Today's Birthdays

Ernest Lough (1911-2000)
Hershy Kay (1919-1981)
Leonid Kogan (1924-1982)
Sir Charles Mackerras (1925-2010)
David Amram (1930)
Gene Clark (1941-1991)
Philip Picket (1950)
Philip Grange (1956)

and

Shelby Foote (1916-2006)

Today's Birthdays

Rodolphe Kreutzer (1766-1831)
Alfred Hill (1869-1960)
W. C. Handy (1873-1958)
Paul Hindemith (1895-1963)
Burnet Tuthill (1888-1982)
Lawrence Tibbett (1896-1960)
David Wilson-Johnson (1950)
Donald Runnicles (1954)
John Butt (1960)

and

George S. Kaufman (1889-1961)
José Saramago (1922-2010)
Chinua Achebe (1930-2013)
Andrea Barrett (1954)

Today's Birthdays

Annunzio Paolo Mantovani (1905-1980)
Petula Clark (1932)
Peter Dickinson (1934-2023)
Daniel Barenboim (1942-2023)
Pierre Jalbert (1967)

and

Gerhart Hauptmann (1862-1946)
Franklin Pierce Adams (1881-1960)
Georgia O'Keefe (1887-1986)
Marianne Moore (1887-1972)

and from the Composers Datebook:

On this day in 1926, the first broadcast of a music program took place on the NBC radio network, featuring the New York Symphony conducted by Walter Damrosch, the New York Oratorio Society, and the Goldman Band, with vocal soloists Mary Garden and Tito Ruffo, and pianist Harold Bauer.

Review of pub crawl concert featuring Caroline Shaw string quartets

My review of a unique pub crawl that featured all of the string quartets of Caroline Shaw has been published in Classical Voice North America here.

Today's Birthdays

Johann Nepomuk Hummel (1778-1837)
Fanny Hensel (1805-1847)
Rev. John Curwen (1816-1880)
Aaron Copland (1900-1990)
Leonie Rysanek (1926-1998)
Jorge Bolet (1914-1990)
Narciso Yepes (1927-1997)
Robert Lurtsema (1931-2000)
Peter Katin (1930-2015)
Ellis Marsalis (1934-2020)
William Averitt (1948)

and

Claude Monet (1840-1926)
Astrid Lindgren (1907-2002)
William Steig (1907-2003)

Today's Birthdays

Jan Zach (1699-1773)
Louis Lefébure-Wély (1817-1870)
Brinley Richards (1817-1885)
George Whitefield Chadwick (1854-1931)
Marguerite Long (1874-1966)
Joonas Kokkoken (1921-1996)
Lothar Zagrosek (1942)
Martin Bresnick (1946)

and

St. Augustine (354-430)
Robert Louis Stevenson (1850-1894)
George V. Higgins (1939-1999)
Eamon Grennan (1941)

and from the Composers Datebook:

On this day in 1937, the first "official" radio broadcast by the NBC Symphony Orchestra took place with Pierre Monteux conducting. Arthur Rodzinski had conducted a "dress rehearsal" broadcast on Nov. 2, 1937. Arturo Toscanini's debut broadcast with the NBC Symphony would occur on Christmas Day, 1937.

Today's Birthdays

Alexander Borodin (1833-1887)
Jean Papineau-Couture (1916-2000)
Michael Langdon (1920-1991)
Lucia Popp (1939-1993)
Neil Young (1945)

and

Auguste Rodin (1840-1917)
Roland Barthes (1915-1980)
Michael Ende (1929-1995)
Tracy Kidder (1945)
Katherine Weber (1955)

From the New Music Box:

On November 12, 1925, cornetist Louis Armstrong made the first recordings with a group under his own name for Okeh Records in Chicago, Illinois. The group, called Louis Armstrong and his Hot Five, recorded his original compositions, "Gut Bucket Blues" and "Yes! I'm In The Barrel" (Okeh 8261) as well as "My Heart" composed by his wife Lil Hardin who was the pianist in the band. (The flipside of the 78 rpm record on which the latter was issued, Okeh 8320, was "Armstrong's composition "Cornet Chop Suey" recorded three months later on February 26, 1926.) Armstrong's Hot Five and subsequent Hot Seven recordings are widely considered to be the earliest masterpieces of recorded jazz.

Today's Birthdays

Bernhard Romberg (1767-1841)
Frederick Stock (1872-1942)
Ernest Ansermet (1883-1969)
Jan Simons (1925-2006)
Arthur Cunningham (1928-1997)
Vernon Handley (1930-2008)
Harry Bramma (1936)
Jennifer Bate (1944-2020)
Fang Man (1977)

and

Fyodor Dostoevsky (1821-1881)
Kurt Vonnegut (1922-2007)
Carlos Fuentes (1928-2012)
Mary Gaitskill (1955)

and from the Composers Datebook:

On this day in 1898, shortly after it was finished, the painting “Nevermore” by Gaugin is purchased by the English composer Frederick Delius. The painting was inspired by Poe’s famous poem and is now in the collection of London’s Cortland Gallery.

Today's Birthdays

Martin Luther (1483-1546)
François Couperin (1668-1733)
John Phillips Marquand (1873-1949)
Carl Stalling (1891-1972)
Ennio Morricone (1928-2020)
Graham Clark (1941-2023)
Sir Tim Rice (1944)
Andreas Scholl (1967)

and

Oliver Goldsmith (1730-1774)
Friedrich Schiller (1759-1805)
Vachel Lindsey (1879-1931)
John Phillips Marquand (1893-1960)

and from the Composers Datebook:

On this day in 1900, Russian pianist Ossip Gabrilowitsch makes his Carnegie Hall debut in New York City during his first American tour. In 1909 he married contralto Clara Clemens, the daughter of the American writer Samuel Clemens/Mark Twain.

Today's Birthdays

Burrill Phillips (1907-1988)
Pierrette Alarie (1921-2011)
Piero Cappuccilli (1929-2005)
Ivan Moravec (1930-2015)
William Thomas McKinley (1938-2015)
Thomas Quasthoff (1959)
Bryn Terfel (1965)

and

Ivan Turgenev (1818-1883)
Hugh Leonard (1926-2009)
Anne Sexton (1928-1974)
Carl Sagan (1934-1996)

Review of VSO concert pairing Gershwin and Mahler

Guest review by Joshua Lickteig

 In the second concert (November 1) of their 47th season, Vancouver Symphony Orchestra (VSO) delighted its audience with works by George Gershwin (1898-1937) and Gustav Mahler (1860-1911) in an impassioned mix of iconic jazz-classical and epic late romanticism.

In a pre-show talk, maestro Salvador Brotons accentuated a perspective of working holistically in preparation with a musical piece as distinct from its substance, particularly in rehearsal the week before; the significance of playing long passages from beginning to end without stop or critique. “We must detect what is needed to make the performance better,” Brotons said with palpable showtime excitement.

The 1,150 seat auditorium of Skyview Concert Hall on NW 139th Street last Saturday, an eve after Halloween, was nearly full. Joined by Warren Black of All Classical Radio, VSO’s planned giving consultant Hal Abrams spoke on the continued impact of local philanthropy and offered guidance on making end-of-year donations. Before the north-facing stage a patron’s autumn bouquet blushed with mute pinks and warm beige of garden rose, gentle yellow chrysanthemum and orange hydrangea.

To this day it remains unknown exactly how Gershwin in 1924 played Rhapsody in Blue (commissioned by bandleader Paul Whiteman and written in just over five weeks), at the time considered an experiment in modern music. Modeled somewhat after Liszt’s Rhapsodies and lightly informed by Dvořák’s Humoresques, its free fantasy strides and bold episodic changes bring ready space for the expressive and devotional digitation of internationally acclaimed featured soloist Marc-André Hamelin.

Glancing once from the corner of the east wing, vanishing for a moment, then moving across the stage, the pianist and Brotons share a wave of thought and before an instant passes we are glidingly carried by clarinet into the ritornello theme, through the foundry of its famous four note motif, then animation by the brass, then romp of full ensemble and keys. Hamelin’s earnestness and expert discernment with phrasing prompts us to listen with our ears as open as possible, while encouraging: Hear this with me, laugh with me, dance with me. 

The companionship of the orchestra evident. As they play there is a familiar accumulation of wonder into expansiveness, and an adaptive modularity beyond the formalistic stitch-work of melodic ideas. They are serious and joyful in the responsibility of channeling the essence of the work, its ragtime predecessors, foresight in international music, and overall synchrony in blending of musical traditions.

Hamelin is a pianist who also composes and enjoys writing for others. This concert took place the day after the release of Found Objects / Sound Objects, his 92nd album (65th with the niche label Hyperion), marked by the first recording of his deeply chromatic 2023 composition Hexen Sabbath, amidst an all mixed up higgledy-piggledy bag of other twentieth and twenty-first century tricks. Hamelin in interview with KQAC 89.9FM’s THURSDAYS @ THREE shared a preview of the weekend’s concert including his “student piece” called Music Box (www.allclassical.org/programs/program-archive — 10/30/2025).

Extending a bravura performance and lively ovation, Hamelin returned to the piano bench and with light Russian intonation, said “This is Rachmaninoff.” He commenced then to play Études-Tableaux, Op. 39, bringing us progressively toward finer and finer levels of detail and the many notes compounding inside the Steinway.

At intermission complimentary treats were offered and merchandise for sale included VSO pins, winter hats, tote bags and live recordings of Brotons’ work (I chose a CD of Symphony No 5 “Mundus Noster” / Oboe Concerto performed by Balearic Islands Symphony Orchestra, 2013).

“Are you ready to listen to one of the most incredible symphonies ever written?” – The conductor reeled us onward to the finale of the night and into ‘Schleppend, Wie Ein Naturlaut,’ the amorphous first movement of Mahler’s No. 1 in D Major. A flop in its Budapest premiere in 1889, the origin of the work precedes Gershwin’s piece by about forty years; it was revivified by Leonard Bernstein in the 1960’s.

The interpretation the orchestra brings forth is technically audacious though highly controlled in the primordial and darkly Dionysian terrain of the piece, articulate and playful in folk-inspired sections and ironic intuitions of the cuckoo’s calls.

Through the natural to the unreal to the funereal, the riveting individual section work of strings, brass, woodwinds, and percussion at times offered treats, others perhaps tricks, leaving listeners deciding which is which. In each case, and remarkably the brood and shadow of third movement Ohne Zu Schleppen’s double-bass solo, all befitted the sophisticated acoustics of the auditorium. The expanded brass of seven french horns achieved a massive depth.

In the fourth and closing movement, Stürmisch bewegt, Brotons’ aerobicism sprouts at one moment from grief, the next from joy. There is eventually transcendence in an exultant upheaval through the conductor’s command, what he reasoned earlier about Mahler in the talk as “passion but with a very clear head.” Eminently, in one of the first brief suspensions of the final moments of the piece could be heard a single triumphant stomp of the foot.

Once to a friend Mahler is known to have mentioned, after completion of the work, that it was as if the music had poured from the heart like a mountain stream. In its entirety, the program brought effulgence to Vancouver on a rainy Saturday evening, a performance less of an exhibition, more an offering. There were many a spiritful “. . Bravo!”

“And if you like it, maybe next year we’ll do the 2nd [symphony],” Brotons had said earlier. Unanimously, it seemed, everybody did.

Joshua D. Lickteig is an artist and engineer born near Milwaukee, Wisconsin. His latest books are Half Moon Day Sun (2021) and Ten Control Mills (2015), some poems from which appeared in Don Russell’s plays Dreams of Drowning (2022) and iTopia (2016). He lives in Portland, Oregon, and is an ongoing contributor to the Concordia News.

