence, replacing saxophonist Steven Banks, who withdrew from the concert had been scheduled to play Billy Childs “Diaspora: Concerto for Saxophone and Orchestra.” Banks’ cancellation occurred a few days after the pianist Daniel Trifonov cancelled his performance with the orchestra. A friend of mine wrote to me to ask if something weird was going on. I replied that I didn’t think anything unusual was happening, but it was truly odd. Over the many years that I have reviewed the orchestra, I have not seen two cancellations in a row until now.

Simone Porter took Mendelssohn’s Violin Concerto at an extremely fast pace. She didn’t linger anywhere in the piece. She executed all of the quicksilver runs flawlessly, but it seemed that she would have been given a speeding ticket – especially for her quicksilver fingerwork in the last movement. It was amazing to behold, yet her lightening-fast agiltiy didn’t allow the music to breathe, and it all became somewhat dry and somewhat devoid of emotion.

Nevertheless, the audience gave Porter a standing ovation, and she responded with the third movement (“Sarabanda”) from Bach’s Violin Partita No. 2 in D minor. This time her playing had more gracefulness and a calming effect.

In the second half of the program, Lazarova and the orchestra delivered a thrilling interpretation of Beethoven’s Symphony No. 4. It offered scintillating sforzandos, true pianissimos, and gentle flowing themes. In the fast-moving final movement, the strings created the effect of a flock of birds flying by and Principal Bassoonist Carin Miller equaled that by giving an effervescent and dance-like kick to a devilishly tricky passage.

Lazarova is an electrifying conductor who has a great future ahead of her. It would be wonderful to see her back on the podium at the Schnitz again in the near future.

P.S. One of the cool things about this concert was the introduction that reminds the audience to turn off their cell phones. This is usually a recording in English with Fred Child’s voice followed by violinist Inés Voglar Belgique giving the reminder in Spanish (she is a native of Venezuela). But this time around, we heard the voice of double-bassist Mariya-Andoniya Andonova, who is from Bulgaria. She spoke in Bulgarian, and there were audible gasps from a large contingent of Bulgarian visitors who were very surprised to hear their own language. That really helped to set the tone for the evening, and at the end of the concert, the Bulgarian contingent gave Lazarova a bouquet of flowers – something that you rarely see in Portland.

Today's Birthdays

Marco da Gagliano (1582-1643)
William Lawes (1602-1645)
Sophia Dussek (1775-1831)
Hugo Alfvén (1872-1960)
Leo Sowerby (1895-1968)
Jón Leifs (1899-1968)
Walter Susskind (1913-1980)
Gary Bertini (1927-2005)
Judy Collins (1939)

and

Joseph Addison (1672-1719)
Pierre Teilhard de Chardin (1881-1955)
Joseph Heller (1923-1999)
Bobbie Ann Mason (1940)

Today's Birthdays

Franz Lehár (1870-1948)
Louise Homer (1871-1947)
Frank Merrick (1886-1981)
Robert Shaw (1916-1999)
Günter Raphael (1903-1960)
Ellen Taaffe Zwilich (1939)
Garcia Navarro (1940-2002)
Vladimir Tarnopolsky (1955)

and

Alice B. Toklas (1877-1967)
John Crowe Ransom (1888-1974)
Winfield Townley Scott (1910-1968)
Annie Dillard (1945)
Josip Novakovich (1955)

And from the New Music Box:

On April 30, 1932, the very first Yaddo Festival of Contemporary Music began in Saratoga Springs, NY. Works programmed that year included Aaron Copland's Piano Variations as well as piano works by Roger Sessions, Henry Brant, Vivian Fine and Roy Harris, songs by Charles Ives and Paul Bowles, string quartets by Marc Blitzstein and Louis Gruenberg, and a suite for unaccompanied flute by Wallingford Riegger.

Today's Birthdays

Thomas Beecham (1879-1961)
Wallingford Riegger (1885-1961)
Sir Malcom Sargent (1895-1967)
Edward "Duke" Ellington (1899-1974
Harold Shapero (1920-2013)
Peter Sculthorpe (1929-2014)
Willie Nelson (1933)
Zubin Mehta (1936)
Klaus Voormann (1938)
Leslie Howard (1948)
Eero Hämeenniemi (1951)
Gino Quilico (1955)

and

Constantine P. Cavafy (1863-1933)
William Randolph Hearst (1863-1951)
Robert Gottlieb (1931-2023)
Yusef Komunyakaa (1947)

And from the Composers Datebook:

On this day in 1906, Victor Herbert conducts a benefit concert at the Hippodrome in New York City for victims of the 1906 San Francisco earthquake.

