Impressive Bruckner 7th fills Arlene Schnitzer with waves of sonic goodness

The symphonic works of Anton Bruckner are played all too rarely in Portland. To the best of my knowledge only the Bruckner Seventh has been performed in the last 30 years. But based on what I heard on Saturday evening, November 17, at the Arlene Schnitzer Concert Hall, the Oregon Symphony is an excellent Bruckner band. Under the baton of guest conductor Alexander Soddy, the orchestra gave an incisive, brilliant, and emotionally rewarding performance of the Seventh.

The orchestra undertook the hour-long piece with breath-taking alacrity, scaling its monumental heights and descending into the depths as if they were nothing at all. Under the baton of Soddy, who is primarily known for his work as an opera conductor, the music began in an unhurried fashion with the massive architecture of sound unfolding in a natural, organic way. Soddy kept the tension under wraps so that the music didn’t reach its climax until the very end – which is a very difficult thing to do because of the massive build up and release of sound that occurs so often in the piece.

The four Wagner tubas, rented from San Francisco Opera, were played magnificently – with extra kudos to Joseph Berger whose playing bloomed and filled the hall in the second movement. Several exposed passages by flutist Martha Long were also performed outstandingly. The strings were also exceptional and held their own against the volleys from the brass section. If only there were 20 more string players to create an even more emphatic and demonstrative impression!

Ingrid Fliter, the Argentinian pianist and the winner of the 2006 Gilmore Artist Award last performed with the orchestra in 2008, playing Chopin’s Second Piano Concerto. This time around, she performed Beethoven’s Piano No. 5, (aka “Emperor”) with the orchestra to a fairly full house. I was not impressed with the fact that she had not memorized the piece (using an electronic tablet for the score), because any kind of aid doesn’t allow the soloist to freely interpret music. She did play the louder sections very well, especially, the last spirited and jubilant final movement. But parts that involved softer sounds, such as in the second movement, could have been dreamier. Still, Filter connected well with the audience, which brought her and the conductor back to the stage three times.

Today's Birthdays

Carl Loewe (1796-1869)
Charles Valentin Alkan (1813-1888)
Sergei Liapunov (1859-1924)
Ludwig Thuille (1861-1907)
Ture Rangström (1884-1947)
Ray Henderson (1896-1970)
Klaus Huber (1924-2017)
Gunther Herbig (1931)
Walter Weller (1939-2015)
Radu Lupu (1945)
Semyon Bychkov (1952)

and

Jonathan Swift (1667-1745)
Mark Twain (1835-1910)
L(ucy) M(aud) Montgomery (1874-1942)
Winston Churchill (1874-1965)
Jacques Barzun (1907-2012)
David Mamet (1947)

Today's Birthdays

Gaetano Donizetti (1797-1848)
Billy Strayhorn (1915-1967)
John Brecknock (1937-2017)
Chuck Mangione (1940)
Louise Winter (1959)

and

Amos Bronson Alcott (1799-1888)
Louisa May Alcott (1832-1888)
C. S. Lewis (1898-1963)
Madeleine L'Engle (1918-2007)

Today's Birthdays

Jean-Baptiste Lully (1632-1687)
Ferdinand Ries (1784-1838)
Anton Rubinstein (1829-1894)
Pamela Harrison (1915-1990)
Berry Gordy Jr. (1929)
Randy Newman (1943)
Diedre Murray (1951)

and

John Bunyan (1628-1688)
William Blake (1757-1827)
Friedrich Engels (1820-1895)
Stefan Zweig (1881-1942)
Nancy Mitford (1904-1973)
Rita Mae Brown (1944)
Alan Lightman (1948)

Today's Birthdays

Chiara Margarita Cozzolani (1602-1678)
Anton Stamitz (1750-1798 or 1809)
Franz Krommer (1759-1831)
Sir Julian Benedict (1804-1885)
Viktor Ewald (1860-1935)
Charles Koechlin (1867-1950)
Leon Barzin (1900-1999)
Walter Klien (1928-1991)
Helmut Lachenmann (1935)
Jimi Hendrix (1942-1970)
David Felder (1953)
Victoria Mullova (1959)
Hilary Hahn (1979)

and

Anders Celsius (1701-1744)
Charles Beard (1874–1948)
James Agee (1909-1955)
Marilyn Hacker (1942)
Bill Nye (1955)