Today's Birthdays

Friedrich Witt (1770-1836)
Sir Arnold Bax (1883-1953
Lamberto Gardelli (1915-1938)
Jerome Hines (1921-2003)
Richard Stoker (1938-2021)
Simon Standage (1941)
Judith Zaimont (1945)
Tadaaki Otaka (1947)
Elizabeth Gale (1948)
Bonnie Raitt (1949)
Ana Vidović (1980)

and

Dorothy Day (1897-1980)
Margaret Mitchell (1900-1949)
Raja Rao (1908-2006)
Kazuo Ishiguro (1954)

Today's Birthdays

Ferenc (Franz) Erkel (1810-1893)
Efrem Kurtz (1900-1995)
William Alwyn (1905-1985)
Al Hirt (1922-1999)
Dame Joan Sutherland (1926-2010)
Dame Gwyneth Jones (1937)
Joni Mitchell (1943)
Judith Forst (1943)
Christina Viola Oorebeek (1944)

and

Marie Curie (1867-1934)
Lise Meitner (1878-1968)
Albert Camus (1913-1960)
Benny Andersen (1929-2018)
Stephen Greenblatt (1943)

Today's Birthdays

Adolphe Sax (1814-1894)>
John Philip Sousa (1854-1932)
Don Lusher (1923-2006)
James Bowman (1941-2023)
Arturo Sandoval (1949)
Daniele Gatti (1961)

and

Robert Musil (1880-1942)
Harold Ross (1892-1951)
Ann Porter (1911-2011)
James Jones (1921-1977)
Michael Cunningham (1952)

From The Writer's Almanac:

It’s the birthday of the March King, John Philip Sousa, born in Washington, D.C. (1854). His father was a U.S. Marine Band trombonist, and he signed John up as an apprentice to the band after the boy tried to run away from home to join the circus. By the time he was 13 years old, Sousa could play violin, piano, flute, cornet, baritone, trombone, and was a pretty good singer too. At 26, he was leading the Marine Band and writing the first of his 136 marches, including “Semper Fidelis,” which became the official march of the Corps, and “The Washington Post March.” In addition to those marches, he wrote nearly a dozen light operas, and as many waltzes too; and he wrote three novels. But he’s best known for “The Stars and Stripes Forever.”

Review of Oregon Symphony concert: Schiff, Weill, Belgique, and Wagner

My review of last weekend's concerts with the Oregon Symphony - a real mashup of styles - has been published in Classical Voice North America here.

Today's Birthdays

Hans Sachs (1494-1576)
Paul Wittgenstein (1887-1961)
Walter Gieselking (1895-1956)
Claus Adam (1917-1983)
György Cziffra (1921-1994)
Nicholas Maw (1935-2009)
Anthony Rolfe Johnson (1940-2010)
Art Garfunkel (1941)
Gram Parsons (1946-1973)
Orli Shaham (1975)

and

Ida M. Tarbell (1867-1944)
Raymond Duchamp-Villon (1876-1918)
Thomas Flanagan (1923-2002)

Sam Shephard (1943-2017)
Vandana Shiva (1952)
Diana Abu-Jabar (1960)

and from the Composers Datebook:

On this day in 1955, Karl Böhm conducts a performance of Beethoven's "Fidelio" at the gala re-opening of Vienna Opera House (damaged by Allied bombs on March 12, 1945). During the rebuilding of the Opera House, performances had continued in two nearby Viennese halls: the Theatre and der Wien and the Volksoper.

Today's Birthdays

Carl Tausig (1841-1871)
Arnold Cooke (1906-2005)
Miriam Solovieff (1921-2004)
Elgar Howarth (1935-2025)
Joan Rodgers (1956)
Elena Kats-Chernin (1957)
Daron Hagen (1961)

and

Will Rogers (1879-1935)
C. K. Williams (1936-2015)
Charles Frazier (1950)

Today's Birthdays

Samuel Scheidt (1587-1654)
Vincenzio Bellini (1801-1835)
Vladimir Ussachevsky (1911-1990)

and

Benvenuto Cellini (1500-1571)
William Cullen Bryant (1794–1878)
Ignatius Donnelly (1831-1901)
Vilhjalmur Stefansson (1879-1962)
Walker Evans (1903-1975)
Terrence McNally (1939-2020)
Martin Cruz Smith (1942)
Joe Queenan (1950)

Today's Birthdays

Unico Wilhelm van Wassenaer (1692-1766)
Carl Ditters von Dittersdorf (1739-1799)
Count Andrey Razumovsky (1752-1836)
John Foulds (1880-1939)
Luchino Visconti (1906-1976)
Douglas Lilburn (1915-2001)
Harold Farberman (1929-2018)
Guiseppe Sinopoli (1946-2001)
Jeremy Menuhin (1951)
Marie McLaughlin (1954)
Paul Moravec (1957)

and

George Boole (1815-1864)
C.K. Williams (1936-2015)
Thomas Mallon (1951)

Shepherd School of Music - 50th anniversary

Last weekend I travelled to Houston, Texas to write an article about the Shepherd School of Music, one of our nation's best conservatories. My article about the school has been published in Classical Voice North America here. I hope that you enjoy reading it.

Today's Birthdays

Roger Quilter (1877-1953)
Eugen Jochum (1902-1987
Bruno Bjelinski (1909-1992)
Victoria de Los Angeles (1923-2005)
William Mathias (1934-1992)
Lyle Lovett (1957)

and

Stephen Crane (1871-1900)
Grantland Rice (1880-1954)
A. R. Gurney (1930-2017)
Edward Said (1935-2003)

and from the Composers Datebook:

On this day in 1830, Chopin’s friends in Warsaw throw a festival “bon voyage” dinner for the composer-pianist on the eve of his departure for Paris. As it turned out, he would never return to his native land.

SUPERBLOOM - A poem by Joshua Lickteig

SUPERBLOOM

All that is lush and nourishing in nature
Sacred recitatives in the evening’s chorales,
Attention in a journey of life.

The ordinary speech of some memory offers in its
Patterns different choices, careful where order itself
Is an entanglement. May we really guess

How its rhythm is being expected?
The redbreasted finch quizzes an aphid:
On a plynth this tenor sings each day mythic glory,

Arrives as if opening the twelve minute tune to Sonny
Rollins’ “What’s New?” – And mid
Any passion’s ghost reconstructing yesterday

With spirit plumb, also this day examines in glimpses
The neighborhood newspaper’s flaps in breezy gusts
From the open doors south and west in the garage,
On a found trapezium that will become a table, or desk.

Our narrator whose responsibility may also be as audient,
Before planning an additional central chorus for later in the day
Recalls last night in another part of town a harpsichord’s string,

Just before the concert, snapped with an edgeless twang.
Of sudden blur many purple lupine beside the road, mullein reaching skyward
And transport to a rumination weeks earlier on Mount Rainier

Adjacent the trail to Panorama Point over a glacial stream. By its waterfall
Quite windy. Marmots scurrying, collecting, and grazing.
There are painted paper cylinder lampshades inside the old park lodge below

Of 64 alpine flowers. A steeply pitched roof with exposed Alaska cedar
Log framing red huckleberry and salal above the fifty foot fireplace of
The building’s west. From avalanche lily to marshmarigold,

Shrubby cinquefoil, trillium, mountain ash . . .

Resuming the aria, flute and oboes seem to join the finch
Just as Bach might have borrowed
In gospel settings from other composers. Nearby

Mending of clothespins mid-wire in the gleam
Of October, a handkerchief flies away, finds respite
Draped over jade. Our attention selects what kind of light

In the undulations of the mind?
At times it commends pathways with
Fullness to harmony and balance

As if all at once seen
On a slow morning, opening timeworn books;
Some slide like a juniper wood barn door
And bow to the heat.

Joshua D. Lickteig is an artist and engineer born near Milwaukee, Wisconsin. His latest books are Half Moon Day Sun (2021) and Ten Control Mills (2015), some poems from which appeared in Don Russell’s plays Dreams of Drowning (2022) and iTopia (2016). He lives in Portland, Oregon, and is an ongoing contributor to the Concordia News.

Today's Birthdays

Ditta Pásztory-Bartók (1903-1982)
Louise Talma (1906-1996)
August Everding (1928-1999)
Colin Tilney (1933-2024)
Odaline de la Martinez (1949)
Naji Hakim (1955)

and

Jan Vermeer (1632-1675)
John Keats (1795-1821)
Susan Orlean (1955)

from The New Music Box

On October 31, 1896, the Boston Symphony premiered the Gaelic" Symphony in E Minor by Mrs. H.H.A. Beach (Amy Marcy Cheney Beach), the first symphony by an American woman ever publicly performed.
and from the Composers Datebook:

On this date in 1933, Arnold Schoenberg, accompanied by his wife, baby daughter, and family pet terrier "Witz," arrives in New York on the liner Isle de France.

Today's Birthdays

Peter Warlock (Philip Arnold Heseltine) (1894-1930)
Stanley Sadie (1930-2005)
Frans Brüggen (1934-2014)
Grace Slick (1939)
René Jacobs (1946)
James Judd (1949)
Shlomo Mintz (1957)

and

Richard Brinsley Sheridan (1751-1816)
André Chénier (1762-1794)
Ezra Pound (1885-1972)
Robert Caro (1935)

Today's Birthdays

Harold Darke (1888-1976)
Vivian Ellis (1904-1996)
Václav Neumann (1920-1995)
Jon Vickers (1926-2015)
James Dillon (1950)
Lee Actor (1952)
James Primosch (1956)

and

James Boswell (1740-1795)
Harriet Powers (1837-1910)
Henry Green (1905-1973)
David Remnick (1958)

Today's Birthdays

Giuditta Pasta (1797-1865)
Howard Hanson (1896-1981)
Dame Cleo Laine (1927)
Carl Davis (1936-2023)
c (1938)
Kenneth Montgomery (1943)
Naida Cole (1974)

and

Evelyn Waugh (1903-1966)
John Harold Hewitt (1907-1987)
Francis Bacon (1909-1992)
John Hollander (1929-2013)
Anne Perry (1938-2023)

Honens Announces Élisabeth Pion from Canada as Gold Laureate of the 2025 Honens International Piano Competition

from the Press Release:

Calgary, AB, Oct. 24, 2025— Canadian pianist Élisabeth Pion (age 29) has been named Gold Laureate of the 2025 Honens International Piano Competition, following the Final rounds which included an English-language interview by Canadian arts journalist Katherine Duncan, and two intensive rounds of recitals: a performance of the César Franck Piano Quintet in F minor Op. 14 with the Isidore String Quartet, and of the Sergei Prokofiev Piano Concerto No. 3 in C Major Op. 26 with the Calgary Philharmonic Orchestra, conducted by Elias Grandy. As Gold Laureate, Pion receives $100,000 (CAD) as well as a comprehensive, three-year Artist Development Program valued at an additional $500,000 (CAD)—one of the world’s largest awards of its kind. Pion also won the Audience Choice Award ($5,000 CAD).

Finalists Carter Johnson (29) and Anastasia Vorotnaya (30) received the Honens Silver Laureate prize of $40,000 (CAD), and the Honens Bronze Laureate prize of $20,000 (CAD), respectively. Each Semifinalist received a $2,500 (CAD) award:

Ádám Balogh, 28
Elia Cecino, 24
Giorgio Lazzari, 25
Sandro Nebieridze, 24
Chaeyoung Park, 28
Derek Wang, 27
Yuanfan Yang, 28

An additional prize was awarded to Anastasia Vorotnaya for the Best Performance of Commissioned Work ($5,000 CAD), Fracture, by Iranian-Canadian composer Iman Habibi.

