Jascha Horenstein (1898-1973)
George Perle (1915-2009)
Godfrey Ridout (1918-1984)
Murry Sidlin (1940)
Ghena Dimitrova (1941-2005)
Nathalie Stutzmann (1965)
and
Robert Peary (1856-1920)
Sigmund Freud (1856-1939)
Gaston Leroux (1868-1927)
Randall Jarrell (1914-1965)
Orson Wells (1915-1985)
And from The New Music Box:
At the second of the Copland-Sessions
Concerts of Contemporary Music, which was held at the Edyth Totten
Theater in New York City on May 6, 1928, pianist John Duke premiered the
first three movements of Roger Sessions' First Piano Sonata. Although
the program announced a fourth movement, it was not finished in time for
the concert. Also on the program were premieres of works by Copland
(Two Pieces for String Quartet), Quincy Porter (Piano Quintet), Robert
Delaney (Sonata for Violin and Piano) as well as solo piano pieces by
Aldoph Weiss, Dane Rudhyar and Ruth Crawford.
In his review of
the concert for the Boston Evening Transcript (published on May 11,
1928), Nicolas Slonimsky praised Copland as a "poet" who "works wonders"
and Sessions as "a persistent and scholarly searcher for a new style"
and one its "chief masons." But he called Rudhyar's music "a Naught to
the Nth power." He was somewhat critical about Crawford as well but
conceded that "there may be a chance for her in the future." Slonimsky
also pointed out that the concert was nearly sold-out, claiming it proof
that "there are several hundred persons actively interested in modern
music."
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