Today's Birthdays

Earl Wild (1915-2010)
Eugene Istomin (1925-2003)
Alan Stout (1932-2018)
John Sanders (1933-2003)
Craig Sheppard (1947)
Vivian Tierney (1957)
Spencer Topel (1979)

and

Eugene Ionesco (1909-1994)
Charles Schulz (1922-2000)
Marilynne Robinson (1943)

Today's Birthdays

Franz Gruber (1785-1863)
Wilhelm Kempff (1895-1991)
Virgil Thomson (1896-1989)
Paul Desmond (1924-1977)
Sir John Drummond (1934-2006)
Jean-Claude Malgoire (1940)
Håkan Hagegård (1945)
Yvonne Kenny (1950)
Gilles Cachemaille (1951)

and

Andrew Carnegie (1835-1919)
Helen Hooven Santmyer (1895-1986)
Lewis Thomas (1913-1993)
Murray Schisgal (1926) Shelagh Delaney (1938-2011)

and from the Composers Datebook:

On this day in 1934, conductor Wilhelm Furtwängler's article "The Hindemith Case" defending Hindemith's music appears in several German newspapers. A response attacking both Hindemith and Furtwängler appears in the Nazi newspaper "Der Angriff" on November 28. Furtwängler resigns all his official German posts on December 4 and leaves Berlin for several months. On December 6 Propaganda Minister Joseph Goebbels denounces Hindemith as an "atonal noisemaker" during a speech at the Berlin Sport Palace.

Today's Birthdays

Scott Joplin (1868-1917)
Willie ("The Lion") Smith (1897-1973)
Norman Walker (1907-1963)
Erik Bergman (1911-2006)
Emma Lou Diemer (1927)
Alfred Schnittke (1934-1998)
Maria Chiara (1939)
Chinary Ung (1942)
Tod Machover (1953)
Jouni Kaipainen (1956)
Edgar Meyer (1960)
Angelika Kirchschlager (1965)

and

Benedict Spinoza (1632-1677)
Laurence Sterne (1713-1768)
Margaret Anderson (1886-1973)
Nuruddin Farah (1945)
Arundhati Roy (1961)

and from the Composers Datebook:

On this day in 1850, the legendary soprano Adelina Patti makes her operatic debut at age 16 in New York City, singing in Donizetti's "Lucia di Lammermoor."

Romanian soprano superb in Portland Opera's "La Traviata"

Photo by Cory Weaver/Portland Opera

By opening its 2018-2109 season with “La Traviata” on Friday, November 2, Portland Opera has decided to return to its base with a grand opera at the Keller Auditorium in the late fall. For the past three years, the company has experimented with a season that extended from late spring through summer with mixed success, doing two works at the Keller and two at the Newmark Theatre. Apparently, the company figured out that the experiment worked alright, but was not convincing. So, it has readjusted its schedule once again with a big fall performance (“La Traviata”) followed by March performances at the Newmark of the popular new opera, “As One,” and summer performances at the Keller (“The Barber of Seville”), the Newmark (“La Finta Giardiniera”) and the intimate Hampton Opera Center (“In the Penal Colony”).

“La Traviata” has an evergreen status with Portland Opera, because it has mounted six productions (1968, 1975, 1982, 1993, 2001, 2008) in the past with reliable success. It’s a star vehicle for Verdi sopranos, and Romanian Aurelia Florian fulfilled that requirement with an outstanding performance of the Violetta Valéry, the consumptive courtesan with a heart of gold.

This production featured huge painted backdrops, designed by Ecole Sormani and provided by the Stivanello Costume Company, that set each scene in the style of upper-class salons of 19th Century France. The traditional costumes were designed by Christine A. Richardson. Directed by Elise Sandell, this “La Traviata” was a fairly standard affair, except for the big soirees, which offered a dash of inclusiveness with a bearded male chorister in a ball gown and at least one female colleague dressed in a man’s suit.