The Second Jury, which evaluated the Semifinalists and Finalists, was composed of Philippe Bianconi, Jenny Bilfield, Janina Fialkowska, Leila Getz, Anne-Marie McDermott, Roberto Plano, and Awadagin Pratt.

“It has been a thrilling experience to witness the full breadth of each artist during the Semifinal and Final rounds of the Competition,” says Honens President & CEO Amanda Smith. “We are honoured to welcome Élisabeth to the Honens family, who demonstrated artistic excellence and a supreme commitment to Honens’ values. Her integrity and humanistic perspective of what it means to be a Complete Artist are an inspiration, and not only in music.”

“The Honens International Piano Competition has brought together some of the most gifted pianists of their generation,” adds Honens Artistic Director Jon Kimura Parker. “They all showed passion, insight, sensitivity, and emotional and intellectual acuity as musicians. Congratulations to all the Semifinalists, and especially to Élisabeth. I, along with the rest of the Honens team, look forward to working with you and watching your career blossom.”

In addition to the cash award, the 2025 Honens Gold Laureate receives a comprehensive three-year artistic development and career accelerator program. Tailored to the Laureate, the program may include debut recitals in career-building markets (e.g. Berlin, London, New York, Toronto); introductions to artist managers; coaching and mentorship; media training; language skills; training on the business of music; opportunities to experiment with programming and collaborations for specific audiences; residencies and special projects; and the production, release, and distribution of professional recordings.

Archived video recordings of the entire 2025 Honens International Piano Competition can be viewed at honens.com/livestream.

Today's Birthdays

Maxim Berezovsky (1745-1777)
Niccolò Paganini (1782-1840)
Helmut Walcha (1907-1991)
Conlon Nancarrow (1912-1997)
Dominick Argento (1927-2019)
Elliot Del Borgo (1938-2013)
Julius Eastman (1940-1990)
Håkan Hardenberger (1961)
Vanessa-Mae (1978)

and

Lee Krasner (1908-1994)
Dylan Thomas (1914-1953)
Roy Lichtenstein (1923-1997)
Sylvia Plath (1932-1963)

Today's Birthdays

Hans Leo Hassler (1564-1612)
Domenico Scarlatti (1685-1757)
Johan Helmich Roman (1694-1758)
Mahalia Jackson (1911-1972)
György Pauk (1936-2024)
Christine Brewer (1955)
Natalie Merchant (1963)
Sakari Oramo (1965)
Vijay Iyer (1971)
-2024 and

Andrei Bely (1880-1934)
Napoleon Hill (1883-1970)
John Arden (1930-2012)
Andrew Motion (1952)

Review: Simone Porter evokes crystaline Glass concerto with Oregon Symphony exudes lushness in Rachmaninoff's Second Symphony

Simone Porter began her artist-in-residence with the Oregon Symphony with impeccable playing (October 4) of Philip Glass’s Violin Concerto No. 1 at the Arlene Schnitzer Concert Hall. The Glass piece was a somewhat unusual choice because it doesn’t have the bravura fireworks for the soloist, but, in an odd way, it paired well with Rachmaninoff’s Symphony No. 2, which splashed across the second half of the program, making a nice balance for the orchestra under its Music Director, David Danzmayer.

This concert marked the second appearance of Porter, who grew up in Seattle, with the Oregon Symphony. She debuted with the orchestra in June las year, making a terrific impression as a last-minute replacement Astor Piazzolla’s “Cuatros Estaciones Porteñas” (“The Four Seasons of Buenos Aires”). This time around, she chose the Glass concerto in which the soloist plays long, sustained lines and occasional slinky filigree slightly above the repetitive, slowly changing background from the orchestra. The result is a comfortable ride that offers some slightly edgy moments to keep things interesting. The minimalistic style of the piece gave it a throbbing pulse that was mostly meditative and slightly introverted.

For my taste, the reiteration of musical lines needed a jolt of coffee. The audience, which filled the hall fairly well, seemed to include a lot of Glass fans, who cheered and kept the applause going until Porter returned to play an encore. That turned out to be Andrew Norman’s “Sabina.” It flashed extended techniques – like the beginning in which Porter created scratchy tones from the bridge of her instrument and gradually introduced a series of glassy tones that wiggled into something akin to folk-ish fiddling before straightening out to a few elongated tones that grew quieter and quieter until it vanished.

The second half of the concert was devoted to Rachmaninoff’s Second Symphony, which the orchestra played just a little over a year ago when bad weather hit the city so that only one concert took place. The time around the orchestra delivered a full-bodied sound, emoting the lush melodic themes with a lovely sonority – plus the accelerandos were thrilling. Highlights included the many exposed parts for various musicians, including Concertmaster Sarah Kwak, Principal Clarinetist Mark Dubec, Associate Principal Hornist Joseph Berger, Assistant Principal Clarinetist Todd Kuhns (on bass clarinet), and English hornist Jason Sudduth.

Today's Birthdays

Thomas Weelkes (1576-1623)
Johann Strauss II (1825-1899)
Georges Bizet (1838-1875)
Don Banks (1923-1980)
Galina Vishnevskaya (1926-2012)
Peter Lieberson (1946-2011)
Diana Burrell (1948)
Colin Carr (1957)
Midori (1971)

and

Pablo Picasso (1881-1973)
John Berryman (1914-1972)
Anne Tyler (1941) Zadie Smith (1975)

Today's Birthdays

Ferdinand Hiller (1811-1885)
Imre [Emmerich] Kálman (1882-1953)
Conrad Leonard (1898-2003)
Paul Csonka (1905-1995)
Tito Gobbi (1913-1984)
Luciano Berio (1925-2003)
George Crumb (1929-2022)
Sofia Gubaidulina (1931)
Malcolm Bilson (1935)
Bill Wyman (1936)
George Tsontakis (1951)
Cheryl Studer (1955)

and

Sarah Josepha Hale (1788-1879)
Moss Hart (1904-1961)
Denise Levertov (1923-1997)
Norman Rush (1933)

Today's Birthdays

Albert Lortzing (1801-1851)
Sarah Bernhardt (1844-1923)
Miriam Gideon (1906-1996)
Denise Duval (1921-2016)
Ned Rorem (1923-2022)
Lawrence Foster (1941)
Toshio Hosokawa (1955)
"Weird Al" Yankovic (1959)
Brett Dean (1961)

and

Robert Bridges (1844-1930)
Johnny Carson (1925-2005)
Nick Tosches (1949)
Laurie Halse Anderson (1961)

Today's Birthdays

Franz Liszt (1811-1886)
Sir Donald McIntyre (1934)
Elizabeth Connell (1946-2012)

and

John Reed (1887-1920)
John Gould (1908-2003)
Doris Lessing (1919-2013)

In 1883, the grand opening of the original Metropolitan Opera House in New York City with performance of Gounod's "Faust" with Auguste Vianesi, conducting.

Review of Oregon Symphony concert with Esperanza Spalding

My review of last weekend's Oregon Symphony concert with Esperanza Spalding has been published in Classical Voice North America here.

Today's Birthdays

Joseph Canteloube (1879-1957)
Egon Wellesz (1885-1974)
Howard Ferguson (1908-1999)
Alexander Schneider (1908-1993)
Sir Georg Solti (1912-1997)
Dizzy (John Birks) Gillespie (1917-1993)
Sir Malcom Arnold (1921-2006)
Marga Richter (1926-2020)
Shulamit Ran (1949)
Hugh Wolff (1953)

and

Samuel Taylor Coleridge (1772-1834)
Alfred Nobel (1833-1896)
Ursula K. Le Guin (1929-2018)

Today's Birthdays

Charles Ives (1874-1954)
Jelly Roll Morton (1890-1941)
Adelaide Hall (1901-1993)
Alfredo Campoli (1906-1991)
Adelaide Hall (1909-1993)
Robert Craft (1923-2015)
Jacques Loussier (1934-2019)
William Albright (1944-1998)
Ivo Pogorelich (1958)
Leila Josefowicz (1977)

and

Christopher Wren (1632-1723)
Arthur Rimbaud (1854-1891)
John Dewey(1859-1952)
Robert Pinsky (1940)
Elfriede Jelinek (1946)

Review: Malofeev delivers superb Tchaikovsky in Oregon Symphony concert with outstanding Strauss and D'Addona

For its first regular concert on the season, the Oregon Symphony delivered a remarkably strong concert (September 27) at the Arlene Schnitzer Concert Hall, blending two evergreens with a new piece by a local composer who is making his mark in the classical music world. The well-known gems that received polished and exciting performances from the orchestra were Tchaikovsky’s First Piano Concerto with the young Russian sensation Alexander Malofeev and Richard Strauss’s monumental “Also sprach Zarathustra.” They were preceded by the joyous sounds of Giancarlo Castro D’Addona’s “Encuentro Obertura Festiva,” which opened the concert.

Malofeev, a 24-year-old piano phenom who is based in Berlin, did wonders with the Tchaikovsky. He displayed an impressive explosiveness at the keyboard, combining power and finesse. He also knew how to dial it back for the lyrical passages, which allowed the music to expand. He played the cadenzas immaculately and made them sound absolutely fresh and inviting. Overall, Malofeev perfectly balanced the intimate and the extroverted moods of the piece. That resulted in an immediate standing ovation from concertgoers.

Strauss’s massive tone poem, “Also sprach Zarathustra,” which is a musical interpretation of Friedrich Nietzsche’s eponymous philosophical treatise, received a full-throated performance from the orchestra under Music Director David Danzmayr. If sound of the organ during the initial measures could just be louder, then it would have been even more glorious.

The large orchestral forces, including eight double basses, two tubas, seven horns, three bassoons, and a contrabassoon, filled the stage from corner to corner. Among the many highlights was the mysterious, low sound of the double basses that gradually spread into the orchestra like flowing lava. The orchestra also captured the leisurely warmth of the waltz and the brass volleys that triggered the entire ensemble to erupt was marvelous. Outstanding contributions from the woodwinds, horns, Principal Timpanist Jonathan Greeney, and Concertmaster Sarah Kwak in the many exposed passages added to the vibrancy of the music – until the very end, when it all just quietly expires into the ether.

The opening number “Encuentro Obertura Festiva” lit up the hall with bright fanfares drawn from Venezulea, the birthplace of Portland composer D’Addona. In his introduction to the piece, which was written in 2022, Danzmayr mentioned a percussion cadenza in which audience members would be invited to clap. Believe me, the audience was pumped up for that chance, and it came after a series of brassy, upbeat themes. The percussion battery had a field day, creating lively rhythmic patterns on everything within an arm’s length, including cowbells. The raucous-y finale drew thunderous applause which erupted a second time when D’Addona returned to his seat in the balcony of the Schnitz. He responded with a brief bow and a big smile. It will be terrific to hear another one of his works.

