Josef Holbrooke (1878-1958)
Wanda Landowska (1879-1958)
Jan Kubelík (1880-1940)
Gordon Jacob (1895-1984)
Paul Ben-Haim (1897-1984)
George Rochberg (1918-2005)
János Starker (1924-2013)
Kenneth Gaburo (1926-1993)
Matthias Bamert (1942)
Alexander Lazarev (1945)
Paul Daniel (1958)
Isabelle Poulenard (1961)
and
A. E. Douglass (1867-1962)
Jean Cocteau (1889-1963)
Barbara Frischmuth (1941)
Craig Nova (1945)
From The Writer's Almanac:
It’s the birthday of the Polish-French harpsichordist Wanda Landowska,
born in Warsaw (1879). She’s been called the “rediscoverer of the
harpsichord,” because she revived interest in the instrument during the
first half of the 20th century.
Landowska’s father was a lawyer and an amateur musician; her
multilingual mother was the first person to translate Mark Twain into
Polish. Landowska studied piano from the age of four. As an adult, she
taught piano and harpsichord in Paris and Berlin. She began collecting
antique keyboard instruments, and scoured libraries all over Europe for
old musical manuscripts, which she copied. In 1903, she gave her first
public performance on the harpsichord, and began a concert tour of
Europe; in Russia, she performed for Leo Tolstoy. Although several
composers wrote harpsichord pieces just for her, she was particularly
fascinated by Johann Sebastian Bach and wanted to play his music in the
most authentic way possible. In 1933, she made the first recording of
Bach’s Goldberg Variations on the harpsichord. Her longtime companion,
Denise Restout, later described feeling “stunned” when she heard
Landowska play the Variations. “It was like being in front of one of the
greatest works of nature,” she wrote.
When the Nazis invaded France, Landowska’s house was looted and all of
her instruments and manuscripts were stolen. She and Restout fled the
country. She didn’t think the Nazi invasion would last long, so she only
brought a couple of suitcases with her. Following an indirect route,
they ended up on a ship to the United States, arriving on December 7,
1941. Ellis Island was chaotic because hundreds of Japanese people were
being detained there. Landowska finally found a battered piano, and
said, “We don’t know why we’re here or how long we’ll be here, so I can
work.” They were finally allowed in the country after several prominent
musicians wrote letters of support, and they eventually settled in
Lakeville, Connecticut, where Landowska would live for the rest of her
life.
No comments:
Post a Comment