The opening party scene had splash with Alfredo (Jonathan Boyd) coming out of the gate singing strongly and Violetta (Florian) responding with an equally vigorous voice. She grabbed a bottle of bubbly and kicked off her shoes, which lightened up things a bit, but the two didn’t have much chemistry as onstage lovers. A couple of off-stage noises interrupted things a bit at beginning of Act 2, but that was quickly forgotten when Violetta capitulated to the demands of Germont (Weston Hurt) to drop the affair with his son. Hurt’s resolute and lovely baritone was one of the highlights of the evening. The scene in which Violetta rejected Alfredo in favor of Baron Douphol (Daniel Mobbs), causing Alfredo to erupt and throw his winnings was forcefully compelling. In the final act, Florian wonderfully conveyed the pathos of Violetta’s sickness and her last breath while proclaiming her eternal love for Alfredo. The two lovers finally connected convincingly and created the feeling of warmth and tragedy as the curtain came down.

Conductor Christopher Larkin guided the music with great sensitivity, and the orchestra sounded excellent. The chorus, prepared by Nicholas Fox, was in top form. The audience was on its feet during the curtain calls, showering the most applause and cheers on Florian.

Today's Birthdays

Pierre Du Mage (1674-1751)
Manuel de Falla (1876-1946)
André Caplet (1878-1925)
Guy Reginald Bolton (1884-1979)
Jerry Bock (1928-2010)
Vigen Derderian (1929-2003)
Krzysztof Penderecki (1933)
Ludovico Einaudi (1955)
Thomas Zehetmair (1961)
Nicolas Bacri (1961)
Ed Harsh (1962)

and

Nirad C. Chaudhuri (1897-1999)
Paul Celan (1920-1950)
Jennifer Michael Hecht (1965)

and from the Writer's Almanac:

On this day in 1889, the first jukebox was unveiled in a saloon in San Francisco. It was invented by Louis Glass, who had earlier worked as a telegraph operator for Western Union and then co-founded the Pacific Phonographic Company. He was fascinated by the phonograph technology and saw a market for charging people to listen to them, since phonographs were still too expensive to buy for your own home. He installed the machine in the Palais Royal saloon simply because he knew the owner and it was close to his house, so he didn’t have to carry the machine very far.

The word “jukebox” wasn’t invented until the 1920s. Glass called his machine the “nickel-in-the-slot phonograph,” since you had to pay a nickel to hear a song play. In today’s money, a nickel was about $1.27 at the time. The first machine had four different stethoscopes attached to it that functioned as headphones. Each pair of headphones had to be activated by putting in a nickel, and then several people could listen to the same song at once. There were towels left by each listening device so people could wipe them off after using. As part of his agreement with the saloonkeepers, at the end of each song, the machine told the listener to “go over to the bar and buy a drink.”

His phonograph was a huge hit and, at a conference in Chicago, Glass told his competitors that his first 15 machines brought in over $4,000 in six months. This led to other manufacturers making their own machines. Shortly after, Thomas Edison designed a phonograph people could buy for their homes, which also cut into the market. Glass’s invention eventually made the player piano obsolete, and competitors updated the jukebox with new technologies from record players to CDs. Now there is such a thing as a digital jukebox, but they never really caught on, since they come with the size and expense of a regular jukebox, without any of the charm of flipping through the records and watching the moving parts of the machine.

Today's Birthdays

St. Cecilia
Frantisek Benda(1709-1786)
Wilhelm Friedemann Bach (1710-1784)
Conradin Kreutzer (1780-1849)
Edgard Varèse (1883-1965)
Hoagy Carmichael (1899-1981)
Joaquin Rodrigo (1901-1999)
Benjamin Britten (1913-1976)
Gunther Schuller (1925-2015)
Jimmy Knepper (1927-2003)
Hans Zender (1936)
Kent Nagano (1951)
Stephen Hough (1961)
Sumi Jo (1962)

and

George Eliot (1819-1880)
André Gide (1869-1951)

And from The Writer's Almanac:

It’s the feast day of Saint Cecilia, who was the patron saint of musicians because she sang to God as she died a martyr’s death. She was born to a noble family in Rome near the end of the second century A.D.