Today's Birthdays

Sidonie Goossens (1899-2004)
Vittorio Giannini (1903-1966)
Karl-Birger Blomdahl (1916-1968)
Emil Gilels (1916-1985)
Robin Holloway (1943)
Robert Morris (1943)

and

Leigh Hunt (1784-1859)
Auguste Lumière (1862-1954)
Miguel Ángel Asturias (1899-1974)
Jack Anderson (1922-2005)
John le Carré (David John Moore Cornwell) (1931-2020)
Philip Pullman (1946)
Tracy Chevalier (1962)

Today's Birthdays

Luca Marenzio (1553-1599)
Baldassare Galuppi (1706-1785)
Lotte Lenya (1898-1981)
Alexander Young (1920-2000)
Egil Hovland (1924-2013)
Chuck Berry (1926-2017)
Wynton Marsalis (1961)
Esperanza Spalding (1984)
and

Heinrich von Kleist (1777-1811)
Henri Bergson (1859-1941)
A. J. Liebling (1904-1963)
Ntozake Shange (1948)
Wendy Wasserstein (1950-2006)
Rick Moody (1961)

Today's Birthdays

Herbert Howells (1892-1983)
Shinichi Suzuki (1898-1998)
Rolando Panerai (1924-2019)
Reiner Goldberg (1939-2023)
Stephen Kovacevich (1940)

and

Georg Büchner (1813-1837)
Nathanael West (1903-1940)
George Polk (1913-1948)
Arthur Miller (1915-2005)

and from the Composers Datebook:

On this day in 1978, President Jimmy Carter presents the Congressional Medal of Honor to singer Marian Anderson.

and from The Writer's Almanac:

It was on this day in 1933 that Albert Einstein officially moved to the United States to teach at Princeton University. He had been in California working as a visiting professor when Hitler took over as chancellor of Germany. Einstein’s apartment in Berlin and his summer cottage in the country were raided, his papers confiscated, and his bank accounts closed. He returned to Europe and handed in his German passport, renouncing his citizenship. He considered offers from all over the world, including Paris, Turkey, and Oxford. Einstein eventually decided on Princeton, which offered him an attractive package teaching at its Institute for Advanced Study — but he had his hesitations about the university. For one thing, it had a clandestine quota system in place that only allowed a small percentage of the incoming class to be Jewish. The Institute’s director, Abraham Flexner, was worried that Einstein would be too directly involved in Jewish refugee causes, so he micromanaged Einstein’s public appearances, keeping him out of the public eye when possible. He even declined an invitation for Einstein to see President Roosevelt at the White House without telling the scientist. When Einstein found out, he personally called Eleanor Roosevelt and arranged for a visit anyway, and then complained about the incident in a letter to a rabbi friend of his, giving the return address as “Concentration Camp, Princeton.” In 1938, incoming freshmen at Princeton ranked Einstein as the second-greatest living person; first place went to Adolf Hitler.

Today's Birthdays

Jan Dismas Zelenka (1679-1745)
Franz [Ferenc] Doppler (1821-1883)
James Lockhart (1930-2025)
Derek Bourgeois (1941-2017)
Marin Alsop (1956)
Erkki-Sven Tüür (1959)
Dmitri Hvorostovsky (1962-2017)

and

Noah Webster (1758-1843)
Oscar Wilde (1854-1900)
Eugene O'Neill (1888-1953)
Günter Grass (1927-2015)
Thomas Lynch (1948)

And from the Writer's Almanac:

In 1882, during a tour across the US, Oscar Wilde lectured to coal miners in Leadville, Colorado, where he saw a sign on a saloon that said, "Please do not shoot the pianist. He is doing his best," and called it "the only rational method of art criticism I have ever come across."

Today's Birthdays

Bernhard Crusell (1775-1838)
Zdeněk Fibich (1850-1900)
Dag Wirén (1905-1985)
Harold Blumenfeld (1923-2014)
Karl Richter (1926-1981)
Barry McGuire (1935)
Suzanne Murphy (1941)
Peter Phillips (1953)

and

Virgil (70 B.C.E.- 19 B.C.E.)
Helen Hunt Jackson (1830-1885)
Friedrich Nietzsche, (1844-1900
P. G. Wodehouse (1881-1975)
Varian Fry (1907-1967)
John Kenneth Galbraith (1908-2006)
Arthur M. Schlesinger, Jr. (1917-2007)
Italo Calvino (1923-1985)
Michel Foucault (1926-1984)

Today's Birthdays

Alexander Zimlinsky (1871-1942)
Gary Graffman (1928)
Rafael Puyana (1931-2013)
Enrico di Giuseppe (1932-2005)
La Monte (Thorton) Young (1935)
Sir Cliff Richard (1940)
Kaija Saariaho (1952-2023)

and

Katherine Mansfield (1888-1923)
E. E. Cummings (1894-1962)
Hannah Arendt (1906-1975)
Katha Pollitt (1949)

Review: Oregon Symphony gala concert with Joshua Bell attracts near-capacity crowd

It was great to see a very full house at the Arlene Schnitzer Concert Hall for the opening gala (September 16) of the Oregon Symphony’s 2025-2026 season. It was a very positive sign that the Portland Arts scene is reemerging from the pandemic. Superstar violinist Joshua Bell was the main attraction of the evening, and the orchestra, under Music Director David Danzmayr, sounded better than ever in a program of gems by Saint-Saëns, Bizet, and Stravinsky.

Bell opened the concert with a magnificent performance of Camille Saint-Saëns Third Violin Concerto. It was an over-the-top effort in which Bell mined the piece for every nuance possible. Each line was shaped with an artistic incisiveness that gave the music a fresh vitality. Bell’s jaw-dropping virtuosity lit up the fireworks of the first movement and still illuminated its beauty. The lyrical second movement reset the mood, evoking images of a boat gently rocking on a lake. For the third, Bell generated a sparkling finish that was noble and elegant.

Overall, it was an inspired performance by Bell, supported by outstanding contributions from the orchestra. In particular, Principal Clarinetist Mark Dubec and the orchestra’s new Principal Oboist Harrison Linsey added graceful tones in their duets with Bell, who enjoyed turning toward the orchestra whenever he had a break to hear the ensemble play.

The audience showered Bell and the orchestra with an immediate standing ovation. After Bell returned to the stage for the third time, he told concertgoers that the first time he played with the Oregon Symphony was in 1988 when it was helmed by James DePriest. He wondered if there were any members who were still with the symphony from that time. It turned out that violinist Lynne Finch and her husband, cellist Kenneth Finch were the only ones. Bell then followed with an encore, the meditation from Jules Massenet's opera "Thaïs", which Bell played as a duet with Principal harpist, Matthew Tutsky. Their sound was very emotive, but not sentimental, and the result was heavenly.

The Suite No. 1 from “L’Arlésienne,” which was incidental music that Bizet wrote for a play of the same name. The Prelude movement, which borrowed from the French Christmas carol "The March of the Kings" offered a lot of dynamic contrast that was fascinating to hear. The second movement, Minuetto, calmed things down – highlighted by an alto saxophone. Exquisite phrasing allowed the third movement, Adagietto, to reach and exquisitely divine moment, and that contrasted extremely well with the brilliant and robust Carillon to wrap up the piece.

The Suite (1919 revision) from Stravinsky’s “The Firebird,” closed out the evening with an outstanding performance by the orchestra. Danzmayr had all of his forces playing at an optimal level – vividly retelling the story of the prince who pursues the Firebird (part woman/part bird) into a garden that belongs to the evil wizard Katschei. She gives the prince a magic feather that he later uses to free the men who have been turned to stone by Katchei. The prince also smashes an egg that controls Katschei’s power and his life. Afterwards, the prince marries a princess in a happy ending.

The basses and cellos wonderfully established the ominous magical garden. The woodwinds created enticing birdlike sounds, and with balletic lyricism, the orchestra recreated the prince and the enticing Firebird and the magic feather. The low brass had a field day expressing the horrible Katschei. The slow passages were mesmerizing, and the climbing series of tones near the end of the piece break into a joyous finale.

Owing to the near-capacity attendance, the vibe in the lobby was elevated, and that bodes well for the orchestra’s season. More on that as the season progresses.

Today's Birthdays

Art Tatum (1910-1956)
Hugo Weisgall (1912-1997)
Gustav Winckler (1925-1979)
Paul Simon (1941)
Leona Mitchell (1949)
Kristine Ciesinski (1950)
Melvyn Tan (1956)
Mark Applebaum (1967)

and

Conrad Richter (1890-1968)
Arna Bontemps (1902-1973)

Today's Birthdays

Sylvius Leopold Weiss (1686-1750)
Johann Ludwig Krebs (1713-1780)
Arthur Nikisch (1855-1922)
Ralph Vaughan Williams (1872-1958)
Healey Willan (1880-1968)
Carlos López Buchardo (1881-1948)
Gilda Dalla Rizza (1892-1975)
Erich Gruenberg (1924-2020)
Pilar Lorengar (1938-1996)
Luciano Pavarotti (1935-2007)
Daryl Runswick (1946)
Penelope Walker (1956)
Chris Botti (1962)

and

Robert Fitzgerald (1910-1985)
Alice Childress (1916-1994)
Robert Coles (1929)

Today's Birthdays

George Bridgetower (1780-1860)
Fernando De Lucia (1860-1925)
R. Nathaniel Dett (1882-1943)
Albert Stoessel (1894-1943)
Eugene Weigel (1910-1998)
Art Blakey (1919-1990)
David Rendall (1948)
Rachel Barton Pine (1974)

and

Mason Locke Weems (1759-1825)
Eleanor Roosevelt (1883-1962)
Elmore Leonard (1925-2013)
Thich Nhat Hanh (1926-2022)

Today's Birthdays

Giuseppe Verdi (1813-1901)
Vernon Duke (1903-1969)
Paul Creston (1906-1985)
Thelonious Monk (1917-1982)
Gloria Coates (1938-2023)
Sir Willard White (1946)
John Prine (1946-2020)
Steve Martland (1959)
Evgeny Kissin (1971)

and

Jean-Antoine Watteau (1684-1721)
Harold Pinter (1930-2008)

And from The Writer's Almanac:

It’s the birthday of the composer Vernon Duke, born Vladimir Dukelsky, in Parafianovo, Belarus (1903). He was a talented classical musician, educated at an elite conservatory, but his family fled Russia after the revolution and he wound up playing piano in cafés in Constantinople (now Istanbul). From there, his family rode steerage class on a ship to America, went through Ellis Island, and ended up in New York in 1921. There the teenage Dukelsky met George Gershwin, who was only a few years older, and the two became good friends. Dukelsky played Gershwin what he described as “an extremely cerebral piano sonata,” and Gershwin, who was also trained in classical music, suggested this: “There’s no money in that kind of stuff, and no heart in it, either. Try to write some real popular tunes — and don’t be scared about going low-brow. They will open you up.” He also suggested that Dukelsky shorten his name, as he himself had done — Gershowitz to Gershwin. So Vladimir Dukelsky came up with the name Vernon Duke, but he didn’t use it for a while.

First, he went to Paris. There, he met and impressed the great ballet impresario Sergei Diaghilev. Dukelsky wrote later about their first meeting — that Diaghilev had drawled: “‘Ah, a good-looking boy. That in itself is most unusual. Composers are seldom good-looking; neither Stravinsky nor Prokofiev ever won any beauty prizes. How old are you?’ I told him I was 20. ‘That’s encouraging, too. I don’t like young men over 25.’” And so Diaghilev commissioned him to write a ballet, and he wrote Zephire et Flore, with sets by Georges Braque, choreography by Léonide Massine, and costumes by Coco Chanel. It got a great reception, and Dukelsky was taken in by the not-quite-as-good-looking Stravinsky and Prokofiev. For a few years he divided his time between Paris, where he continued to write classical music, and London, where he wrote show tunes and used the name Vernon Duke. Then in 1929, he decided to go back to America, and he wrote some of the biggest hits of the 1930s — “April in Paris” (1932), “Autumn in New York” (1934), “I Can’t Get Started” (1936), and “Taking a Chance on Love” (1940). And he wrote the music for the Broadway show and film Cabin in the Sky (1940). By that time, he had become an American citizen and officially changed his name to Vernon Duke.

