Sophia Dussek (1775-1831)
Hugo Alfvén (1872-1960)
Leo Sowerby (1895-1968)
Walter Susskind (1913-1980)
Gary Bertini (1927-2005)
Judy Collins (1939)
and
Joseph Addison (1672-1719)
Pierre Teilhard de Chardin (1881-1955)
Joseph Heller (1923-1999)
Bobbie Ann Mason (1940)
And from The Writer's Almanac:
It was on this day in 1786 that Mozart's first great opera, The Marriage
of Figaro, premiered in Vienna. It was based on a French play, and it
tells the story of a single day in the palace of Count Almaviva. The
count spends the day attempting to seduce Susanna, the young fiancée of
the court valet, Figaro. Susanna and the Countess conspire to embarrass
the count and expose his infidelity.
Lorenzo da Da Ponte wrote the libretto in six weeks and Mozart was paid 450 florins
for his work, a comfortable sum at the time. He directed the first
performance himself, seated at the keyboard. He had his detractors in
Vienna, some of whom padded the theater with hecklers. They were no
match for Mozart’s composition, though, and the performance inspired so
many encores that Habsburg Emperor Joseph II was forced to issue a
decree “to prevent the excessive durations of operas, without however
prejudicing the fame often ought by opera singers.”
It was a light-hearted,
comic opera, but the musicians and singers could hardly believe the
quality of the music. One singer, an Irish tenor named Michael Kelly,
later wrote: "I can still see Mozart, dressed in his red fur hat trimmed
with gold, standing on the stage with the orchestra at the first
rehearsal, beating time for the music. ... The players on the stage and
in the orchestra were electrified. ... Had Mozart written nothing but
this piece of music it alone would ... have stamped him as the greatest
master of his art."
Johannes Brahms said, “In my opinion, each number of Figaro
is a miracle; it is totally beyond me how anyone could create anything
so perfect; nothing like it was ever done again, not even by Beethoven.”
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