It wasn’t really until the 1400s that people really began to celebrate her widely as the patron saint of music. Then, in the 1500s, people in Normandy held a large musical festival to honor her, and the trend made its way to England in the next century. Henry Purcell composed celebratory odes to honor her, and the painter Raphael created a piece called “The Ecstasy of St. Cecilia.” Chaucer wrote about her in the Second Nonnes Tale, and Handel composed a score for a famous ode to her that John Dryden had written.

Today, Saint Cecilia is often commemorated in paintings and on stained glass windows as sitting at an organ.

Today's Birthdays

Francisco Tárrega (1852-1909)
Sigfrid Karg-Elert (1877-1933)
Coleman Hawkins (1904-1969)
Bernard Lagacé (1930)
Malcolm Williamson (1931-2003)
James DePreist (1936-2013)
Idil Biret (1941)
Vinson Cole (1950)
Kyle Gann (1955)
Stewart Wallace (1960)
Björk (1965)

and

Voltare (1694-1778)
Arthur Quiller-Couch (1863-1944)
Mary Johnston (1870-1936)
René Magritte (1898-1967)
Isaac Bashevis Singer (1902-1991)
Marilyn French (1929-2009)
Tina Howe (1937)

Today's Birthdays

Daniel Gregory Mason (1873-1953)
René Kolo (1937)
Gary Karr (1941)
Meredith Monk (1942)
Phillip Kent Bimstein (1947)
Barbara Hendricks (1948)

and

Nadine Gordimer (1923-2014)
Maya Plisetskaya (1925-2015)
R.W. Apple Jr. (1934-2006)
Don DeLillo, (1936)

and from the Composers Datebook:

On this day in 1805, Beethoven's opera "Fidelio" (1st version, with the "Leonore" Overture No. 2) was premiered in Vienna at the Theater an der Wien.

Today's Birthdays

Friedrich Wilhelm Zachow (1663-1712)
Mikhail Ippolitov-Ivanov (1859-1935)
Jean‑Yves Daniel‑Lesur (1908-2002)
Géza Anda (1921-1976)
Maralin Niska (1926-2010)
David Lloyd-Jones (1934)
Agnes Baltsa (1944)
Ross Bauer (1951)

and

Allen Tate (1899-1979)
Sharon Olds (1942)

and from The Writer's Almanac:

On this date in 1863, Abraham Lincoln delivered the Gettysburg Address at the dedication of the Soldiers' National Cemetery in Gettysburg, Pennsylvania. It was four and a half months after the devastating battle, and it was a foggy, cold morning. Lincoln arrived about 10 a.m. Around noon, the sun came out as the crowds gathered on a hill overlooking the battlefield. A military band played, a local preacher offered a long prayer, and the headlining orator, Edward Everett, spoke for more than two hours. Everett described the Battle of Gettysburg in great detail, and he brought the audience to tears more than once. When Everett finished, Lincoln spoke.

Now considered one of the greatest speeches in American history, the Gettysburg Address ran for just over two minutes, fewer than 300 words, and only 10 sentences. It was so brief, in fact, that many of the 15,000 people that attended the ceremony didn't even realize that the president had spoken, because a photographer setting up his camera had momentarily distracted them. The next day, Everett told Lincoln, "I wish that I could flatter myself that I had come as near to the central idea of the occasion in two hours as you did in two minutes."

There are several versions of the speech, and five different manuscript copies; they're all slightly different, so there's some argument about which is the "authentic" version. Lincoln gave copies to both of his private secretaries, and the other three versions were re-written by the president some time after he made the speech. The Bliss Copy, named for Colonel Alexander Bliss, is the only copy that was signed and dated by Lincoln, and it's generally accepted as the official version for that reason.

Today's Birthdays

Jean‑Baptiste Loeillet (1680-1730)
Carl Maria von Weber (1786-1826)
Sir William Schwenck Gilbert (1836-1911)
Ignacy Jan Paderewski (1860-1941)
Amelita Galli‑Curci (1882-1963)
Eugene Ormandy (1899-1985)
Lillian Fuchs (1901-1995)
Compay Segundo (1907-2003)
Johnny Mercer (1909-1976)
Don Cherry (1936-1995)
Heinrich Schiff (1951)
Bernard d'Ascoli (1958)

and

Louis Daguerre (1787-1851)
Asa Gray (1810-1888)
W.S (William Schwenck) Gilbert (1836-1911)
George Gallup (1901-1984)
Margaret Atwood (1939)

and from the Composers Datebook:

On this day in 1928, Mickey Mouse debuts in "Steamboat Willie," in New York. This was the first animated cartoon with synchronized pre-recorded sound effects and music -- the latter provided by organist and composer Carl Stalling of Kansas City. Stalling would later provide memorial music for many classic Warner Brothers cartoons.