Today's Birthdays

Alexander Siloti (1863-1945)
Harry Lawrence Freeman (1869-1954)
Carl Flesch (1873-1944)
Camille Saint-Saëns (1835-1921)
Roger Goeb (1914-1997)
Einojuhani Routavaara (1928-2016)
Alfons Kontarsky (1932-2010)
John Lennon (1940-1980)
Jackson Browne (1948)
Sally Burgess (1953)
Roberto Sierra (1953)

and

Ivo Andrić (1892-1975)
Bruce Catton (1899-1978)
Léopold (Sédar) Senghor (1906-2001)
Belva Plain (1915-2010)
Jill Ker Conway (1934-2018)
James Howe McClure (1939-2006)

Review of Fear No Music's marathon reading of 32 new pieces

My review of FNM's evening-long concert has been published in Oregon Arts Watch here.

Today's Birthdays

Heinrich Schütz (1585-1672)
Louis Vierne (1870-1937)
Will Vodery (1885-1951)
Paul V. Yoder (1908-1990)
James Sample (1910-1995)
Kurt Redel (1918-2013)
Toru Takemitsu (1930-1996)
Johnny Ramone (1948-2004)
Robert Saxton (1953)
Carl Vine (1954)
Tabea Zimmermann (1968)
Bruno Mantovani (1974)

and

John Cowper Powys (1872-1963)
Walter Lord (1917-2002)
Philip Booth (1925-2007)
R.L. Stine (1943)

Today's Birthdays

William Billings (1746-1800)
Joe Hill (1879-1915)
Shura Cherkassky (1911-1995)
Charles Dutoit (1936)
John Mellencamp (1951)
Yo-Yo Ma (1955)
Li Yundi (1982)

and

James Whitcomb Riley (1849-1916)
Niels Bohr (1885-1962)
Helen Clark MacInnes (1907-1985)
Desmond Tutu (1931-2021)
Amiri Baraka (aka LeRoi Jones) (1934-2014)
Thomas Keneally (1935)
Dianne Ackerman (1948)
Sherman Alexie (1966)

Today's Birthdays

William Bradbury (1816-1868)
Jenny Lind (1820-1887)
Julia Culp (1880-1970)
Karol Szymanowski (1882-1937)
Maria Jeritza (1887-1982)
Edwin Fischer (1886-1960)
Paul Badura-Skoda (1927-2019)
Dennis Wicks (1928-2003)
Udo Zimmermann (1943-2021)
Keith Lewis (1950)

and

Le Corbusier (1887-1965)
Caroline Gordon (1895-1981)

From the Writer's Almanac:

It was on this day in 1600 that the opera Euridice was first performed, at the Palazzo Pitti in Florence. It is the oldest surviving opera.

Euridice was performed for the wedding celebrations of Henry IV of France and Maria de' Medici. It was written by Jacopo Peri, a beloved composer and singer. He had already written Dafne a few years earlier, which is considered to be the first opera, but that music has been lost.

Euridice is a retelling of the Greek myth of Orpheus and Eurydice, in which the gifted musician Orpheus falls in love with the beautiful Eurydice, but just after their wedding she is bitten by a snake and dies. Orpheus is heartbroken, and he journeys to the underworld, to Hades, to try to bring her back. He charms the king of the underworld, also named Hades, and his wife, Persephone, and they agree to return Eurydice to Orpheus on one condition: that he get all the way back to the upper world without looking back to see if Eurydice is following. He almost makes it, but right as he is walking out into the sunlight he turns back, and Eurydice is still in the underworld, so he loses her forever. Peri not only wrote the opera, but he sang the role of Orpheus. The climax of the opera came during "Funeste piagge," or "Funeral shores," when Orpheus begs Hades and Persephone to release his beloved.

Peri wrote a long preface to Euridice, in which he explained the new musical form he was working in, which we now call opera. He said that he was trying to write the way he imagined the Greeks would have, combing music and speech into the ultimate form of drama. One of the people who came to Florence to see Euridice was Vincenzo Gonzaga, the Duke of Mantua. And he probably brought his servant, Claudio Monteverdi. A few years later, in 1607, Monteverdi premiered his first opera, L'Orfeo, which was also a retelling of the legend of Orpheus. Monteverdi elevated the opera form to new heights, and L'Orfeo is considered the first truly great opera, with all of the dramatic orchestration and lyrics that are so central to the drama.

Review: VSO starts new season on the upswing with Carmina Burana and sold-out concerts

There’s nothing like a sold-out weekend of concerts for a season opener, and that bodes well for the Vancouver Symphony, which celebrated its 47th season with a very robust “Carmina Burana” and a set of intermezzos by Pietro Mascagni. Perhaps the overwhelming success of the Vancouver Arts and Music Festival a couple of months ago has inspired more people to check out the orchestra. Whatever the reason - the jam-packed crowd at Skyview Concert Hall put VSO Music Director Salvador Brotons and the orchestra into sonic overdrive, resulting a glorious performance on Sunday afternoon (September 28).

With its exotic and declamatory sounds “Carmina Burana” proved to be an excellent choice for revving up the audience. Written by Carl Orff – inspired by miscellaneous medieval texts (Latin and an early German dialect from Bavaria) from a Benedictine monastery – the cantata has been a staple of the symphonic repertoire since it was premiered in 1937. The VSO collaborated with the Portland Symphonic Choir, expertly prepared by David Xiques on behalf of PSC Artistic Director Alissa Deeter, soprano Abigail Krawson, tenor Sam Faustine, and baritone Zachary Lenox to give a thoroughly exciting performance of the hour-long work.

Starting with “O Fortuna”, the chorus generated thunderous sonic waves that expressed the fatalist view of the Middle Ages. That heaviness lightened up a bit in the first set of songs about springtime (Primo Vere). The singers announced a glimmer of hope and Lenox enhanced it, singing of the warmth of the sun. They chorus also wonderfully conveyed the intimate scenes in the Uf dem Anger (On the Green) section where feelings of love emerge. After the explosive “Hei” that closed “Were diu werlt alle min” (Were all the world mine), the audience erupted with “Wow” and vigorous applause.

Lenox kicked off The In Taberna (In the Tavern) set with da visceral tribute to alcohol by a commoner and by the abbot. Faustine flew in from the wings to deliver a superb account of the swan being roasted on a spit, and the men of the chorus topped everything off with a raucous drinking chorus, “In taberna quando sumus” that is rousing can-can number. That elicited “Wows” from concertgoers.

The chorus gave the third section Cours d’Amour (Court of Love), a lusty hue, and Krawson graced the climactic ascent of the “Dulcissime” solo with a lovely high D. The chorus created a vibrant “Blanziflor et Helana” (Blanziflor and Helen), and still had gas in the tank for the final “O Fortuna” chorus and its crushing wheel of fate. That brought listeners to their feet with enthusiastic cheering.

Brotons elicited an excellent orchestral sound – with kudos to flutist Darren Cook for his solos. Brotons conducted the entire piece from memory, impressively signaling the accented words during the uptempo drinking song at the end of the In Taberna segment. At one point, he leaned back on the rail as if a bit worn out.

The first half of the concert featured intermezzos from four different operas by Mascagni. That was an interesting choice since none of them contained a fanfare. Fortunately, Brotons talked to the audience between each piece, giving brief introductions that provided some context. The lush and relaxed intermezzo from “Cavalleria rusticana,” was the most familiar, since it is Mascagni’s most famous opera. That contrasted well with the intermezzo from “L’amico Fritz” which was grander and very passionate. Brotons coaxed sweetness from the orchestra – complete with the soothing sounds from the harp – for the intermezzo from “Gulielmo Ratcliff.” The percussion section got a bit of a workout in the intermezzo from “Isabeau.”

The Portland Symphonic Choir joined forces with the orchestra to produce a magnificent “Inno al Sole” (Hymn to the Sun) from Mascagni’s “Iris.” It opened with a solo from Garrett Jellesma’s double bass and a melodic line that expanded into the orchestra and choir. The result was glorious and resonated with the audience, which responded straight away with a standing ovation.

It was not immediately apparent that the texts for "Carmina Burana" and “Inno al Sole” were available via a QR code on a separate sheet that listed the Portland Symphonic Choir roster. That was cleared up during intermission, but after concertgoers had taken their seats. I'm not sure how much of the audience really knew much about the words being sung, but it didn't seem to matter. The music succeeded anyway.

Post Script: It should be noted that the concert marked the first appearance of concertmaster Aromi Park since her debut in that role at the Vancouver Arts and Music Festival a couple of months ago. She continues a long line of female concertmasters in the orchestra.

Today's Birthdays

Cyril Bradley Rootham (1875-1938)
Jürgen Jürgens (1925-1994)
John Downey (1927-2004)
Iwan Edwards (1937-2022)
Ken Noda (1962)

and

Denis Diderot (1713-1784)
Helen Churchill Candee (1858-1949)
Flann O’Brien (1911-1966)
Václav Havel (1936-2011)
Edward P. Jones (1950)
Neil deGrasse Tyson (1958)
Maya Ying Lin (1959)

And from the Composers Datebook:

On this day in 1930, The New York Philharmonic begins its famous series of weekly Sunday afternoon national broadcasts with a program from Carnegie Hall conducted by Erich Kleiber. The first-ever radio broadcast of the New York Philharmonic had occurred on August 12, 1922, when a summer-time concert from Lewisohn Stadium conducted by Willem van Hoogstraten was relayed locally over WJZ in New York.

My note: Willem van Hoogstraten was the conductor of the Portland Symphony (former name of the Oregon Symphony) from 1925 to 1938.

Today's Birthdays

Fanny Tacchinardi‑Persiani (1812-1867)
Alain Daniélou (1907-1994)
Alain Lombard (1940)
John Aler (1949-2022)
Fransico Araiza (1950)
Marc Minkowski (1962)
David Dzubay (1964)

and

Frederic Remington (1861-1909)
Damon Runyan (1880-1946)
Buster Keaton (1895-1966)
Brenden Gill (1914-1997)
Jackie Collins (1937-2015)
Roy Blount Jr. (1941)
Anne Rice (1941)

And from the Composers Datebook:

On this day in 1921, the American Academy in Rome awards American composer Leo Sowerby its first two-year composition fellowship. American composer Howard Hanson was awarded the second two-year composition fellowship on November 9, 1921. The third fellowship was awarded to Randall Thompson on June 6, 1922. The fellowship awards continue to this day.

Today's Birthdays

Antoine Dauvergne (1713-1797)
Stanisław Skrowaczewski (1923-2017)
Steve Reich (1936)
Shiela Silver (1946)

and

Emily Post (1873-1960)
Thomas Wolfe (1900-1938)
Harvey Kurtzman (1924-1993)
Gore Vidal (1925-2012)

Today's Birthdays

Frantisek Tuma (1704-1774)
Henry Février (1875-1957)
Leroy Shield (1893-1962)
Francis Jackson (1917)
Mary Jeanne van Appledorn (1927-2014)
Kenneth Leighton (1929-1988)
Phill Niblock (1933-2024)
Michel Plasson (1933)
Peter Frankl (1935)
Ton Koopman (1944)
Jonathan Summers (1946)

and

Mahatma Gandhi (1869-1948)
Wallace Stevens (1879-1955)
Groucho Marx (1890-1977)
Graham Greene (1904-1991)
Jan Morris (1926-2020)

Today's Birthdays

J. Friedrich Eduard Sobolewski (1808-1872)
Henry Clay Work (1832-1884)
Paul Dukas (1865-1935)
Vladimir Horowitz (1904-1989)
Sylvano Bussotti (1931-2021)

and

Jimmy Carter (1924-2024)
Tim O'Brien (1946)

and from the Composers Datebook:

This day in 1924 marked the opening of The Curtis Institute of Music in Philadelphia, funded by a gift of $12.5 million from the American patroness Mary Louise Curtis Bok, who had inherited her fortune from the Curtis Publishing Company. The faculty, providing instruction for 203 students, included Leopold Stokowski and Josef Hofmann heading conducting and piano departments, respectively. Polish-born coloratura Marcella Sembrich. Hungarian violinist Carl Flesch. French-born harpist/composer Carlos Salzedo. and Italian composer Rosario Scalero.

