Richard Wagner (1813-1883)
Johann Schrammel (1850-1893)
Minna Keal (1909-1999)
Sun Ra (1914-1993)
George Tintner (1917-1999)
Humphrey Lyttelton (1921-2008)
Claude Ballif (1924-2004)
John Browning (1933-2003)
Peter Nero (1934)
and
Sir Arthur Conan Doyle (1859-1930)
Laurence Olivier (1907-1989)
Peter Matthiessen (1927-2014)
and from the New Music Box:
On
May 21, 1893, in an lengthy article published in the New York Herald
titled "Real Value of Negro Melodies," Bohemian composer Antonin Dvorak,
during his three-year sojourn in the United States, prognosticated that
the future of American music should be based on "negro melodies" and
announced that the National Conservatory of Music, where he was serving
as Director at the time, would be "thrown open free of charge to the
negro race." It was to be the first of a total of seven articles in the
Herald in which Dvorak expounded these ideas which provoked comments
ranging from incredulity to denunciation by composers and performers
around the world including Anton Bruckner, Anton Rubinstein and John
Knowles Paine.
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