Today's Birthdays

Ernest Lough (1911-2000)
Hershy Kay (1919-1981)
Leonid Kogan (1924-1982)
Sir Charles Mackerras (1925-2010)
David Amram (1930)
Gene Clark (1941-1991)
Philip Picket (1950)
Philip Grange (1956)

and

Shelby Foote (1916-2006)

Today's Birthdays

Rodolphe Kreutzer (1766-1831)
Alfred Hill (1869-1960)
W. C. Handy (1873-1958)
Paul Hindemith (1895-1963)
Burnet Tuthill (1888-1982)
Lawrence Tibbett (1896-1960)
Earl Wild (1915-2010)
David Wilson-Johnson (1950)
Donald Runnicles (1954)

and

George S. Kaufman (1889-1961)
José Saramago (1922-2010)
Chinua Achebe (1930-2013)
Andrea Barrett (1954)

Bach Cantata Choir to perorm at Leipzig Bach Festival in June of 2020

The Leipzig Bach Festival has invited Portland's own Bach Cantata Choir to perform at the internationally renown festival in June of 2020. Here is the news via Facebook from the choir's artistic director, Ralph Nelson:

Last summer, the Bach Cantata Choir (of which I am the artistic director/conductor) traveled to Germany and sang in two of Bach’s great churches in Leipzig. We have been invited back to Leipzig to sing as part of the Leipzig Bach Festival in 2020 – a festival that occurs annually each June, and draws Bach enthusiasts from around the world. The theme of the Leipzig Bach Festival in 2020 will be “Bach – We Are Family,” and will feature 17 invited choirs from 5 continents around the world. The Bach Cantata is extremely honored to be one of four choirs to represent the United States – the other three are the Bethlehem PA Bach Choir (America’s first Bach choir), Trinity Wall Street (New York City) and Emmanuel Music (Boston). We will be singing three cantatas (#38, #115, and #180) in St. Nicholas Church (pictured here -- one of Bach’s two great churches in Leipzig) on June 16, 2020. We have a concert coming up this weekend on Sunday, November 18 at 2pm at Rose City Park Presbyterian Church (NE 44th and Sandy in Portland, Oregon). Admission is free – doors open at 1:30pm. See www.bachcantatachoir.org for more details.

PS: I sing in the choir and am really looking forward to a return to Leipzig in 2020!

Today's Birthdays

Sir William Herschel (1738-1822)
Annunzio Paolo Mantovani (1905-1980)
Petula Clark (1932)
Peter Dickinson (1934)
Daniel Barenboim (1942)
Pierre Jalbert (1967)

and

Gerhart Hauptmann (1862-1946)
Franklin Pierce Adams (1881-1960)
Georgia O'Keefe (1887-1986)
Marianne Moore (1887-1972)

and from the Composers Datebook:

On this day in 1926, the first broadcast of a music program took place on the NBC radio network, featuring the New York Symphony conducted by Walter Damrosch, the New York Oratorio Society, and the Goldman Band, with vocal soloists Mary Garden and Tito Ruffo, and pianist Harold Bauer.

Toiday's Birthdays

Johann Nepomuk Hummel (1778-1837)
Fanny Hensel (1805-1847)
Rev. John Curwen (1816-1880)
Aaron Copland (1900-1990)
Leonie Rysanek (1926-1998)
Jorge Bolet (1914-1990)
Narciso Yepes (1927-1997)
Robert Lurtsema (1931-2000)
Peter Katin (1930-2015)
Ellis Marsalis (1934)
William Averitt (1948)

and

Claude Monet (1840-1926)
Astrid Lindgren (1907-2002)
William Steig (1907-2003)