Today's Birthdays

Johann Svendsen (1840-1911)
Sir Charles V. Stanford (1852-1924)
Václav Smetáček (1906-1986)
David Oistrakh (1908-1974)
Dame Julie Andrews (1935)
Johnny Mathis (1935)
Alan Hacker (1938-2012)
Jonathan Lloyd (1948)
Andrew Rindfleisch (1963)
David Danzmayr (1980)

and

W.S. Merwin (1927-2019)
Truman Capote (1924-1984)
Elie Wiesel (1928-2016)

Today's Birthdays

Jacques-Martin Hottetere (1674-1763)
Tekla Bądarzewska-Baranowska (1829/1834–1861)
Joaquin Nin (y Castellanos) (1879-1949)
Gene Autry (1907-1998)
Richard Bonynge (1930)
Jerry Lee Lewis (1935-2022)
Jean-Luc Ponty (1942)

and

Miguel de Cervantes (1547-1616)
Elizabeth Gaskell (1810-1865)
Miguel de Unamuno (1864-1936)
Enrico Fermi (1901-1954)

Today's Birthdays

Johann Mattheson (1681-1764)
Florent Schmitt (1870-1958)
Vivian Fine (1913-2000)
Rudolf Barshai (1924-2010)
Edward Applebaum (1937-2020)
Catherine Robbin (1950)
Michaela Comberti (1952-2003)

and

Confusius (551 BCE - 479 BCE)
Caravaggio (1571-1610)
Kate Douglas Wiggin (1856-1923)
Edith Pargeter (1913-1995)
Simon Winchester (1944)

and

from the Composers Datebook

On this day in 1951, the Sci-fi classic "The Day the Earth Stood Still" opens in theaters across America, featuring memorable score by Bernard Herrmann that included eerie, other-worldly sounds imitating the electronic instrument known as a "Theremin" (after its Russian-born inventor, Leon Theremin). In the movie, actress Patricia Neal's rendition of the space alien command "Gort: Klaatu barada nikto" prevents Earth's destruction by a death-ray robot from outer space.

Today's Birthdays

Cyril Scott (1879-1970)
Vincent Youmans (1898-1946)
Jean Berger (1909-2002)
James Wilson (1922-2005)
Igor Kipnis (1930-2002)
Dame Josephine Barstow (1940)
Misha Dichter (1945)
Chris Merritt (1952)
Dimitry Sitkovetsky (1954)
Peter Sellers (1957)

and

Sir William Empson (1906-1984)
Joyce Johnson (1935)
Kay Ryan (1945)

Preview of Vancouver Symphony's Carmina Burana concert and season

My preview of the Vancouver Symphony's opening concert, featuring the Portland Symphonic Choir singing Orff's "Carmina Burana" has been published in The Columbian newspaper here.

Today's Birthdays

Cyril Scott (1879-1970)
Vincent Youmans (1898-1946)
Jean Berger (1909-2002)
James Wilson (1922-2005)
Igor Kipnis (1930-2002)
Dame Josephine Barstow (1940)
Misha Dichter (1945)
Chris Merritt (1952)
Dimitry Sitkovetsky (1954)
Peter Sellers (1957)

and

Sir William Empson (1906-1984)
Joyce Johnson (1935)
Kay Ryan (1945)

Today's Birthdays

Johann Nikolaus Hanff (1663-1711)
Jean-Phillippe Rameau (1683-1764)
Léon Boëllmann (1862-1897)
Roberto Gerhard (1896-1970)
Dmitri Shostakovich (1906-1975)
Sir Colin Davis (1927-2013)
Glenn Gould (1932-1982)
Stella Sung (1959)

and

William Faulkner (1897-1962)
Mark Rothko (1903-1970)
Shel Silverstein (1930-1999)

Today's Birthdays

Blind Lemon Jefferson (1893-1929)
Sir Andrzej Panufnik (1914-1991)
Vaclav Nelhybel (1919-1996)
Cornell MacNeil (1922-2011)
John Rutter (1945)
Marc Neikrug (1946)

and

Horace Walpole (1717-1797)
F. Scott Fitzgerald (1896-1940)
Eavan Boland (1944)

and from the Composers Datebook:

On this day in 1947, German-born composer Hanns Eisler is questioned about his former membership in the Communist Party by the House Committee on Un-American activities. Eisler had been a member of the Party in the 1920s, left Germany when Hitler came to power in 1933, and had been working in Hollywood on film scores and as the musical assistant to Charlie Chaplin. He left the U.S. in 1948 and settled in East Germany - where he composed that country's national anthem.

Today's Birthdays

Jacques Féréol Mazas (1782-1849)
William Levi Dawson (1899-1990)
Jarmila Novotná (1907-1994)
Soulima Stravinsky (1910-1994)
Alexander Arutiunian (1920-2012)
Ray Charles (1930-2004)
John Coltrane (1926-1967)
Robert Helps (1928-2001)
Bruce Springsteen (1949)
William Shimell (1952)

and

Euripides (ca 480 BC - 406 BC) - today is the traditional day for Greeks to celebrate his birthday.
Victoria Woodhull (1838-1927)
Baroness Emmuska Orczy (1865-1947)
Walter Lippmann (1899-1974)
Jaroslav Seifert (1901-1986)

Today's Birthdays

Arthur Pryor (1870-1942)
Mikolajus Ciurlionis (1875-1911)
Henryk Szeryng (1918-1988)
William O. Smith (1926-2020)
Hugh Bean (1929-2003)
Leonardo Balada (1933)
Anna Tomowa-Sintow (1941)
John Tomlinson (1946)
Vladmir Ghernov (1953)
Michael Torke (1961)

and

Fay Weldon (1931-2023)

Today's Birthdays

François Francoeur (1698-1787)
Francis Hopkinson (1737-1791)
Gustav Holst (1874-1934)
Meinrad Schütter (1910-2006)
Leonard Cohen (1934-2016)
Jill Gomez (1942)
Andrei Gavrilov (1955)
Nina Rautio (1957)

and

Girolamo Savonarola (1452-1498)
Sir Edmund Gosse (1849-1928)
H(erbert) G(eorge) Wells (1866-1946)
Sir Allen Lane (1902-1970)
Stephen King (1941)

Today's Birthdays

Ildebrando Pizzetti (1880-1968)
Ferdinand "Jelly Roll" Morton (1885-1941)
Uuno Klami (1900-1961)
David Sheinfeld (1906-2001)
John Dankworth (1927-2010)
Jane Manning (1938-2021)
Laurie Spiegel (1945)
John Harle (1956)

and

Upton Sinclair (1878-1968)
Maxwell Perkins (1884-1947)
Stevie Smith (1902-1971)
Donald Hall (1928-2018)

Today's Birthdays

Gustav Schirmer (1829-1893)
Allan Pettersson (1911-1980)
Kurt Sanderling (1912-2011)
Blanche Thebom (1918-2010)
Arthur Wills (1926-2020)
Bonaventura Bottone (1950)

and

William Golding (1911-1993)
Amalia Hernández (1917-2000)
Roger Angell (1920-2022)

Today's Birthdays

Francesca Caccini (1587-1640)
Johann Gottfried Walther (1684-1748)
Lord Berners (1883-1950)
Arthur Benjamin (1893-1960)
Josef Tal (1910-2008)
Norman Dinerstein (1937-1982)
Thomas Fulton (1949-1994)
John McGlinn (1953-2009)
Anna Netrebko (1971)

and

Samuel Johnson (1709-1784)
Jean-Bernard-Léon Foucault (1819-1868)
Paul Zimmer (1934)
Alberto Ríos (1952)

Today's Birthdays

Saverio Mercadante (1795-1870)
Vincenzo Tommasini (1878-1950)
Charles Tomlinson Griffes (1884-1920)
Isang Yun (1917-1995)
Hank Williams (1923-1953)
Vincent La Selva (1929-2017)

and

William Carlos Williams (1883-1963)
Frank O'Connor (1903-1966)
Ken Kesey (1935-2001)

Article and review of Banff International String Quartet Competition in OAW

My account of Portlanders invading Banff for the prestigeous BISQC - plus a review of the competition itself - has been publish in Oregon Arts Watch here.

Today's Birthdays

Paul Taffanel (1844-1908)
Nadia Boulanger (1887-1979)
Hans Swarowsky (1899-1975)
B. B. King (1925-2015)

and

John Gay (1685-1732)
Henry Louis Gates Jr. (1950)
Elizabeth McCracken (1966)

and from the Composers Datebook:

On this day in 1920, Italian tenor Enrico Caruso makes his last records (selections by Meyerbeer, Lully, Bartlett, and Rossini) for Victor Records in Camden, New Jersey. He would make his last operatic appearance at the old Metropolitan Opera House on Christmas Eve in 1920 (an evening performance of Halevy's "La Juive"), and die the following summer in Naples.

On this day in 1977, opera diva Maria Callas dies of a heart attack, age 53, in Paris.

Today's Birthdays

Horatio William Parker (1863-1919)
Bruno Walter (1876-1962)
Frank Martin (1890-1974)
Henry Brant (1913-2008)
Richard Arnell (1917-2009)
Cannonball Adderley (1928-1975)
Rafael Frühbeck de Burgos (1933-2014)
Jessye Norman (1945-2019)
Richard Suart (1951)

and

James Fenimore Cooper (1789-1851)
Robert Benchley (1899-1945)

Today's Birthdays

Michael Haydn (1737-1806)
Luigi Cherubini (1760-1842)
Vittorio Gui (1885-1972)
Alice Tully (1902-1993)
Lehman Engel (1910-1982)
Rolf Liebermann (1910-1999)
Martyn Hill (1944)
Raul Gimenez (1950)

and

Eric Bentley (1916-2020)
Ivan Klíma (1931)
Barbara Grizzuti Harrison (1934-2002)
Renzo Piano (1937)

Preview of Karen Slack's African Queens recital in OAW

Portland Opera will present African Queens this weekend at the Reser. My preview of this acclaimed recital, starring soprano Karen Slack, has been published in Oregon Arts Watch here.

Today's Birthdays

Clara Schumann (1819-1896)
Arnold Schoenberg (1874-1951)
Bill Monroe (1911-1996)
Robert Ward (1917-2013)
Maurice Jarre (1924-2009)
Mel Tormé (1925-1999)
Nicolai Ghiaruv (1929-2004)
Werner Hollweg (1936-2007)
Arleen Auger (1939-1993)
Steve Kilbey (1954)
Andreas Staier (1955)

and

Sherwood Anderson (1876-1941)
J.B. Priestley (1894-1984)
Roald Dahl (1916-1990)
Linda Colley (1949)

Today's Birthdays

Karl Doppler (1825-1900)
Herbert Lincoln Clarke (1867-1945)
Ernst Pepping (1901-1981)
Gideon Waldrop (1919-2000)
Tatiana Troyanos (1938-1993)
Phillip Ramey (1939)
Barry White (1944-2003)
John Mauceri (1945)
Vladimir Spivakov (1946)
Leslie Cheung (1956-2003)

and

H. L. Mencken (1880-1956)
Alfred A. Knopf Sr. (1892-1984)

and from the Composers Datebook:

On this day in 1910, Mahler's Symphony No. 8 ("Symphony of a Thousand") received its premiere in Munich, with the composer conducting.