Today's Birthdays

John Jacob Niles (1892-1980)
Paul Sacher (1906-1999)
Margaret Vardell Sandresky (1921)
Jeffrey Tate (1943)
Nicola LeFanu (1947)
Elise Ross (1947)
Michael Daugherty (1954)

and

James Monroe (1758-1831)
Karl Kraus (1874-1936)
Erich Salomon (1886-1944)
Robert Anderson (1917-2009)
Harper Lee (1926-2016)
Carolyn Forché (1950)

Today's Birthdays

Johann Adam Reinken (1623-1722)
Friedrich von Flotow (1812-1883)
Serge Prokofiev (1891-1953)
Nicolas Slonimsky (1894-1995)
Guido Cantelli (1920-1956)
Igor Oistrakh (1931-2021)
Hamish Milne (1939-2020)
Jon Deak (1943)
Calvin Simmons (1950-1982)
Christian Zacharias (1950)

and

Edward Gibbon (1737-1794)
Mary Wollstonecraft (1759-1797)
Samuel Morse (1791-1872)
Herbert Spencer (1820-1903)
Ulysses S. Grant (1822-1885)
Ludwig Bemelmans(1898-1962)
C(ecil) Day Lewis (1904-1972)
Coretta Scott King (1927-2006)
August Wilson (1945-2005)

And from the former Writer's Almanac:

On this day in 1667, the poet John Milton sold the copyright for his masterpiece, Paradise Lost, for 10 pounds. Milton had championed the cause of Oliver Cromwell and the Parliament over the king during the English Civil War, and published a series of radical pamphlets in support of such things as Puritanism, freedom of the press, divorce on the basis of incompatibility, and the execution of King Charles I. With the overthrow of the monarchy and the creation of the Commonwealth, Milton was named Secretary of Foreign Tongues, and though he eventually lost his eyesight, he was able to carry out his duties with the help of aides like fellow poet Andrew Marvell.

When the monarchy was restored in 1660, Milton was imprisoned as a traitor and stripped of his property. He was soon released, but was now impoverished as well as completely blind, and he spent the rest of his life secluded in a cottage in Buckinghamshire. This is where he dictated Paradise Lost — an epic poem about the Fall of Man, with Satan as a kind of antihero — and its sequel, Paradise Regained, about the temptation of Christ.

Today's Birthdays

Erland von Koch (1910-2009)
Pierre Pierlot (1921-2007)
Teddy Edwards (1924-2003)
Wilma Lipp (1925-2019)
Ewa Podleś (1952-2024)
Patrizia Kwella (1953)

and

David Hume (1711-1776)
John James Audubon (1785-1851)
Frederick Law Olmsted (1822-1903)
Ludwig Wittgenstein (1889-1951)
Anita Loos (1889-1981
Bernard Malamud (1914-1986)
I. M. Pei (1917-2019)

Reference Recordings and Oregon Symphony to release new album with Andy Akiho works

Andy Akiho: Beneath Lighted Coffers; Concerto for Steel Pans & Orchestra

FR-764 SACD Release Date: June 5, 2026

Oregon Symphony

David Danzmayr, conductor

From the press release:

Reference Recordings® proudly presents our first collaboration with the Oregon Symphony, in a spectacular live recording featuring composer and steel pannist Andy Akiho. His works on this album are Beneath Lighted Coffers, recorded on April 29, 30 & May 1, 2023, and Concerto for Steel Pans & Orchestra, recorded on October 5, 6 & 7, 2024. This album was engineered by Mark Donahue and produced by Blanton Alspaugh, both multi-GRAMMY® winners from Soundmirror, Inc.

Andy Akiho, born in 1979 in Columbia, South Carolina, is a “trailblazing”(Los Angeles Times) Pulitzer Prize finalist and seven-time GRAMMY®-nominated composer whose bold works unravel intricate and unexpected patterns while surpassing preconceived boundaries of classical music. Called “increasingly in-demand” by The New York Times, Akiho has earned international acclaim for his large-scale works that emphasize the natural theatricality of live performance. He is the only composer to be nominated for a GRAMMY® in the Best Contemporary Classical Composition category in 2022, 2023, and 2024.

The multi- GRAMMY® Award nominated Oregon Symphony, led by Jean Vollum Music Director David Danzmayr, serves hundreds of thousands of people annually through concerts, education initiatives, and community programs. With a 129-year legacy, it is the sixth oldest orchestra in the United States, and oldest in the Western United States. Its home venue is the Arlene Schnitzer Concert Hall in downtown Portland’s Cultural District, where this album was recorded.

Today's Birthdays

Ella Fitzgerald (1918-1998)
Astrid Varnay (1918-2006)
Siegfried Palm (1927-2005)
Digby Fairweather (1946)
Truls Mørk (1961)
Gottlieb Muffat (1690-1770)

and

Frederick Law Olmsted (1822-1903)
Howard R. Garis (1873-1962)
Guglielmo Marconi (1874-1937)
Edward R. Murrow (1908-1965)
David Shepherd (1931-2017)
Ted Kooser (1939)
Padgett Powell (1952)

And from the Composers Datebook:

On this day in 1841, at a fund-raising concert in Paris for the Beethoven monument to be erected in Bonn, Franz Liszt performs Beethoven's "Emperor" Concerto with Berlioz conducting. Richard Wagner reviews the concert for the Dresden Abendzeitung. The following day, Chopin gives one of his rare recitals at the Salle Pleyel, and Liszt writes a long and glowing review for the Parisian Gazette Musicale.