Today's Birthdays

William Boyce (1711-1779)
Friedrich Kuhlau (1786-1832)
Eduard Hanslick (1825-1904)
Vally Weigl (1894-1982)
Harry Somers (1925-1999)
Arvo Pärt (1935)
Catherine Bott (1952)
Aaron Dworkin (1970)

and

O. Henry (1862-1910)
D. H. Lawrence (1885-1930)
Reed Whittemore (1919-2012)

Today's Birthdays

Henry Purcell (1659-1695)
Niccolò Jommelli (1714-1774)
Tor Aulin (1866-1914)
Mikolajus Ciurlionis (1875-1911)
Judith Nelson (1939-2012)
Christopher Hogwood (1941-2014)
Sir Thomas Allen (1944)
Michael Schønwandt (1953)

and

Hanna Webster Foster (1758-1840)
Hilda Doolittle (1886-1961)
Franz Werfel (1890-1945)
Cyril Connolly (1903-1974)
Mary Oliver (1935-2019)
Stephen Jay Gould (1941-2002)

Today's Birthdays

Joan Cererols (1618-1680)
Edwin Lemare (1865-1934)
Edward Burlingame Hill (1872-1960)
James Blades (1901-1999)
Otis Redding (1941-1967)
Miriam Fried (1946)
David Rosenboom (1947)
Adam Fischer (1949)
Rachel Masters (1958)

and

Leo Tolstoy (1828-1910)
Paul Goodman (1911-1972)

Today's Birthdays

Nicolas de Grigny (1672-1703)
Antonín Dvořák (1841-1904)
Ninon Vallin (1886-1961)
Lionel Salter (1914-2000)
Christoph von Dohnányi (1929)
Eric Salzman (1933-2017)
Sir Peter Maxwell Davies (1934-2016)
Dezső Ránki (1951)
Ilan Volkov (1976)

and

Wilhelm Raabe (1931-1910)
Siegfried Sassoon (1886-1967)
Grace Metalious (1924-1964)
Ann Beattie (1947)
Michael Schermer (1954)

Today's Birthdays

François Philidor (1726-1794)
Joan Cross (1900-1993)
Sir Harry Secombe (1921-2001)
Arthur Ferrante (1921-2009)
Madeleine Dring (1923-1977)
Leonard Rosenman (1924-2008)
Hugh Aitken (1924-2012)
Sonny Rollins (1930)
Buddy Holly (1936-1959)
Olly Wilson (1937-2018)
Jean-Yves Thibaudet (1961)
Angela Gheorghiu (1965)

and

Sinclair Lewis (1885–1951)
Edith Sitwell (1887-1964)
Joe Klein (1946)
Jennifer Egan (1962)

Today's Birthdays

Anton Diabelli (1781-1858)
Sir Henry Walford Davies (1869-1941)
William Kraft (1923-2022)
Arthur Oldham (1926-2003)
Evgeny Svetlanov (1928-2002)
Joan Tower (1938)
Cynthia Haymon (1958)
Nigel Westlake (1958)
Detlev Glanert (1960)
Shih-Hui Chen (1962)

and

Fanny Wright (1795-1852)
Jane Addams (1860-1935)
Robert Pirsig (1928-2017)
Alice Sebold (1963)

Today's Birthdays

Johann Christian Bach (1735-1782)
Giacomo Meyerbeer (1791-1864)
Amy Beach (1867-1944)
John Cage (1912-1993)
Peter Racine Fricker (1920-1990)
Karita Mattila (1960)
Marc-André Hamelin (1961)
Lars Vogt (1970)

and

Frank Yerby (1916-1991)
Justin Kaplan (1925-2014)
Ward Just (1935-2019)

Today's Birthdays

Anton Bruckner (1824-1896)
Darius Milhaud (1892-1974)
Frederic Curzon (1899-1973)
Rudolf Schock (1915-1986)
Irwin Gage (1939-2018)
René Pape (1964)

and

Mary Renault (1905-1983)
Richard Wright (1908-1960)

Today's Birthdays

Adriano Banchieri (1568-1634)
Pietro Locatelli (1695-1764)
Marcel Grandjany (1891-1975)
Francesco Mignon (1897-1986)
Robert Thurston Dart (1921-1971)
Rudolf Kelterborn (1931-2021)
Valerie Coleman (1970)

and

Sarah Orne Jewett (1849-1909)
Louis H. Sullivan (1852-1924)
Sally Benson (1897-1972)
Loren Eiseley (1907-1977)
Alison Lurie (1926-2020)
Loren Eiseley (1907-1977)
Malcolm Gladwell (1963)
Kiran Desai (1971)

Review: Summer concerts at The Barn - Niel DePonte

My review of two performances at Niel DePonte's Concerts at the Barn are now published in Oregon Arts Watch here.

Today's Birthdays

George Böhm (1661-1733)
Alphons Diepenbrock (1862-1921)
Laurindo Almeida (1917-1995)
David Blake (1936)
Greg A. Steinke (1942)
John Zorn (1953)
Paul Goodwin (1956)

and

Eugene Field (1850-1895)
Joseph Roth (1894-1939)
Grady Nutt (1934-1982)

Today's Birthdays

Emanuel Schikaneder (1751-1812)
Engelbert Humperdinck (1854-1921)
Othmar Schoeck (1886-1957)
Conway Twitty (1933-1993)
Seiji Ozawa (1935-2024)
Júlia Várady (1941)
Leonard Slatkin (1944)
Reza Vali (1952)

and

Annie Ernaux (1940)

Today's Birthdays

Amicare Ponchielli (1834-1886)
Alma Mahler (1879-1964)
Everett Lee (1916)
Ifor James (1931-2004)
Wieland Kuijken (1938)
Itzak Perlman (1945)
Daniel Harding (1975)

and

Maria Montessori (1870-1952)
William Shawn (1907-1992)
William Saroyan (1908-1981)
Alan Jay Lerner (1918-1986)

Today's Birthdays

Ernesto Cavallini (1807-1874)
George Frederick Root (1820-1895)
Buddy Rich (1917-1987)
Regina Resnik (1922-2013)
David Maslanka (1943-1917)
David Schiff (1945)
Simon Bainbridge (1952)
Dimitris Sgouros (1969)

and

Jacques-Louis David (1748-1825)
Mary Wollstonecraft Shelley (1797-1851)
Ernest Rutherford (1871-1937)
R Crumb (1943)
Molly Ivins (1944-2007)

Today's Birthdays

Johann Pachelbel (1653-1706)
Helge Rosvaenge (1897-1972)
Charlie Parker (1920-1955)
Norman Platt (1920-2004)
Gilbert Amy (1936)
Anne Collins (1943-2009)
Lucia Valentini Terrani (1946-1998)
Michael Jackson (1958-2009)
Kevin Walczyk (1964)
Mirga Gražinytė-Tyla (1986)

and

John Locke (1632-1704)
Oliver Wendell Holmes Sr. (1809-1894)
Karen Hesse (1952)

Today's Birthdays

Umberto Giordano (1867-1948)
Alfred Baldwin Sloane (1872-1925)
Ivor Gurney (1890-1937)
Karl Böhm (1894-1981)
Paul Henry Lang (1901-1991)
Richard Tucker (1913-1975)
John Shirley-Quirk (1931-2014)
Imogen Cooper (1949)

and

Johann Wolfgang von Goethe (1749-1832)
John Betjeman (1906-1984)
Rita Dove (1952)

Today's Birthdays

Rebecca Clarke (1886-1979)
Eric Coates (1886-1957)
Lester Young (1909-1959)
Maria Curcio (1918-2009)
Barry Conyngham (1944)
Ann Murray (1949)
Sian Edwards (1959)

and

Georg Wilhelm Friedrich Hegel (1770-1831)
Theodore Dreiser (1871-1945)
C. S. Forester (1899-1966)
Ira Levin (1929-2007)
William Least Heat-Moon (1939)

Today's Birthdays

Willem de Fesch (1687-1761)
Luis Delgadillio (1887-1961)
Arthur Loesser (1894-1969)
Humphrey Searle (1915-1981)
Wolfgang Sawallisch (1923-2013)
Nicholas Braithwaite (1939)
Sally Beamish (1956)
Branford Marsalis (1960)

and

Guillaume Apollinaire (1880-1918)
Lee de Forest (1873-1961)
Mother Teresa (1910-1997)
Julio Cortázar (1914-1984)
Barbara Ehrenreich (1941)

Today's Birthdays

Robert Stolz (1880-1975)
Stefan Wolpe (1902-1972)
Leonard Bernstein (1918-1990)
Wayne Shorter (1933-2023)
José Van Dam (1940)
Keith Tippett (1947)
Elvis Costello (1954)

and

Brian Moore (1921-1999)
Charles Wright (1935)
Martin Amis (1949-2023)

Today's Birthdays

Alessandro Marcello (1669-1747)
Théodore Dubois (1837-1924)
Bernhard Heiden (1910-2000)
Niels Viggo Bentzon (1919-2000)
Stephen Paulus (1949-2014)
Carlo Curley (1952-2012)

and

Robert Herrick (1591-1674)
Max Beerbohm (1872-1956)
Jorge Luis Borges (1899-1986)
Oscar Hijuelos (1951-2013)
John Green (1977)

and from The Writer's Almanac:

It was on this day in 1456 that the first edition of the Gutenberg Bible was bound and completed in Mainz, Germany. The Gutenberg Bible was the first complete book printed with movable type. The press produced 180 copies of the Bible. Books had been printed on presses before, in China and Korea, with wood and bronze type; but Gutenberg used metal type, and made a press that could print many versions of the same text quickly. His contributions to printing were huge: he created an oil-based printing ink, he figured out how to cast individual pieces of type in metal so that they could be reused, and he designed a functioning printing press. But others before him had come up with similar ideas. Probably the most important thing that Gutenberg did was to develop the entire process of printing — he streamlined a system for assembling the type into a full book and then folding the pages into folios, which were then bound into an entire volume — and to do it all quickly. The techniques that Gutenberg refined were used for hundreds of years, and the publication of the Gutenberg Bible marked a turning point in the availability of knowledge to regular people.

and from the Composers Datebook:

On this day in 1968, Czech conductor and composer Rafael Kubelik launches an appeal to world musicians to boycott performances in the five nations which invaded Czechoslovakia on August 20-21 until their military forces evacuate the country. The appeal was joined by Igor Stravinsky, Arthur Rubinstein, Yehudi Menuhin, Otto Klemperer, Bernard Haitink, Claudio Arrau, and others.

Today's Birthdays

Moritz Moszkowski (1854-1925)
Ernst Krenek (1900-1991)
William Primrose (1903-1982)
Constant Lambert (1905-1951)
Carl Dolmetsch (1911-1977)
Mark Russell (1932-2023)
Antônio Meneses (1957-2024)
Brad Mehldau (1970)

and

William Ernest Henley (1849-1903)
Edgar Lee Masters (1869-1950)

and from the Composers Datebook:

On this day in 1934, the Berkshire Symphonic Festival in was founded in Stockbridge, Mass., by American composer and conductor Henry Hadley, with the participation of the New York Philharmonic. The Festival later became associated with the Boston Symphony under Serge Koussevitzky.
PS from James: in 1936 this festival moved to Lenox, Mass. where it was renamed the Tangelwood Festival.

Today's Birthdays

Josef Strauss (1827-1870)
Claude Debussy (1862-1918)
Maud Powell (1867-1920)
John Lee Hooker (1917-2001)
Ivry Gitlis (1922-2020)
Karlheinz Stockhausen (1928-2007)
Peter Hoffmann (1944-2010)
Tori Amos (1963)

and

Dorothy Parker (1893-1967)
Henri Cartier-Bresson (1908-2004)
Ray Bradbury (1920-2012)
Annie Proulx (1935)

Review of Willamette Valley Chamber Music Festival in Classical Voice North America

 

My review of two concerts at the Willamette Valley Chamber Music Festival has been posted in Classical Voice North America here.

Today's Birthdays

Lili Boulanger (1893-1918) Count (William) Basie (1904-1984) Tommy Reilly (1919-2000) Willhelm Killmayer (1927-2017) Gregg Smith (1931-2016) Dame Janet Baker (1933) and X. J. Kennedy (1929) Robert Stone (1937-2015) Ellen Hinsey (1960) Posted by James Bash a

Today's Birthdays

Jacopo Peri (1561-1633)
Mario Bernardi (1930-2013)
Dame Anne Evans (1941)
Maxim Vengerov (1974)

and

Eliel Saarinen (1873-1950)
Paul Tillich (1886-1965)
H. P. Lovecraft (1890-1937)
Eero Saarinen (1910-1961)
Jacqueline Susann (1918-1974)
Heather McHugh (1948)

Today's Birthdays

William Henry Fry (1881-1864)
Georges Enescu (1881-1955)
Allan Monk (1942)
Gerard Schwarz (1947)
Rebecca Evans (1963)

and

Samuel Richardson (1689-1761)
Ogden Nash (1902-1971)
Frank McCourt (1930-2009)
Joe Frank (Langemann) (1938-2018)

Today's Birthdays

Antonio Salieri (1750-1825)
Benjamin Godard (1849-1895)
Basil Cameron (1884-1975)
Ernest MacMillan (1893-1973)
Dame Moura Lympany (1916-2005)
Goff Richards (1944-2011)
Tan Dun (1957)

and

Meriwether Lewis (1774-1809)
Margaret Murie (1902 -2003)
Alain Robbe-Grillet (1922-2008)

and from The Writer's Almanac

Italian-born Viennese composer Antonio Salieri was born in Legnago, in the Republic of Venice (1750). Although he was quite popular in the 18th century, he probably wouldn't be well known today were it not for the movie Amadeus (1984). The movie was based on Peter Shaffer's play by the same name (1979), which was in turn based on a short play by Aleksandr Pushkin, which was called Mozart and Salieri (1830). These stories all present Salieri as a mediocre and uninspired composer who was jealous of Mozart's musical genius; Salieri tried to discredit Mozart at every turn, and some versions of the story even accuse him of poisoning his rival.

But Salieri was a talented and successful composer, writing the scores for several popular operas. He had a happy home life with his wife and eight children. And because he had received free voice and composition lessons from a generous mentor as a young man, he also gave most of his students the benefit of free instruction. Some of his pupils included Beethoven, Franz Liszt, and Franz Schubert. He was the Kapellmeister — the person in charge of music — for the Austrian emperor for 36 years. He and Mozart were competitors, but their rivalry was usually a friendly one; Salieri visited Mozart when he was dying, and was one of the few people to attend his funeral.

After the turn of the 19th century, Salieri's music began to fall out of fashion. "I realized that musical taste was gradually changing in a manner completely contrary to that of my own times," he wrote. "Eccentricity and confusion of genres replaced reasoned and masterful simplicity." He stopped composing operas and began to produce more and more religious pieces. He suffered from dementia late in his life and died in 1825. He had composed his own requiem 20 years earlier, and it was performed for the first time at his funeral.

Today's Birthdays

Henri Tomasi (1901-1971)
Abram Chasins (1903-1987)
George Melly (1926-2007)
T.J. (Thomas Jefferson) Anderson (1928)
Edward Cowie (1943)
Jean-Bernard Pommier (1944)
Heiner Goebbels (1952)
Artur Pizarro (1968)

and

Oliver St. John Gogarty (1878-1957)
Mae West (1893-1980)
Evan S. Connell (1924-2013)
Ted Hughes (1930-1998)
V. S. Naipaul (1932-2018)
Ted Hughes (1930-1998)
Jonathan Franzen (1959)

and from the Writer's Almanac:

On this date in 1982, the first compact discs for commercial release were manufactured in Germany. CDs were originally designed to store and play back sound recordings, but later were modified to store data. The first test disc, which was pressed near Hannover, Germany, contained a recording of Richard Strauss's An Alpine Symphony, played by the Berlin Philharmonic. The first CD commercially produced at the new factory and sold on this date was ABBA's 1981 album The Visitors; the first new album to be released on CD was Billy Joel's 52nd Street, which hit the stores in Japan — alongside the new Sony CD player — on October 1. The event is known as the "Big Bang of digital audio."

Review: Updated Scipio's Dream turns early Mozart opera into a fun romp

Jana McIntyre, Charles Sy, and Holly Flack | Photo credit: Owen Carey

A lot of men would love to wake up in bed with two comely women. That’s the situation at the outset of “Scipio’s Dream” (“Il Sogno di Scipone”) devised by Christopher Alden in an OrpheusPDX production (August 3). He took the early Mozart opera and ingeniously updated the story, adding just the right amount of humor, so that it would to appeal to contemporary audiences. As a result, the performance that I saw was a genuine hit with the capacity crowd a Lincoln Performance Hall.

Based on a story by Cicero, “Scipio’s Dream” tells of a Roman warrior, who must decide between Fortuna or Costanza to determine his future. In Alden’s retelling, the warrior becomes a slacker dude, whose carefree life is interrupted by the two female goddesses. He tries to avoid choosing but is brought to task by his grandfather, a great war hero, and a chorus of soldiers, warning him to man up and fulfill his destiny.

Using a libretto by Pietro Metastasio, Mozart linked a chain of recitatives and da capo arias to create “Scipio’s Dream.” You could hear some of his lyrical style emerging, but at fifteen years old, he was just figuring things out.

Tenor Charles Sy struck just the right balance as Scipio, commanding a myriad of florid passages with a golden tone. He expertly conveyed bewilderment and fear before transitioning convincingly to an upright man of action, choosing Costanza (representing calm constancy) over Fortuna (exciting changeability).

Soprano Jana McIntyre had a field day as Fortuna, conquering a withering range of vocal acrobatics with ease. She also reveled in her character’s mercurial nature by modeling a plethora of enticing outfits, rifling them from a large closet. That elicited loads of laughter from all corners of the hall.

Soprano Holly Flack maintained the calm resoluteness of Costanza with a variety of yoga poses and even wrapped the bedsheet around herself a la the Statue of Liberty. She also lit up the house with vocal pyrotechnics, soaring to a jaw-dropping B-flat above high C during one of her arias. She did that twice – which certainly convinced listeners who might not have believed their ears the first time around – and received the loudest applause of the performance.

Tenor Norman Shankle created a forceful Publio, the grandfather who shames and encourages Scipio renounce his slacker life and make a choice between the two goddesses. He toppled Scipio to the floor and put him in a full-body press while singing of his obligation to a higher calling.

A chorus of soldiers, consisting of eight singers, backed up Publio with a dead-earnest demeanor that bordered on zombie-like obsession. They climbed through the windows to Scipio’s room, bobbed up and down, danced with each other, and pointed to a map of Northern Africa that was pinned to the wall – referring to where the real-life Roman general, Scipio Africanus conquered territory for the empire.

In this version of “Scipio’s Dream,” two minor characters from the original were eliminated, and the opera was streamlined to a tad under 90 minutes. Conductor Deanna Tham employed crisp tempos and sensitive dynamics to get a rich sound from an orchestra of 25 musicians that included five of Portland’s best high-school-aged string players.

Excellent lighting by Allen Hahn enhanced Andrew Cavanaugh Holland’s minimalist set design. The group of globe lights that were lowered from the ceiling perfectly matched Costanza’s aria about the harmony of the spheres. Wielding a briefcase and a newfound sense of purpose, Scipio smashed through the butcher paper walls of his apartment and exited with big strides to become the man he was meant to be. That created a final hilarious moment when the cleaning lady stepped through the opening in the wall with her vacuum cleaner and surveyed the mess with a look of surprised confusion on her face.

Today's Birthdays

Heinrich Marschner (1795-1861
Gabriel Pierné (1863-1937)
Jacinto Guerrero (1895-1951)
Ralph Downes (1904-1993)
Bill Evans (1929-1980)
Franz Welser-Möst (1960)

and

Catharine Trotter Cockburn (1679-1749)
Tina Modotti (1896-1942)
William Maxwell (1908-2000)
Charles Bukowski (1920-1994)

Today's Birthdays

Samuel Coleridge-Taylor (1875-1912)
Albert Spalding (1888-1953)
Jaques Ibert (1890-1952)
Leon Theremin (1896-1993)
Lukas Foss (1922-2009)
Aldo Ciccolini (1925-2015)
Oscar Peterson (1925-2007)
Rita Hunter (1933-2001)
Anne Marie Owens (1955)
James O'Donnell (1961)

and

Sir Walter Scott (1771-1832)
Thomas De Quincey (1785-1859)
Edna Ferber (1885-1968)
T. E. Lawrence (1888-1935)
Julia Child (1912-2004)
Benedict Kiely (1919-2007)
Denise Chávez (1948)
Stieg Larsson (1954)

and

The Woodstock music festival began on this day in 1969.

Today's Birthdays

Samuel Sebastian Wesley (1810-1876)
Kaikhosru Shapurji Sorabji (1892-1988)
Pierre Schaeffer (1910-1955)
Jan Koetsier (1911-2006)
Ferruccio Tagliavini (1913-1995)
Georges Prêtre (1924-2017)
Yuri Kholopov (1932-2003)
Sarah Brightman (1960)
Cecilia Gasdia (1960)
Beata Moon (1969)

and

Ernest Thayer (1863-1940)
John Galsworthy (1867-1933)
Russell Baker (1925-2019)
Danielle Steel (1947)
Gary Larson (1950)

Today's Birthdays

Sir George Grove (1820-1900)
John Ireland (1879-1962)
Luis Mariano (1914-1970)
George Shearing (1919-2011)
Louis Frémaux (1921-2017)
Don Ho (1930-2007)
Sheila Armstrong (1942)
Kathleen Battle (1948)
Gregory Vajda (1973)

and

Nikolaus Lenau (1802-1850)
Alfred Hitchcock (1899-1980)

Today's Birthdays

Giovanni Legrenzi (1626-1690)
Heinrich Biber (1644-1704)
Katherine Lee Bates (1859-1929)
Porter Wagoner (1927-2007)
Buck Owens (1929-2006)
Huguette Tourangeau (1940)
David Munrow (1942-1976)
Pat Metheny (1954)
Stuart MacRae (1976)

and

Robert Southey (1773-1843)
Edith Hamilton (1867-1963)
Cecil B. DeMille (1881-1959)
Donald Justice (1925-2004)
William Goldman (1931-2018)
Anthony Swofford (1970)